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Chinese Animation
Chinese animation refers to animation made in China. In China and in Chinese, donghua ( zh, s=动画, t=動畫, p=dònghuà) describes all animated works, regardless of style or origin. However, outside of China and in English, ''donghua'' is colloquial for Chinese animation and refers specifically to animation produced in China. History The history of animated moving pictures in China began in 1918 when an animation piece from the United States titled ''Out of the Inkwell'' landed in Shanghai. Cartoon clips were first used in advertisements for domestic products. Though the animation industry did not begin until the arrival of the Wan brothers in 1926. The Wan brothers produced the first Chinese animated film with sound, '' The Camel's Dance'', in 1935. The first animated film of notable length was ''Princess Iron Fan'' in 1941. ''Princess Iron Fan'' was the first animated feature film in Asia and it had great impact on wartime Japanese Momotarō animated feature films and la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Animation
Animation is a method by which image, still figures are manipulated to appear as Motion picture, moving images. In traditional animation, images are drawn or painted by hand on transparent cel, celluloid sheets to be photographed and exhibited on film. Today, most animations are made with computer-generated imagery (CGI). Computer animation can be very detailed Computer animation#Animation methods, 3D animation, while Traditional animation#Computers and traditional animation, 2D computer animation (which may have the look of traditional animation) can be used for stylistic reasons, low bandwidth, or faster real-time renderings. Other common animation methods apply a stop motion technique to two- and three-dimensional objects like cutout animation, paper cutouts, puppets, or Clay animation, clay figures. A cartoon is an animated film, usually a short film, featuring an cartoon, exaggerated visual style. The style takes inspiration from comic strips, often featuring anthropomorphi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3D Computer Graphics
3D computer graphics, or “3D graphics,” sometimes called CGI, 3D-CGI or three-dimensional computer graphics are graphics that use a three-dimensional representation of geometric data (often Cartesian) that is stored in the computer for the purposes of performing calculations and rendering digital images, usually 2D images but sometimes 3D images. The resulting images may be stored for viewing later (possibly as an animation) or displayed in real time. 3D computer graphics, contrary to what the name suggests, are most often displayed on two-dimensional displays. Unlike 3D film and similar techniques, the result is two-dimensional, without visual depth. More often, 3D graphics are being displayed on 3D displays, like in virtual reality systems. 3D graphics stand in contrast to 2D computer graphics which typically use completely different methods and formats for creation and rendering. 3D computer graphics rely on many of the same algorithms as 2D computer vector gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyber Weapon Z
Cyber Weapon Z () is a manhua series adapted into a 3D- CG Chinese animation TV series in Hong Kong. Background In 1990 Andy Seto joined the Freeman publication label, where he took on drawing manhua and other comics. In 1993 he started the 10 volume Cyber Weapon Z manhua series with writer Chris Lau in Hong Kong. The story also ran as a 3D animation series in 1995. Though much of the success did not begin until a French comic company, Tonkam, republished the comic in Europe where it became more popular. Andy's style is heavily influenced by Yoshikazu Yasuhiko, who animated Venus Wars is a Japanese manga series written and illustrated by Yoshikazu Yasuhiko. It was serialized in the Gakken magazine ''Nora Comics'' from 1986 to 1990. In 1989, ''The Venus Wars'' was adapted into an anime film directed by Yoshikazu Yasuhik .... Story For 1000 years, the men have understood the importance of the capacity and the economic stakes. Now, they live quietly thanks to an almos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Where Is Mama
''Where is Mama'' or ''Where's Mama'' (), is a short Chinese animated film produced by Shanghai Animation Film Studio in 1960 under the artistic guidance of Te Wei. The narrated film describes the adventures and misadventures of a group of tadpoles in search of their mother. It is one of Te Wei's first attempts to break away from Western style animation and aim for a painterly style influenced by Qi Baishi and more in keeping with native Chinese aesthetic sensibilities. Because of its simple story line and repetitive script it is ideal for children who are beginning their study of the Chinese language Chinese (, especially when referring to written Chinese) is a group of languages spoken natively by the ethnic Han Chinese majority and many minority ethnic groups in Greater China. About 1.3 billion people (or approximately 16% of the wor .... Creators References External links * 1960 animated films 1960 films Chinese animated short films Chinese animated films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink-wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà; ja, 水墨画, translit=suiboku-ga or ja, 墨絵, translit=sumi-e; ko, 수묵화, translit=sumukhwa) is a type of Chinese ink brush painting which uses black ink, such as that used in Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907); it overturned earlier, more realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qian Jiajun , mountain range in Northeast China
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Qian may refer to: *Guizhou, abbreviated as ''Qián'' (黔), province of China *Mace (unit), or Qian, one of the Chinese units of measurement, equal to 5g *Qian (hexagram), the first hexagram of the ''I Ching'' *Qian (surname), a Chinese surname (钱 / 錢) *Qiān (surname), a Chinese surname (千) *Qian County, in Xianyang, Shaanxi, China *Qian Mountains Qian Mountains or Qianshan (), a branch of the Changbai Mountains on the China-North Korea border, start from eastern Jilin Province, China, and extend to eastern and southern Liaoning Province, down to Liaodong Peninsula. Some of the prominent mou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Wei
Te Wei (; in Shanghai in Shanghai) was a Chinese manhua artist and animator. He is probably best known for the 1956 short animated film ''The Proud General''. From about 1960, he worked in an ink-wash animation style that was influenced by the painter Qi Baishi. Not permitted to carry on his animation during the Cultural Revolution, Te Wei regained a position of artistic influence in the late 1970s and the 1980s with a series of animated films in painterly style. Biography Te Wei was born as Sheng Song () to a poor family in Shanghai. As a teenager, he started drawing political cartoons, and would later make a living drawing anti‑Japanese propaganda. After Mao Zedong's seizing power in 1949, an executive in charge of the Changchun Film Studio would remember Te Wei's cartoons, and approached him to lead the studio's animation department, despite his total lack of experience in animation. The Japanese animator Tadahito Mochinaga served as his mentor, and the two became lifelong ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink-wash Animation
Ink wash animation (水墨动画, ''shuimo donghua'') is an animation style that is unique to China. This style combines both Chinese traditional aesthetics of Shui-mo and modern animation techniques. It first appeared in 1961 with the first Chinese ink-wash animation ''Tadpoles Searching for Mother''. After the 1990s, film studios gradually gave up ink-wash animation production due to the high demand in cost and techniques. Development In the late 1950s, inspired by China's legendary painter Qi Baishi's water-ink painting, Chinese animation industry pioneers began to explore ways to turn Chinese traditional paintings into cartoon form. "Once famous Chinese ink painting animation faces extinction." Retrieved Jun 1, 2014. The first ink-wash animation film, ''Where is Mama, Tadpoles Searchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journey To The West
''Journey to the West'' () is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is regarded as one of the greatest Classic Chinese Novels, and has been described as arguably the most popular literary work in East Asia. Arthur Waley's abridged translation, '' Monkey'', is known in English-speaking countries. The novel is an extended account of the legendary pilgrimage of the Tang dynasty Buddhist monk Xuanzang, who traveled to the "Western Regions" (Central Asia and India) to obtain Buddhist sacred texts (sūtras) and returned after many trials and much suffering. The monk is referred to as Tang Sanzang in the novel. The novel retains the broad outline of Xuanzang's own account, ''Great Tang Records on the Western Regions'', but adds elements from folk tales and the author's invention: Gautama Buddha gives this task to the monk and provides him with three protectors who agree to help him as an atonement for their sins. Thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sun Wukong
The Monkey King, also known as Sun Wukong ( zh, t=孫悟空, s=孙悟空, first=t) in Mandarin Chinese, is a legendary mythical figure best known as one of the main characters in the 16th-century Chinese novel ''Journey to the West'' ( zh, t=西遊記, s=西游记, first=t) and many later stories and adaptations. In ''Journey to the West'', Sun Wukong is a monkey born from a stone who acquires supernatural powers through Taoist practices. After rebelling against heaven, he is imprisoned under a mountain by the Buddha. After five hundred years, he accompanies the monk Tang Sanzang (唐三藏) and two other disciples on a journey to get back Buddhist sutras from the West (India), where Buddha and his followers dwell. Sun Wukong possesses many abilities. He has amazing strength and is able to support the weight of two heaven mountains on his shoulders while running "with the speed of a meteor". He is extremely fast, able to travel 108,000 li (54,000 km, 34,000 mi) in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhua
() are Chinese-language comics produced in China and Taiwan. Whilst Chinese comics and narrated illustrations have existed in China in some shape or form throughout its imperial history, the term first appeared in 1904 in a comic titled ''Current Affairs Comics'' () in the Shanghai-based newspaper ''Jingzhong Daily'' (). Etymology The word was originally an 18th-century term used in Chinese literati painting. It became popular in Japan as ''manga'' in the late 19th century. Feng Zikai reintroduced the word to Chinese, in the modern sense, with his 1925 series of political cartoons entitled ''Zikai Manhua'' in the ''Wenxue Zhoubao'' (Literature Weekly). While terms other than had existed before, this particular publication took precedence over the many other descriptions for cartoon art that were used previously and came to be associated with all Chinese comic materials. The Chinese characters for are identical to those used for the Japanese ''manga'' and Korean manhwa. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Folklore
Chinese folklore encompasses the folklore of China, and includes songs, poetry, dances, puppetry, and tales. It often tells stories of human nature, historical or legendary events, love, and the supernatural. The stories often explain natural phenomena and distinctive landmarks. Along with Chinese mythology, it forms an important element in Chinese folk religion. History Folktales The main influences on Chinese folk tales have been Taoism, Confucianism and Buddhism. Some folktales may have arrived from Germany when Grimm brothers had contributed some materials for the folktales regard to the country life of the German dwellers since the 1840s; others have no known western counterparts, but are widespread throughout East Asia.Eberhard, Wolfram, ''Folktales of China.''(1965). University of Chicago Press, Chicago, 1965. University of Congress Catalog Card Number: 65-25440 Chinese folktales include a vast variety of forms such as myths, legends, fables, etc. A number of collections ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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