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Christophe Lacassagne
Christophe Lacassagne (born 18 August 1964) is a French contemporary baritone. Born in Tarbes, Lacassagne began training as an actor at the age of 17 under the direction of Mercedes Tormo at the Théâtre du Matin. He then played for 7 years the classical and contemporary repertoire: Molière, Ionesco, Tardieu, Marivaux... At the same time he pursued university studies in Paris VIII in theatre history of the arts. At the age of 22, he began studying singing with Gérard Chapuis and then in 1989 entered the CNSMD of Paris in Peter GottliebPeter Gottlieb
on data.bnf.fr's class. In 1992, he was hired by Jean-Pierre Brosmann as a member of the troupe. There he made his debut with Papagen ...
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CHRIS 2014 - Copie
Chris is a short form of various names including Christopher, Christian (given name), Christian, Christina (given name), Christina, Christine (name), Christine, and Christos (given name), Christos. Chris is also used as a name in its own right, however it is not as common. People with the given name *Chris Abani (born 1966), Nigerian author *Chris Abrahams (born 1961), Sydney-based jazz pianist *Chris Adams (other), multiple people *Chris Adcock (born 1989), English internationally elite badminton player *Chris Albright (born 1979), American former soccer player *Chris Alcaide (1923–2004), American actor *Chris Amon (1943–2016), former New Zealand motor racing driver *Chris Andersen (born 1978), American basketball player *Chris Anderson (other), multiple people *Chris Angel (wrestler) (born 1982), Puerto Rican professional wrestler *Chris Anker Sørensen (born 1984), Danish cycler *Chris Anstey (born 1975), Australian basketball player *Chris Anthony (voic ...
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Robert Carsen
Robert Carsen O.C. (born 23 June 1954) is a Canadian opera director. He was born in Toronto and is the son of philanthropist Walter Carsen. Early steps towards directing From an early age "I became obsessed with the theatre" Carsen states and he wanted to become an actor. At Upper Canada College he tells that "was in all the plays and musicals I could get into. In those days, because it was a boys’ school, the boys played both male and female roles. So I played Katisha in The Mikado, and Archibald Grosvenor when we did Patience."Margies 2011 Studying theatre at York University in Toronto followed, but by the time he was 20, he abandoned his theatre studies and moved to England to continue studying acting. There he joined the Bristol Old Vic Theatre School for two years and became more interested in directing than acting when: :one of his teachers said he thought Carsen had the makings of a director. "At first I thought he was trying to tell me I was a terrible actor, but in fa ...
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La Bohème
''La bohème'' (; ) is an opera in four acts,Puccini called the divisions ''quadri'', ''tableaux'' or "images", rather than ''atti'' (acts). composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on ''Scènes de la vie de bohème'' (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle (known in French as "") of a poor seamstress and her artist friends. The world premiere of ''La bohème'' was in Turin on 1 February 1896 at the Teatro Regio, conducted by the 28-year-old Arturo Toscanini. Since then, ''La bohème'' has become part of the standard Italian opera repertory and is one of the most frequently performed operas worldwide. In 1946, fifty years after the opera's premiere, Toscanini conducted a commemorative performance of it on radio with the NBC Symphony Orchestra. A recording of the performance was later released by RCA Victor on vinyl record, tape and compact disc. ...
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Cavalleria Rusticana
''Cavalleria rusticana'' (; Italian for "rustic chivalry") is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. Considered one of the classic ''verismo'' operas, it premiered on 17 May 1890 at the Teatro Costanzi in Rome. Since 1893, it has often been performed in a so-called ''Cav/Pag'' double-bill with ''Pagliacci'' by Ruggero Leoncavallo. Composition history In July 1888 the Milanese music publisher Edoardo Sonzogno announced a competition open to all young Italian composers who had not yet had an opera performed on stage. They were invited to submit a one-act opera which would be judged by a jury of five prominent Italian critics and composers. The best three would be staged in Rome at Sonzogno's expense. Mascagni heard about the competition only two months before the closing date and asked his friend Giovanni Targioni-Tozze ...
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Lost In The Stars
''Lost in the Stars'' is a musical with book and lyrics by Maxwell Anderson and music by Kurt Weill, based on the novel ''Cry, the Beloved Country'' (1948) by Alan Paton. The musical premiered on Broadway in 1949; it was the composer's last work for the stage before he died the following year. Productions ''Lost in the Stars'' opened on Broadway at the Music Box Theatre on October 30, 1949, and closed on July 1, 1950, after 281 performances. The production was supervised and directed by Rouben Mamoulian and choreographed by La Verne French. Mamoulian was such a strong influence on the production that Foster Hirsch calls him "the show's third author." Todd Duncan took the role of Stephen; Inez Matthews sang Irina. New York City Opera presented the musical in April 1958. Directed by Jose Quintero, the cast featured Lawrence Winters (Stephen Kumalo) and Lee Charles (Leader). (The conductor of those performances, Julius Rudel, led a 1992 complete recording of the score with the Or ...
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Le Voyage Dans La Lune
''A Trip to the Moon'' (french: Le Voyage dans la Lune) is a 1902 French adventure short film directed by Georges Méliès. Inspired by a wide variety of sources, including Jules Verne's 1865 novel ''From the Earth to the Moon'' and its 1870 sequel ''Around the Moon'', the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Its ensemble cast of French theatrical performers is led by Méliès himself as the main character Professor Barbenfouillis. The film features the overtly theatrical style for which Méliès became famous. Scholars have commented upon the film's extensive use of pataphysical and anti-imperialist satire, as well as on its wide influence on later filmmakers and its artistic significance within the French theatrical ''féerie'' tradition. Though the film disappeared into obscurity ...
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Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ...
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Falstaff (opera)
''Falstaff'' () is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play '' The Merry Wives of Windsor'' and scenes from '' Henry IV, Part 1'' and '' Part 2'', by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan. Verdi wrote ''Falstaff'', the last of his 28 operas, as he approached the age of 80. It was his second comedy, and his third work based on a Shakespeare play, following '' Macbeth'' and '' Otello''. The plot revolves around the thwarted, sometimes farcical, efforts of the fat knight Sir John Falstaff to seduce two married women to gain access to their husbands' wealth. Verdi was concerned about working on a new opera at his advanced age, but he yearned to write a comic work and was pleased with Boito's draft libretto. It took the collaborators three years from mid-1889 to complete. Although the prospect of a new opera from Verdi aroused im ...
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La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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The Threepenny Opera
''The Threepenny Opera'' ( ) is a "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, ''The Beggar's Opera'', and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, Hauptmann might have contributed to the text, Brecht is usually listed as sole author. The work offers a socialist critique of the capitalist world. It opened on 31 August 1928 at Berlin's Theater am Schiffbauerdamm. Songs from ''The Threepenny Opera'' have been widely covered and become standards, most notably "" ("The Ballad of Mack the Knife") and "" ("Pirate Jenny"). Background Origins In the winter of 1927–28, Elizabeth Hauptmann, Brecht's lover at the time, received a copy of Gay's play from friends in England and, fascinated by the female characters and its critique of the condition of the London poor, began translating it into German. Brecht at first took lit ...
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