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Christoph Pohl
Christoph Pohl is a German operatic baritone who has performed at major opera houses in Europe, based at the Semperoper in Dresden from 2005 to 2018. Career Pohl was a member of the Knabenchor Hannover, and then studied voice at the Musikhochschule Hannover with Carol Richardson-Smith. He studied further as a member of the studio of the Hamburg State Opera from 2003 to 2005. He then became a member of the Semperoper in Dresden, where he remained until 2018. He appeared as Mozart's Count Almaviva in ''Le nozze di Figaro'', Guglielmo in ''Così fan tutte'', Papageno in ''Die Zauberflöte'', as Rossini's Figaro in ''Il barbiere di Siviglia'', Dandini in ''La Cenerentola'', as Belcore in Donizetti's ''L'elisir d'amore'', Verdi's Giorgio Germont in ''La traviata'' and Posa in ''Don Carlos'', as Valentin in Gounod's ''Faust'', Chorèbe in ''Les Troyens'' by Berlioz, Wolfram in Wagner's ''Tannhäuser'', the title role of Weinberger's Schwanda the Bagpiper), Puccini's Lescaut in ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Musik, Theater Und Medien Hannover
Hanover University of Music, Drama and Media (german: Hochschule für Musik, Theater und Medien Hannover, italics=unset, abbreviated to HMTMH) is a university of performing arts and media in Hanover, the capital of Lower Saxony, Germany. Dating to , it has reorganised and changed names as it developed over the years, most recently in 2010 when it changed from State College of Music and Drama Hanover (, or simply ). Since 2010, its president has been Susanne Rode-Breymann. As of , the university has students and a total of staff. History The origins of the university date back to 1897 with the establishment of the private Conservatory of Music (). However, just over a decade later, in 1911, it became the conservatory for the city and changed name to Hanover Conservatory (, also called ). In 1943, during the Second World War, it became State Music School (). After the war, in 1950, it merged with the private Hanover Drama School () becoming the Academy of Music and Theatre (), b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwanda The Bagpiper
''Schwanda the Bagpiper'' ( cs, Švanda dudák), written in 1926, is an opera in two acts (five scenes), with music by Jaromír Weinberger to a Czech libretto by Miloš Kareš, based on the drama ''Strakonický dudák aneb Hody divých žen'' (''The Bagpiper of Strakonice'') by Josef Kajetán Tyl. Performance history Its first performance was in Prague at the Czech National Opera on 27 April 1927; and the first German production followed (in the translation by Max Brod as ''Schwanda der Dudelsackpfeifer''), at Breslau on 16 December 1928. After that success, German-language productions proliferated around the world, with over 2000 performances taking place during the next decade.Kushner, David Z., "Jaromir Weinberger (1896–1967): From Bohemia to America" (Autumn 1988). ''American Music'', 6 (3): pp. 293–313. Aside from those in Germany and Austria, these included: * Ljubljana, 5 October 1929 (in Slovenian translation) * Riga, 6 December 1930 (in Latvian translation) * Sof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theater An Der Wien
The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company. Although "" is German for "Vienna", the "" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market. The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the . History Early history The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera ''The Magic Flute'' (1791). Schikaneder's troupe had already ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsoper Stuttgart
The Staatsoper Stuttgart (Stuttgart State Opera) is a German opera company based in Stuttgart, the capital of Baden-Württemberg, Germany. The Staatsorchester Stuttgart serves as its resident orchestra. History Performances of operas, ballet and plays in Stuttgart took place from the 17th century at the hall of . The probably first opera production was in 1660 the singspiel ''Der Raub der Proserpina'' by Hofkapellmeister Samuel Capricornus. Four years later, a permanent stage was established. In 1750, the building was remodeled as Stuttgart's opera house, named ''Königliches Hoftheater'' (Royal Court Theatre) in 1811. It burnt down in 1902, and opera was performed in a provisional ''Interimstheater''. Today's opera house was built from 1909 to 1912 by architect Max Littmann from Munich, with two halls, ''Großes Haus'' and ''Kleines Haus''. After the end of the monarchy in 1918, the theatres were named ''Württembergische Landestheater''. The ''Kleines Haus'', site of the world ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oper Leipzig
The Leipzig Opera (in German: ) is an opera house and opera company located at the Augustusplatz and the Inner City Ring Road at its east side in Leipzig's district Mitte, Germany. History Performances of opera in Leipzig trace back to Singspiel performances beginning in the year 1693. The composer of many early operas at the first opera house, the Oper am Brühl, was Telemann. He was director of the house from 1703 to 1705. The Leipzig Opera does not have its own opera orchestra – the Leipzig Gewandhaus Orchestra performs as its orchestra. This relationship began in 1766 with performances of the Singspiel ' by Johann Adam Hiller. Opera House, 1868 The previous theater (the "") was inaugurated on 28 January 1868 with ''Jubilee Overture'' by Carl Maria von Weber and the overture for ''Iphigénie en Aulide'' by Gluck and Goethe's play ''Iphigenia in Tauris''. From 1886 to 1888, Gustav Mahler was the second conductor; Arthur Nikisch was his superior. During an air raid in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgen Und Abend
''Morgen und Abend'' (German language, German: ''Morning and Evening'') is an opera by Georg Friedrich Haas to a libretto by the Norwegian writer Jon Fosse.''Morgen und Abend'' Royal Opera House website, accessed 24 October 2015 It is based on Fosse's 2000 novel ''Morning and Evening, Morgon og kveld''. The opera was jointly commissioned by the Royal Opera House, London, and the Deutsche Oper Berlin. It was premiered on the main stage of the Royal Opera House on 13 November 2015. The director of the production is Graham Vick. The composer has said "'Don't expect melodies, don't expect harmonies, just expect soundscapes". The vocal lines include microtones, including quarter-tones and sixth tone, sixth-tones. Roles Synopsis The opera, which lasts about 90 minutes, outli ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Lustige Witwe
''The Merry Widow'' (german: Die lustige Witwe, links=no ) is an operetta by the Austro-Hungarian composer Franz Lehár. The librettists, Viktor Léon and Leo Stein, based the story – concerning a rich widow, and her countrymen's attempt to keep her money in the principality by finding her the right husband – on an 1861 comedy play, (''The Embassy Attaché'') by Henri Meilhac. The operetta has enjoyed extraordinary international success since its 1905 premiere in Vienna and continues to be frequently revived and recorded. Film and other adaptations have also been made. Well-known music from the score includes the " Vilja Song", "" ("You'll Find Me at Maxim's"), and the "Merry Widow Waltz". Background In 1861, Henri Meilhac premiered a comic play in Paris, (''The Embassy Attaché''), in which the Parisian ambassador of a poor German grand duchy, Baron Scharpf, schemes to arrange a marriage between his country's richest widow (a French woman) and a Count to keep her mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Königskinder
' (German for ''King's Children'' or “Royal Children”) is a stage work by Engelbert Humperdinck that exists in two versions: as a melodrama and as an opera or more precisely a '' Märchenoper''. The libretto was written by Ernst Rosmer (pen name of Else Bernstein-Porges), adapted from her play of the same name. In 1894, Heinrich Porges asked Humperdinck to write incidental music for his daughter Else's play. Humperdinck was interested in making the story into an opera but since Else Bernstein-Porges initially refused, he opted for the play to be staged as a melodrama – that is with spoken dialogue taking place along with an instrumental backdrop. (The work also included operatic arias and choruses, as well as unaccompanied dialogue.) In the melodramatic passages, Humperdinck designed an innovative hybrid notation that called for a text delivery somewhere between singing and speech. With this notation, the singer was expected to deliver a substantial portion of the text wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
