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Chromatic Semitone
In modern Western tonal music theory an augmented unison or augmented prime is the interval between two notes on the same staff position, or denoted by the same note letter, whose alterations cause them, in ordinary equal temperament, to be one semitone apart. In other words, it is a unison where one note has been altered by a half-step, such as B and B or C and C. The interval is often described as a chromatic semitone. The term, in its French form ''unisson superflu'', appears to have been coined by Jean-Philippe Rameau in 1722, who also called this interval a minor semitone (''semiton mineur'').Gene Henry Anderson, "Musical Terminology in J.-P. Rameau's ''Traité de l'harmonie'': A Study and Glossary Based on an Index". PhD diss. (Iowa City: University of Iowa, 1981): 196. Historically, this interval, like the tritone, is described as being "mi contra fa", and therefore is the "diabolus in musica" (the Devil in music). In 12-tone equal temperament, it is the enharmonic equiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmented Unison On C
Augment or augmentation may refer to: Language *Augment (Indo-European), a syllable added to the beginning of the word in certain Indo-European languages *Augment (Bantu languages), a morpheme that is prefixed to the noun class prefix of nouns in certain Bantu languages *Augment, a name sometimes given to the verbal ''ō-'' prefix in Nahuatl grammar Technology *Augmentation (obstetrics), the process by which the first and/or second stages of an already established labour is accelerated or potentiated by deliberate and artificial means *Augmentation (pharmacology), the combination of two or more drugs to achieve better treatment results *Augmented reality, a live view of a physical, real-world environment whose elements are ''augmented'' by computer-generated sensory input *Augmented cognition, a research field that aims at creating revolutionary human-computer interactions *Augment (Tymshare), a hypertext system derived from Douglas Engelbart's oN-Line System, renamed "Augment" b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre-Étienne Choron
Alexandre-Étienne Choron (21 October 1771 – 29 June 1834) was a French musicologist. For a short time he directed the Paris Opera. He made a distinction between sacred and secular music and was one of the originators of French interest in musicology. Biography Choron studied mathematics at the Collège de Juilly. Since his father had forbidden him to study music, he taught himself the theories of Jean-Philippe Rameau, followed by lessons in harmony from abbé Roze and Bonesi. Bonesi familiarized him with Italian music and the treatises on fugue and strict counterpoint of Nicola Sala (1713–1801). He drew from these his book ''Principes de composition des écoles d'Italie.'' He learned German, studied musical treatises in that language, then undertook to reform all branches of musical activity. A professor of mathematics at the École Polytechnique since its founding, then a corresponding member of the Académie des Beaux-Arts, Choron was charged in 1811 with reorgani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
False Relation
A false relation (also known as cross-relation, non-harmonic relation) is the name of a type of dissonance that sometimes occurs in polyphonic music, most commonly in vocal music of the Renaissance and particularly in English music into the eighteenth century. The term describes a " chromatic contradiction" between two notes sounding simultaneously (or in close proximity) in two different voices or parts; or alternatively, in music written before 1600, the occurrence of a tritone between two notes of adjacent chords. In the above example, a chromatic false relation occurs in two adjacent voices sounding at the same time (shown in red). The tenor voice sings G while the bass sings G momentarily beneath it, producing the clash of an augmented unison. In this instance, the false relation is less pronounced: the contradicting E (soprano voice) and E (bass voice) (diminished octave) do not sound simultaneously. Here the false relation occurs because the top voice is descending ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Adam Hiller
Johann Adam Hiller (25 December 1728 – 16 June 1804) was a German composer, conducting, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas he collaborated with the poet Christian Felix Weiße. Hiller was a teacher who encouraged musical education for women, his pupils including Elisabeth Mara and Corona Schröter. He was Kapellmeister of Abel Seyler's Seyler Theatre Company, theatrical company, and became the first Kapellmeister of the Leipzig Gewandhaus Orchestra. Biography By the death of his father in 1734, Hiller was left dependent to a large extent on the charity of friends. He came from a musical family, and also learned the basics of music from a school master in his home town, Osiek Łużycki, Wendisch-Ossig. From 1740 to 1745, he was a student at the Gymnasium in Görlitz, where his fine soprano voice earned him free tuition. In 1746 he went to study at the famous Kreuzschule in Dresden. There ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Surmani
Andrew Surmani is President and CEO of Surmani Business Coaching, LLC'and Professor of Music Industry Studies/Academic Lead of the Master of Arts in Music Industry Administration program in the Mike Curb College of Arts, Media and Communication at California State University, Northridge (CSUN). Previously, he served as Chief Marketing Officer for Alfred Music, where he played a key role in the company's acquisition of Warner Brothers Publications, and launched numerous product lines. Education Surmani has a Bachelor of Music degree in trumpet performance, and a Master of Business Administration degree from California State University, Northridge. While at CSUN, he played with the CSUN Wind Ensemble, Orchestra and Jazz "A" Band. Publications Surmani has co-authored numerous books including the Alfred's Essentials of Music Theory' series and Copyright Handbook for Music Educators and Directors, 2nd Edition'. Alfred's Essentials of Music Theory' is a multi-part multimedia prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan Kostka
Stefan M. Kostka (born 1939) is an American music theorist, author, and Professor Emeritus of music theory at the University of Texas at Austin. Education Kostka graduated from the University of Colorado with a Bachelor's Degree, and then received a graduate degree at the University of Texas, studying under Kent Kennan before receiving a PhD in music theory from the University of Wisconsin. Career He was a member of the faculty of the Eastman School of Music from 1969 to 1973, and since that time has been on the faculty at the University Texas at Austin. Kostka initiated courses in computer applications in music at both the Eastman School and the University of Texas. Later, he specialized in courses in atonal Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on ... theory and contempor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Marpurg
Friedrich Wilhelm Marpurg (21 November 1718 – 22 May 1795) was a German music critic, music theorist and composer. Described as "one of Germany's leading mid 8th-entury music critics," he was friendly and active with many figures of the Enlightenment. Life Little is known of Marpurg's early life. According to various sources, he studied "philosophy" and music. It is clear that he enjoyed a strong education and was friendly with various leading figures of the Enlightenment, including Winckelmann and Lessing. In 1746, he travelled to Paris as the secretary for a General named either Rothenberg or Bodenberg. There, he became acquainted with intellectuals including the writer and philosopher Voltaire, the mathematician d'Alembert and the composer Jean-Philippe Rameau. After 1746, he returned to Berlin where he was more or less independent. Marpurg's offer to write exclusively for Breitkopf & Härtel was declined by the firm in 1757. In 1760, he received an appointment to the R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diminution
In Western culture, Western music and music theory, diminution (from Medieval Latin ''diminutio'', alteration of Latin ''deminutio'', decrease) has four distinct meanings. Diminution may be a form of embellishment (music), embellishment in which a long Musical note, note is divided into a series of shorter, usually melodic, values (also called "Color (medieval music)#Coloration (ornamentation), coloration"; Ger. ''Kolorieren''). Diminution may also be the compositional device where a melody, theme (music), theme or motif (music), motif is presented in shorter note-values than were previously used. Diminution is also the term for the proportional shortening of the note value, value of individual note-shapes in mensural notation, either by color (medieval music), coloration or by a Mensural notation#Proportions and colorations, sign of proportion. A minor or perfect interval (music), interval that is narrowed by a chromatic semitone is a diminished interval, and the process may be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augmentation (music)
In Western music and music theory, augmentation (from Late Latin ''augmentare'', to increase) is the lengthening of a note or the widening of an interval. Augmentation is a compositional device where a melody, theme or motif is presented in longer note-values than were previously used. Augmentation is also the term for the proportional lengthening of the value of individual note-shapes in older notation by coloration, by use of a sign of proportion, or by a notational symbol such as the modern dot. A major or perfect interval that is widened by a chromatic semitone is an augmented interval, and the process may be called augmentation. Augmentation in composition A melody or series of notes is ''augmented'' if the lengths of the notes are prolonged; augmentation is thus the opposite of diminution, where note values are shortened. A melody originally consisting of four quavers (eighth notes) for example, is augmented if it later appears with four crotchets ( quarter notes) instead ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Gottlob Türk
Daniel Gottlob Türk (10 August 1750 – 26 August 1813) was a German composer, organist, and music professor of the Classical period. Biography Born in Claußnitz, Saxony, Türk studied organ under his father and later under Johann Adam Hiller. It was Hiller who recommended Türk for his first professional position at Halle University, in Halle, Germany. On 18 April 1779 Halle University granted Türk's request to begin lecturing on music theory, making him the University's "Director of Music." This appointment made Türk the second university music director in Germany. While at Halle, Türk published his treatise ''On the Role of the Organist in Worship'' which is still occasionally reprinted. Several of Türk's dances and minuets for the piano are still popular today. He wrote 18 sonatas. His most notable contribution to the classical music canon is the ''Klavierschule,'' a teaching method for the keyboard. He also wrote a cantata, ''Die Hirten bey der Krippe zu Bethle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Schilling (musicologist)
Friedrich Gustav Schilling (3 November 1805 – March 1880) was a German musicologist, editor and lexicographer. Life Born in , Schilling was the son of a cantor and village schoolteacher and performed as a pianist at the age of ten. From 1823, he attended the University of Göttingen, studied theology there, and probably obtained a doctorate in philosophy. In 1826, he went to the University of Halle, where he finished his studies. In 1830, he settled as a piano teacher in Stuttgart and became director of the music institute founded by Franz Stöpel. He published numerous books on music and music education, in which he advocated a value-conservative-classical view of art, according to which the "perfection of mankind" The standard of all art, connected with the popular educational ideal, was that music practice and music knowledge could be learned by all, if one only applied the right system. He became best known through the ''Encyclopädie der gesammten musikalischen Wissenscha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Horst Leuchtmann
Horst Leuchtmann (26 April 1927 – 10 April 2007) was a German musicologist. Early life and education Leuchtmann was born in Braunschweig. He was a student of the composer Philippine Schick (1893–1970). They compiled a German-English dictionary of music (R. D. Brühs, F. Messmer, R. Reitzer: Philippine Schick, Tutzing 2005). He was promoted to the Doctorate in 1957, having completed his thesis, ''The Musical Interpretations of Words in the Motets of the Magnum Opus Musicum by Orlando di Lasso''. Career Leuchtmann became a research associate at the Bavarian Academy of Sciences and Humanities. From 1983 to 1995, he was a lecturer (since 1986 in an honorary professorship) at the Hochschule für Musik und Theater München, and from 1986 to 1995 he held lectureship at the Ludwig-Maximilians-Universität München. The focal points of his research were the music of the 16th century and the modern era. On behalf of the Bavarian Academy of Sciences and Humanities, he compiled an inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
