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Chiptune
Chiptune, also called 8-bit music (although not all chiptune is 8-bit music), is a style of electronic music made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music using extremely basic and small samples that an old computer or console could produce (this is the original meaning of the term), as well as music that combines PSG sounds with modern musical styles. It has been described as "an interpretation of many genres". Any existing song can be arranged in a chiptune style. It can be defined by choice of instrument, by timbre more than specific style elements. Technology A waveform generator is a fundamental module in a sound synthesis system. A waveform generator usually produces a basic geometrical waveform with a fixed or variable timbre and variable pitch. Common waveform generator configurations usually included two o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bitpop
Bitpop is a type of electronic music and subgenre of chiptune music, where at least part of the music is made using the sound chips of 8-bit (or 16-bit) computers and video game consoles. Characteristics Among systems used include the Atari 8-bit computers, Commodore 64, Nintendo Entertainment System, and Amiga. The sounds produced from these systems can be combined to any degree with traditional instruments, such as guitar and drums, modern synthesizers and drum machines, or vocals and sound effects. Bitpop uses a mixture of old and new equipment often resulting in a sound which is unlike chiptune although containing 8-bit sourced sounds. For example, a bitpop production may be composed almost entirely of 8-bit sounds but with a live vocal or overlaid live guitars. Conversely, a bitpop production may be composed almost entirely of live vocals and instruments but feature a bassline or lead melody provided by an 8-bit device. History One of the pioneers of bitpop music were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Game Music
Video game music (VGM) is the soundtrack that accompanies video games. Early video game music was once limited to sounds of early sound chips, such as programmable sound generators (PSG) or FM synthesis chips. These limitations have led to the style of music known as chiptune, which became the sound of the first video games. With technological advances, video game music has grown to include a wider range of sounds. Players can hear music in video games over a game's title screen, menus, and gameplay. Game soundtracks can also change depending on a player's actions or situation, such as indicating missed actions in rhythm games, informing the player they are in a dangerous situation, or rewarding them for specific achievements. Video game music can be one of two kinds: original or licensed. The popularity of video game music has created education and job opportunities, generated awards, and led video game soundtracks to be commercially sold and performed in concerts. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nintendocore
Nintendocore is a broadly defined style of music that most commonly fuses chiptune and video game music with hardcore punk and/or heavy metal. The genre is sometimes considered a direct subgenre of post-hardcore and a fusion genre between metalcore and chiptune. Characteristics Referred to as the "bastard child of chiptune and metal," Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, chiptune, 8-bit sounds, and electronically produced beats. It originated primarily from hardcore punk and heavy metal, and subgenres of those styles such as post-hardcore, metalcore, and screamo. Artists in the genre have also incorporated elements of electro, noise, noise rock, and post-rock. Nintendocore groups vary stylistically and come from a wide array of influences. Horse the Band combines metalcore, heavy metal, thrash metal, and post-hardcore with post-rock passages. "The Black Hole" from Horse the Ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yellow Magic Orchestra
Yellow Magic Orchestra (abbreviated to YMO) was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals, occasional keyboards) and Ryuichi Sakamoto (keyboards, vocals). The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with influencing the development of various electronic genres, including synth-pop, city pop, dance, electro, hip-hop, J-pop and techno. They also explored subversive socio-political themes throughout their career. The three members were veterans of the music industry before coming together as YMO, and were inspired by eclectic sources, including the electronic music of Isao Tomita and Kraftwerk, Japanese traditional music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Complextro
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many ''DJ Mag'' Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5. Characteristics Simon Reynolds described electro house, as a style attributed to artists like Zedd, Erol Alkan and Bloody Beetroots. Electro-house is typified by its heavy bass. This is often in the form of buzzing basslines, such as those created with sawtooth waves and distortion. It is also often in the form of large bass drum sounds in a four-on-the-floor pattern. The tempo of electro house is usually between 125 and 135 beats per minute. Electro house sometimes resembles tech house, but it can contain melodic elements and electro-influenced samples and synths. In contrast, Reynolds stated the genre had "little relationship with either house or electro". History Reynolds described ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skweee
Skweee is a musical style, with origin in Sweden and Finland. Skweee combines simple synth/chiptune leads and basslines with funk, R&B or soul-like rhythms, overall rendering a stripped-down funky sound. The tracks are predominantly instrumental. Origins The name "skweee" was coined by Daniel Savio, one of the originators of the emerging sound. The name refers to the use of analog synthesizers in the production process, where the aim is to "squeeze out" the most interesting sounds possible. Producers can vary from high-profile to new talent from the Scandinavian electronica environment. Recognition The major outlets of skweee music are the Swedish record label Flogsta Danshall and Finnish record label Harmönia. Norwegian Dødpop, Canadian Ancient Robot, US Losonofono, US Titched, US Poisonous Gases, Spanish Lo Fi Funk, Finnish Mässy, and French Mazout have since been added to this family. The preferred media format of skweee enthusiasts is the 7" vinyl record. Early releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grime Music
Grime is a genre of electronic dance music (EDM) that emerged in London in the early 2000s. It developed out of the earlier UK dance style UK garage, and draws influences from jungle, dancehall, and hip hop. The style is typified by rapid, syncopated breakbeats, generally around 140 beats per minute, and often features an aggressive or jagged electronic sound. Emceeing is a significant element of the style, and lyrics often revolve around gritty depictions of urban life. The style initially spread among pirate radio stations and underground scenes before achieving some mainstream recognition in the UK during the mid-2000s through artists such as Dizzee Rascal, Kano, Lethal Bizzle, and Wiley. Grime's rise in the early 2000s benefited from a time before smartphones and social media dominated the music landscape, allowing the genre to develop at a slower, organic pace. Many of grime's foundational MCs, such as Ghetts, Kano, and Skepta, spent years refining their craft, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperpop
Hyperpop (sometimes called bubblegum bass) is a loosely defined electronic music movement and microgenre that predominantly originated during the early 2010s in the United Kingdom. It is characterised by an exaggerated or maximalist take on popular music, and typically integrates pop and avant-garde sensibilities while drawing on elements commonly found in electronic, rock, hip hop, and dance music. Deriving influence from a varied range of sources, the origins of the hyperpop scene are commonly traced to the output of English musician A. G. Cook and his record label PC Music, as well as associated artists such as Sophie and Charli XCX. The approach received wider attention in August 2019 when Glenn MacDonald, an employee of Spotify, used the term "hyperpop" for the name of a playlist featuring artists such as Cook and 100 gecs. The style gained popularity among younger people through social media platforms like TikTok, which boosted its exposure particularly during the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Bass
Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and EDM Trap music (EDM), trap with warmer, less abrasive rhythms. The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido (musician), Lido, San Holo and Cashmere Cat, and it was popularised in the mid to late-2010s by artists such as Flume (musician), Flume, Martin Garrix, Illenium, Louis the Child (duo), Louis the Child and Mura Masa. 2016 was seen as the breakout year for the genre. History The genre was pioneered by Scottish producers Rustie and Hudson Mohawke, who began producing future bass tracks in 2010. One of the first popularity-fueling releases in the genre was Rustie's album ''Glass Swords'', released in 2011. Later, in 2013, the Flume (musician), Flume remix of Disclosure (duo), Disclosure's song "You & Me (Disclosure song), You & Me" brought the genre into the mainstream, and through the mid-2010s future bass became popular in the United ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro (music)
Electro (also known as electro-funk, and sometimes referred to as electro-pop) Globaldarkness.com. Retrieved on July 18, 2011. is a genre of electronic dance music that emerged in the early 1980s. It is defined by the prominent use of the Roland TR-808 drum machine, and draws direct influence from early hip hop and funk music. Electro music is typically characterized by synthetic beats, robotic textures, and minimal or electronically processed vocals—often delivered through vocoders or talkboxes. Unlike its boogie predecessor, which emphasized vocal elements, electro focused more on rhythm and machine-generated sound. The genre arose as the popularity of disco waned in the U.S., blending funk and early hip hop elements with influences from New York's boogie scene and electronic pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthwave
Synthwave (also called retrowave, or futuresynth) is an electronic music microgenre that is based predominantly on the music associated with the Film score, film soundtracks of action films, science fiction films, and horror films of the 1980s. Other influences are drawn from the decade's art and 1980s in video games, video games. Synthwave musicians often espouse 1980s nostalgia, nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it. The genre developed in the mid-to late 2000s through French house producers, as well as younger artists who were inspired by the 2002 video game ''Grand Theft Auto: Vice City''. Other reference points included composers John Carpenter, Jean-Michel Jarre, Vangelis (especially his score for the 1982 film ''Blade Runner''), and Tangerine Dream. Synthwave reached wider popularity after being featured in the soundtracks of the 2011 film ''Drive (2011 film), Drive'' (which included some of the genre's best-known songs), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demoscene
The demoscene () is an international computer art subculture focused on producing demos: self-contained, sometimes extremely small, computer programs that produce audiovisual presentations. The purpose of a demo is to show off computer programming, programming, visual art, and musical skills. Demos and other demoscene productions (graphics, music, videos, games) are shared, voted on and released online at festivals known as Demoscene#Parties, demoparties. The scene started with the home computer revolution of the early 1980s, and the subsequent advent of software cracking. Crackers altered the code of computer games to remove copy protection, claiming credit by adding introduction screens of their own ("crack intro, cracktros"). They soon started competing for the best visual presentation of these additions. Through the making of intros and stand-alone demos, a new community eventually evolved, independent of the gaming and Warez scene, software sharing scenes. Demos are informa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
