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Cinavia
Cinavia, originally called Verance Copy Management System for Audiovisual Content (VCMS/AV), is an analog watermarking and steganography system under development by Verance since 1999, and released in 2010. In conjunction with the existing Advanced Access Content System (AACS) digital rights management (DRM) inclusion of Cinavia watermarking detection support became mandatory for all consumer Blu-ray Disc players from 2012. The watermarking and steganography facility provided by Cinavia is designed to stay within the audio signal and to survive all common forms of audio transfer, including lossy data compression using discrete cosine transform, MP3, DTS, or Ogg Vorbis. It is designed to survive digital and analog sound recording and reproduction via microphones, direct audio connections and broadcasting, and does so by using audio frequencies within the hearing range. It is monaural and not a multichannel codec. Cinavia's in-band signaling introduces intentional spread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advanced Access Content System
The Advanced Access Content System (AACS) is a standard for content distribution and digital rights management, intended to restrict access to and copying of the post-DVD generation of optical discs. The specification was publicly released in April 2005 and the standard has been adopted as the access restriction scheme for HD DVD and Blu-ray Disc (BD). It is developed by AACS Licensing Administrator, LLC (AACS LA), a consortium that includes Disney, Intel, Microsoft, Panasonic, Warner Bros., IBM, Toshiba and Sony. AACS has been operating under an "interim agreement" since the final specification (including provisions for Managed Copy) has not yet been finalized. Since appearing in devices in 2006, several AACS decryption keys have been extracted from software players and published on the Internet, allowing decryption by unlicensed software. System overview Encryption AACS uses cryptography to control and restrict the use of digital media. It encrypts content under one or mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secure Digital Music Initiative
Secure Digital Music Initiative (SDMI) was a forum formed in late 1998,Leonardo ChiariglioneRiding the Media Bits. Opening content protection chiariglione.org, 2003 composed of more than 200 IT, consumer electronics, security technology, ISP and recording industry companies, as well as authors, composers and publishing rightsholders (represented by CISAC and BIEM representatives, mainly from SGAE/SDAE (Gonzalo Mora Velarde and José Manuel Macarro), GEMA (Alexander Wolf und Thomas Kummer-Hardt), SACEM/SDRM (Aline Jelen, Catherine Champarnaud, Laurent Lemasson), MCPS/PRS (Mark Isherwood), ASCAP , BMI (Edward Oshanani), and SODRAC), ostensibly with the purpose of developing technology and rights management systems specifications that will protect once developed and installed, the playing, storing, distributing and performing of digital music. Specifically, the goals of the SDMI were to provide consumers with convenient access to music online and in new digital distribution systems, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Rights Management
Digital rights management (DRM) is the management of legal access to digital content. Various tools or technological protection measures (TPM) such as access control technologies can restrict the use of proprietary hardware and copyrighted works. DRM technologies govern the use, modification, and distribution of copyrighted works (such as software and multimedia content), as well as systems that enforce these policies within devices. Laws in many countries criminalize the circumvention of DRM, communication about such circumvention, and the creation and distribution of tools used for such circumvention. Such laws are part of the United States' Digital Millennium Copyright Act (DMCA), and the European Union's Information Society Directive (the French DADVSI is an example of a member state of the European Union implementing the directive). DRM techniques include licensing agreements and encryption. The industry has expanded the usage of DRM to various hardware products, such as K ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadcasting
Broadcasting is the distribution (business), distribution of sound, audio or video content to a dispersed audience via any electronic medium (communication), mass communications medium, but typically one using the electromagnetic spectrum (radio waves), in a :wikt:one-to-many, one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and radio receiver, receivers. Before this, all forms of electronic communication (early radio, telephone, and telegraph) were wikt:one-to-one, one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Frequency
An audio frequency or audible frequency (AF) is a periodic vibration whose frequency is audible to the average human. The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch. The generally accepted standard hearing range for humans is 20 to 20,000 Hz. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Frequencies below 20 Hz are generally felt rather than heard, assuming the amplitude of the vibration is great enough. High frequencies are the first to be affected by hearing loss due to age or prolonged exposure to very loud noises. Sound frequencies above 20 kHz are called ultrasonic. Frequencies and descriptions See also *Absolute threshold of hearing *Hypersonic effect, controversial claim for human perception above 20,000 Hz *Loudspeaker *Musical acoustics *Piano key frequencies *Scientific pitch notation *Whistle register The whistle register (also called the flute regi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monaural
Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or ''stereo'', which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. In mono, only one loudspeaker is necessary, but, when played through multiple loudspeakers or headphones, identical signals are fed to each speaker, resulting in the perception of one-channel sound "imaging" in one sonic space between the speakers (provided that the speakers are set up in a proper symmetrical critical-listening placement). Monaural recordings, like stereo ones, typically use multiple microphones fed into multiple channels on a recording console, but each channel is " panned" to the center. In the final stage, the various center-panned signal paths are usually mixed d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multichannel Code
Multichannel or multi-channel may refer to: *Multichannel audio, i.e. **Stereophonic sound, namely two channel audio **Surround sound, more than two channel audio **Ambisonics, a studio or live way of recording with many channels * Offering multiple audio tracks on a broadcast channel: see Sound multiplex in broadcasting **Multichannel television sound, an American standard for analogue television * Having or offering multiple television channels: see Multichannel television **Digital multicast television network ** Multichannel Multipoint Distribution Service (MMDS), a standard for analogue television **Multichannel television in Canada **Multichannel television in the United States * Multichannel marketing * Multi-channel network, a YouTube classification of for-profit channels * ''Multichannel News'' *MPEG Multichannel *MADI, Multichannel Audio Digital Interface *McASP, Multichannel Audio Serial Port *Scanning Multichannel Microwave Radiometer *Joint multichannel trunking and sw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In-band Signaling
In telecommunications, in-band signaling is the sending of control information within the same band or channel used for data such as voice or video. This is in contrast to out-of-band signaling which is sent over a different channel, or even over a separate network. In-band signals may often be heard by telephony participants, while out-of-band signals are inaccessible to the user. The term is also used more generally, for example of computer data files that include both literal data, and metadata and/or instructions for how to process the literal data. Telephony When dialing from a land-line telephone, the telephone number is encoded and transmitted across the telephone line in form of dual-tone multi-frequency signaling (DTMF). The tones control the telephone system by instructing the telephone switch where to route the call. These control tones are sent over the same channel, the copper wire, and in the frequency range (300 Hz to 3.4 kHz) as the audio of the teleph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spread Spectrum
In telecommunication and radio communication, spread-spectrum techniques are methods by which a signal (e.g., an electrical, electromagnetic, or acoustic signal) generated with a particular bandwidth is deliberately spread in the frequency domain, resulting in a signal with a wider bandwidth. These techniques are used for a variety of reasons, including the establishment of secure communications, increasing resistance to natural interference, noise, and jamming, to prevent detection, to limit power flux density (e.g., in satellite downlinks), and to enable multiple-access communications. Telecommunications Spread spectrum generally makes use of a sequential noise-like signal structure to spread the normally narrowband information signal over a relatively wideband (radio) band of frequencies. The receiver correlates the received signals to retrieve the original information signal. Originally there were two motivations: either to resist enemy efforts to jam the communications ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio And Video Connector
Audio connectors and video connectors are electrical or optical connectors for carrying audio or video signals. Audio interfaces or video interfaces define physical parameters and interpretation of signals. For digital audio and digital video, this can be thought of as defining the physical layer, data link layer, and most or all of the application layer. For analog audio and analog video these functions are all represented in a single signal specification like NTSC or the direct speaker-driving signal of analog audio. Physical characteristics of the electrical or optical equipment include the types and numbers of wires required, voltages, frequencies, optical intensity, and the physical design of the connectors. Any data link layer details define how application data is encapsulated (for example for synchronization or error-correction). Application layer details define the actual audio or video format being transmitted, often incorporating codecs not specific to the interf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frequency Domain
In physics, electronics, control systems engineering, and statistics, the frequency domain refers to the analysis of mathematical functions or signals with respect to frequency, rather than time. Put simply, a time-domain graph shows how a signal changes over time, whereas a frequency-domain graph shows how much of the signal lies within each given frequency band over a range of frequencies. A frequency-domain representation can also include information on the phase shift that must be applied to each sinusoid in order to be able to recombine the frequency components to recover the original time signal. A given function or signal can be converted between the time and frequency domains with a pair of mathematical operators called transforms. An example is the Fourier transform, which converts a time function into a complex valued sum or integral of sine waves of different frequencies, with amplitudes and phases, each of which represents a frequency component. The "spectrum" of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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