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Chromatrope
A chromatrope is a type of magic lantern slide that produces dazzling, colorful geometrical patterns set in motion by rotating two painted glass discs in opposite directions, originally with a double pulley mechanism but later usually with a rackwork mechanism. The chromatrope was probably invented in the year 1841 (or slightly earlier) by English glass painter and showman Henry Langdon Childe, by which year it was listed in the Royal Polytechnic Institution catalogue. It was added as a novelty to the program of the Royal Polytechnic Institution, which had previously included many other types of magic lantern shows with moving images, such as phantasmagoria and dissolving views. The principle and the effect of the chromatrope is similar to that of the feux pyriques that had gained some popularity in rich North European households at the end of the 18th century. The resulting abstract and everchanging image is also very similar to that of the kaleidoscope A kaleidoscope () is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magic Lantern
The magic lantern, also known by its Latin name , is an early type of image projector that used pictures—paintings, prints, or photographs—on transparent plates (usually made of glass), one or more lenses, and a light source. Because a single lens inverts an image projected through it (as in the phenomenon which inverts the image of a camera obscura), slides were inserted upside down in the magic lantern, rendering the projected image correctly oriented. It was mostly developed in the 17th century and commonly used for entertainment purposes. It was increasingly used for education during the 19th century. Since the late 19th century, smaller versions were also mass-produced as toys. The magic lantern was in wide use from the 18th century until the mid-20th century when it was superseded by a compact version that could hold many 35 mm photographic slides: the slide projector. Technology Apparatus The magic lantern used a concave mirror behind a light source to direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Langdon Childe
Henry Langdon Childe (1781–1874) was an English showman, known as a developer of the magic lantern and dissolving views, a precursor of the dissolve in cinematic technique. While the priority question on the technical innovations Childe used is still debated, he established the use of double and triple lanterns for special theatrical effects, to the extent that the equipment involved became generally available through suppliers to other professionals. By the 1840s the "dissolving view", rooted in Gothic horror, had become a staple of illustrated talks with restrained animations. Early life Childe was born in Poole, Dorset the youngest of three children. He and his wife Elizabeth had one daughter Maria. She is recorded in the 1851 census as an artist in glass, living in Lambeth with her parents. Development of lantern technique Paul de Philipsthal used a magic lantern in London in 1802, for a ''phantasmagoria''; he used effects such as animation of images, and a lantern on ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Polytechnic Institution
, mottoeng = The Lord is our Strength , type = Public , established = 1838: Royal Polytechnic Institution 1891: Polytechnic-Regent Street 1970: Polytechnic of Central London 1992: University of Westminster , endowment = £5.1 million , budget = £205.1 million , chancellor = Lady Sorrell , vice_chancellor = Peter Bonfield , students = () , undergrad = () , postgrad = () , city = London , country = United Kingdom , colours = Royal blue, Fuchsia , website www.westminster.ac.uk, logo = Navbar-westminster-logo.svg , affiliations = The University of Westminster is a public university based in London, United Kingdom. Founded in 1838 as the Royal Polytechnic Institution, it was the first polytechnic to open in London. The Polytechnic formally received a Royal charter in August 1839, and became the University of Westminster in 1992. Westminster has its main campus in Regent Street in central London, with additional campuses in Fitzrovia, Marylebone and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phantasmagoria
Phantasmagoria (, also fantasmagorie, fantasmagoria) was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images, such as skeletons, demons, and ghosts, onto walls, smoke, or semi-transparent screens, typically using rear projection to keep the lantern out of sight. Mobile or portable projectors were used, allowing the projected image to move and change size on the screen, and multiple projecting devices allowed for quick switching of different images. In many shows, the use of spooky decoration, total darkness, (auto-)suggestive verbal presentation, and sound effects were also key elements. Some shows added a variety of sensory stimulation, including smells and electric shocks. Such elements as required fasting, fatigue (late shows), and drugs have been mentioned as methods of making sure spectators would be more convinced of what they saw. The shows started under the guise of actual séances in Germany in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dissolving Views
Dissolving views were a popular type of 19th century magic lantern show exhibiting the gradual transition from one projected image to another. The effect is similar to a dissolve in modern filmmaking. Typical examples had landscapes that dissolved from day to night or from summer to winter. The effect was achieved by aligning the projection of two matching images and slowly diminishing the first image while introducing the second image. The subject and the effect of magic lantern dissolving views is similar to the popular Diorama theatre paintings which originated in Paris in 1822. The terms "dissolving views", "dioramic views", or simply "diorama" were often used interchangeably in 19th century magic lantern playbills. While most dissolving views showed landscapes or architecture in different light, the effect was also used in other ways. For instance, Henry Langdon Childe showed groves changing into cathedrals. Another popular example has a soldier sleeping or daydreaming on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Fireworks
Chinese fireworks or paper fireworks, also known by the French terms or , is a type of optical toy box that displays pictures with twinkling light effects. The pictures are partly printed or painted and partly perforated into plates that are made of paper, parchment or cardboard. Different plates can be placed in the front of the box, one by one. A wheel with a spiraling pattern on coloured transparent paper is made to rotate between a light source and the picture plates, causing the light to flicker and move in different colours through the perforations in the plates. The box is usually a wooden cabinet with a drawer to store the plates and a theatre window above, with a slit to hold a picture. Some versions have two slits so the pictures can be changed without much interruption. Dutch Chinese fireworks picture plates are square and found in two sizes: 32 cm and 40 cm. The wheel is usually set in motion through a clockwork mechanism. Some versions had a cylinder instead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaleidoscope
A kaleidoscope () is an optical instrument with two or more reflecting surfaces (or mirrors) tilted to each other at an angle, so that one or more (parts of) objects on one end of these mirrors are shown as a regular symmetrical pattern when viewed from the other end, due to repeated reflection. These reflectors are usually enclosed in a tube, often containing on one end a cell with loose, colored pieces of glass or other transparent (and/or opaque) materials to be reflected into the viewed pattern. Rotation of the cell causes motion of the materials, resulting in an ever-changing view being presented. Etymology Coined by its Scottish inventor David Brewster, "kaleidoscope" is derived from the Ancient Greek word καλός (''kalos''), "beautiful, beauty", εἶδος (''eidos''), "that which is seen: form, shape" and σκοπέω (''skopeō''), "to look to, to examine", hence "observation of beautiful forms." It was first published in the patent that was granted on July 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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