Niccolò di Pietro Gerini ( 1340 – 1414) was an Italian painter of the late
Gothic period, active mainly in his native
Florence
Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025.
Florence ...
although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement.
Early life and family
Gerini's father, Pietro Geri, was registered as a member of the
Guild of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was iden ...
in 1339. In 1368, ''Niccolò Dipintore'' is identified as a member of the
''Arte dei Medici e Speziali'' Guild (Guild of Doctors and Apothecaries, which included painters until 1378) in Florence. Niccolo worked mainly in Florence, although he also carried out commissions in Rome at the Vatican, and in Pisa and Prato.
Another important artist, Lorenzo di Niccolò di Martino, trained in Niccolò di Pietro Gerini's workshop and later collaborated with him, but was not his son as is sometimes erroneously stated. Gerini did have a son named Bindo di Niccolo di Pietro Gerini, born in 1363, who was registered as a member of the Guild of Saint Luke in 1408.
Career
Gerini represents the school of
Giotto di Bondone
Giotto di Bondone (; – January 8, 1337), known mononymously as Giotto, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic and Proto-Renaissance period. Giotto's contemporary, the ba ...
, in the tradition of
Andrea di Orcagna and of
Taddeo Gaddi. As is typical for Gothic depictions, Gerini's figures have large chins, sloping foreheads, and sharp noses whilst their bodies are squat and frontally displaced.
Gerini is recorded as collaborating with
Jacopo di Cione on frescoes for the Guild hall of the Judges and Notaries in Florence in 1366. He is the ''Niccolaio Dipintore'' who worked with Jacopo di Cione on the altarpiece of the ''Coronation of the Virgin'' commissioned by the
Albizzi
The Albizzi family () was a patrician noble family and were the de facto leaders of an oligarchy of wealthy families that ruled Florence in the second half of the 14th century. They were at the center of the oligarchy from 1382, in the reaction th ...
family for
San Pier Maggiore, Florence in 1370. He was paid 12 golden florins ''per disegnare la tavola dell’altare'' (for the design of the altarpiece) in November of the same year. In addition to the altarpiece, he designed the elaborate throne canopy, while Jacopo di Cione actually produced the piece.
He collaborated with Jacopo di Cione on a second ''Coronation of the Virgin'' (
Accademia, Florence) in 1372. It was commissioned by the mint of Florence Zecca Vecchia that same year. In 1383 Gerini again worked with Cione on a fresco of the Annunciation in the Palazzo dei Priori,
Volterra
Volterra (; Latin: ''Volaterrae'') is a walled mountaintop town in the Tuscany region of Italy. Its history dates from before the 8th century BC and it has substantial structures from the Etruscan, Roman, and Medieval periods.
History
...
. This fresco clearly shows the work of two very different artists: Niccolò di Pietro Gerini (design and very fine painting) and Jacopo di Cione (broadly painted saints and side decoration).
In 1386 Niccolò frescoed the façade of the
Loggia del Bigallo, Florence. He also frescoed the
Basilica of Sant'Ambrogio
The Basilica of Sant'Ambrogio, officially known as ''Basilica romana minore collegiata abbaziale prepositurale di Sant'Ambrogio'', is an ancient Romanesque-style, Roman Catholic church located in the center of Milan, in the region of Lombardy, ...
in Milano and executed a ''Crucifixion'' in the church of
Santa Felicita, both in Florence. His hand can be also seen in the sacristy of the
basilica of Santa Croce in the same city, depicting scenes from the life of Christ.
Between 1391 and 1392 he worked in Prato where he frescoed
Palazzo Datini and the Church of
San Francesco with Lorenzo di Niccolò and
Agnolo Gaddi. He also frescoed the capitals of the church of
San Francesco, Pisa.
References
External links
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{{DEFAULTSORT:Gerini, Niccolo Di Pietro
Gothic painters
Trecento painters
1340s births
1414 deaths
Painters from Florence
14th-century people from the Republic of Florence
14th-century Italian painters
Italian male painters
15th-century Italian painters