Chris Ward (sound Editor)
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Chris Ward (sound Editor)
Chris Ward is a sound editor. He and fellow sound editor Brent Burge were nominated for an Academy Award for Best Sound Editing The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects (such as foley). The award was usually ... for the 2013 film '' The Hobbit: The Desolation of Smaug''. References External links * Sound editors Living people 1970 births {{Film-bio-stub ...
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Sound Editor (filmmaking)
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final Audio mixing (film and television), sound mixing or Audio mastering, mastering of a television program, motion picture, video game, or any production involving recorded sound, recorded or sound synthesis, synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of Sound design#Film, motion picture sound design. The Academy of Motion Picture Arts and Sciences recognizes the artistic contribution of exceptional sound editing with the Academy Award for Best Sound Edi ...
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Dubbing (filmmaking)
Dubbing (re-recording and mixing) is a post-production process used in filmmaking and video production, often in concert with sound design, in which additional or supplementary recordings are lip-synced and "mixed" with original production sound to create the finished soundtrack. The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks—dialogue, automated dialogue replacement (ADR), effects, Foley, and music—the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "automated dialogue recording" and "looping", in which the original actors re-record and synchronize audio segments. Outside the film industry, the term "dubbing" commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called "revoicing" in the film industry. The te ...
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Sound Editor (filmmaking)
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final Audio mixing (film and television), sound mixing or Audio mastering, mastering of a television program, motion picture, video game, or any production involving recorded sound, recorded or sound synthesis, synthetic sound. The sound editor works with the supervising sound editor. The supervising sound editor often assigns scenes and reels the sound editor based on the editor's strengths and area of expertise. Sound editing developed out of the need to fix the incomplete, undramatic, or technically inferior sound recordings of early talkies, and over the decades has become a respected filmmaking craft, with sound editors implementing the aesthetic goals of Sound design#Film, motion picture sound design. The Academy of Motion Picture Arts and Sciences recognizes the artistic contribution of exceptional sound editing with the Academy Award for Best Sound Edi ...
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Brent Burge
Brent Burge is a sound editor. Burge was nominated for an Academy Award for Best Sound Editing for the 2013 film '' The Hobbit: The Desolation of Smaug'' with fellow sound editor Chris Ward and for the 2014 film '' The Hobbit: The Battle of the Five Armies'' with fellow sound editor Jason Canovas. References External links * Sound editors Living people Year of birth missing (living people) Place of birth missing (living people) Primetime Emmy Award winners {{Film-bio-stub ...
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Academy Award For Best Sound Editing
The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects (such as foley). The award was usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. Beginning with the 93rd Academy Awards, Best Sound Editing was combined with Best Sound Mixing into a single award for Best Sound. The nominations process previously took place in two phases. The sound branch of the Academy of Motion Picture Arts and Sciences shortlisted seven films during the early 1980s until 2006. Clips were screened at a "bake-off" and branch members voted using a weighted ballot to select up to three nominees. In a rule change on June 30, 2006, the bake-off for the Sound Branch was eliminated. The usual process of a "preferential ballot" submission was instituted resulting in five nominees each year. This is a list o ...
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The Desolation Of Smaug
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Sound Editors
In physics, sound is a vibration that propagates as an acoustic wave, through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges. Acoustics Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gasses, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an ''acoustician'', while someone working in the field of acoustical ...
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Living People
Related categories * :Year of birth missing (living people) / :Year of birth unknown * :Date of birth missing (living people) / :Date of birth unknown * :Place of birth missing (living people) / :Place of birth unknown * :Year of death missing / :Year of death unknown * :Date of death missing / :Date of death unknown * :Place of death missing / :Place of death unknown * :Missing middle or first names See also * :Dead people * :Template:L, which generates this category or death years, and birth year and sort keys. : {{DEFAULTSORT:Living people 21st-century people People by status ...
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