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Church Of Santa Maria Primerana
The Church of Santa Maria Primerana () is a Catholic Church, Roman Catholic church located in the Tuscany, Tuscan town of Fiesole. It encloses the eastern end of Piazza Mino, next to the Praetorian Palace. History First mentioned in AD 966, the church was built atop the stylobate of a Roman temple, from which a pietra serena pillar was incorporated into the church's north wall. There is also a Roman running north–south that flanks the church. Moreover, findings of nearby Lombards, Lombard sepulchres indicates that the church was once an Early Christianity, early Christian site. The church occupies a prominent position in Piazza Mino, near the Fiesole Cathedral. Due to an image inside of the Mary, mother of Jesus, Virgin Mary it appears that the church is the site of the oldest instance of veneration of the Madonna (art), Madonna in the Roman Catholic Diocese of Fiesole, Diocese of Fiesole, which would form the basis for "Primerana" in the church's name. Santa Maria Primerana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (art)
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as ''Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Di Pietro Gerini
Niccolò di Pietro Gerini ( 1340 – 1414) was an Italian painter of the late Gothic period, active mainly in his native Florence although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement. Early life and family Gerini's father, Pietro Geri, was registered as a member of the Guild of Saint Luke in 1339. In 1368, ''Niccolò Dipintore'' is identified as a member of the ''Arte dei Medici e Speziali'' Guild (Guild of Doctors and Apothecaries, which included painters until 1378) in Florence. Niccolo worked mainly in Florence, although he also carried out commissions in Rome at the Vatican, and in Pisa and Prato. Another important artist, Lorenzo di Niccolò di Martino, trained in Niccolò di Pietro Gerini's workshop and later collaborated with him, but was not his son as is sometimes erroneously stated. Gerini did have a son named Bindo di Nicc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giotto School
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto ( , ) and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/ Proto-Renaissance period. Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".Bartlett, Kenneth R. (1992). ''The Civilization of the Italian Renaissance''. Toronto: D.C. Heath and Company. (Paperback). p. 37. Giorgio Vasari described Giotto as making a decisive break with the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".Giorgio Vasari, ''Lives of the Artists'', trans. George Bull, Penguin Classics, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, and architecture, terracotta is the term normally used for sculpture made in earthenware and also for various practical uses, including bowl (vessel), vessels (notably flower pots), water and waste water pipes, tile, roofing tiles, bricks, and surface embellishment in building construction. The term is also used to refer to the natural Terra cotta (color), brownish orange color of most terracotta. In archaeology and art history, "terracotta" is often used to describe objects such as figurines not made on a potter's wheel. Vessels and other objects that are or might be made on a wheel from the same material are called earthenware pottery; the choice of term depends on the type of object rather than the material or firing technique. Unglazed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Da Sangallo
Francesco da Sangallo (1494–1576) was an Italian Renaissance sculptor, the son of the architect and sculptor Giuliano da Sangallo. Sangallo was born in Florence. His father took him at the age of ten to Rome where, in 1506, he was present at the identification of the ''Laocoön'' group, an event he described in a letter written in 1567, towards the end of his life. Francesco da Sangallo was a pupil of Andrea Sansovino. The earliest dated sculpture attributed to him is the " Virgin and Child with St. Anne" in Orsanmichele, Florence. Sangallo was active in St. Peter's Basilica in Rome around 1542 and became '' Capomaestro'' and architect of the Duomo in Florence the following year. Among works by him in the church of Santa Maria Pimerana in Fiesole are a self-portrait in relief dated 1542 and his last work, a relief of Francesco del Fede. Other works include the effigy of Bishop Leonardo Bonafede, which lies on the pavement of the church of the Certosa near Florence, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Ciruini
Bernardino is a name of Italian, Hispanic, or Portuguese origin, which can refer to: Given name *Bernardino Baldi (1533–1617), Italian mathematician and writer *Bernardino Bertolotti (born 1547), Italian composer and instrumentalist *Bernardino Bilbao Rioja (1895–1983), Bolivian air force officer * Bernardino Blaceo (fl. c. 1550), Italian painter of the Renaissance period *Bernardino Borlasca (1580–1631), Italian composer of the Renaissance era *Bernardino Butinone (a.k.a. Bernardo da Treviglio)c. 1436–c. 1508, Italian painter of the Renaissance * Bernardino Caballero (1839–1912), President of Paraguay 1881–1886 * Bernardino Cametti (1669–1736), Italian sculptor of the late Baroque period *Bernardino Campi (1522–1591), Italian Renaissance painter from Reggio Emilia *Bernardino Campilius (fl. 1502), Italian painter *Bernardino Capitelli (1589–1639), Italian painter and etcher of the Baroque period *Bernardino Carboni (died after 1779), Italian decorator and wood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Architrave
In classical architecture, an architrave (; from it, architrave "chief beam", also called an epistyle; from Greek ἐπίστυλον ''epistylon'' "door frame") is the lintel or beam that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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