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Chilkat Weaving
Chilkat weaving is a traditional form of weaving practiced by Tlingit, Haida, Tsimshian, and other Northwest Coast peoples of Alaska and British Columbia. Chilkat blankets are worn by high-ranking tribal members on civic or ceremonial occasions, including dances. Background The name derives from the Tlingit people of the Chilkat (Jilkháat) region near Klukwan, Alaska on the Chilkat River. The Nisga'a are reputed to have invented the technique, according to some Tlingit weavers, though this is not attested in Tsimshian sources. Chilkat weaving can be applied to blankets, robes, dance tunics, aprons, leggings, shirts, vests, bags, hats, and wall-hangings. Chilkat clothing features long wool fringe that sways when the wearer dances. Traditionally chiefs would wear Chilkat robes during potlatch ceremonies. Chilkat weaving is one of the most complex weaving techniques in the world. It is unique in that the artist can create curvilinear and circular forms within the weave itself. A ...
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Mary Ebbets Hunt - Chilkat Blanket
Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary, mother of Zechariah and sister of Moses and Aaron; mostly known by the Hebrew name: Miriam * Mary the Jewess one of the reputed founders of alchemy, referred to by Zosimus. * Mary 2.0, Roman Catholic women's movement * Maryam (surah) "Mary", 19th surah (chapter) of the Qur'an Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois * Mar ...
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Loom
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same. Etymology and usage The word "loom" derives from the Old English ''geloma'', formed from ''ge-'' (perfective prefix) and ''loma'', a root of unknown origin; the whole word ''geloma'' meant a utensil, tool, or machine of any kind. In 1404 "lome" was used to mean a machine to enable weaving thread into cloth. By 1838 "loom" had gained the additional meaning of a machine for interlacing thread. Weaving Weaving is done by intersecting the longitudinal threads, the warp, i.e. "that which is thrown across", with the transverse threads, the weft, i.e. "that which is woven". The major components of the loom are the warp beam, heddles, harnesses or shafts (as few as two, four is common, sixteen not unheard of), s ...
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Haida
Haida may refer to: Places * Haida, an old name for Nový Bor * Haida Gwaii, meaning "Islands of the People", formerly called the Queen Charlotte Islands * Haida Islands, a different archipelago near Bella Bella, British Columbia Ships * , a 1909-built steamship that served in the US Navy as USS ''Quincy'' (AK-10) * , United States Coast Guard cutter in commission from 1921 to 1947 * ''Haida'', a German-built American yacht of 1929, in US Navy service 1940–1946 as ; currently yacht ''Haida 1929'' * , Canadian Tribal-class destroyer that served from 1943 to 1963 People with the surname * Mahjoub Haïda (born 1970), Moroccan middle-distance runner * Moses Haida (), German mathematician * Samuel Haida (1626–1685), Bohemian Kabbalist * , Japanese composer and musician Fictional characters * Haida, a character in ''Aggressive Retsuko'' Haida culture * Haida people, an indigenous ethnic group of North America (Canada) **Council of the Haida Nation, their collective government ...
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Weaving
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. (''Weft'' is an Old English word meaning "that which is woven"; compare ''leave'' and ''left''.) The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth (warp threads with a weft thread winding between) can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms. The way the warp and filling threads interlace with each other is called the weave. The majority of woven products a ...
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Culture Of The Pacific Northwest
The Pacific Northwest (sometimes Cascadia, or simply abbreviated as PNW) is a geographic region in western North America bounded by its coastal waters of the Pacific Ocean to the west and, loosely, by the Rocky Mountains to the east. Though no official boundary exists, the most common conception includes the U.S. states of Oregon, Washington (state), Washington, and Idaho, and the Canadian province of British Columbia. Some broader conceptions reach north into Alaska and Yukon, south into northern California, and east into western Montana. Other conceptions may be limited to the coastal areas west of the Cascade Mountains, Cascade and Coast Mountains, Coast mountains. The variety of definitions can be attributed to partially overlapping commonalities of the region's history, culture, geography, society, ecosystems, and other factors. The Northwest Coast is the coastal region of the Pacific Northwest, and the Northwest Plateau (also commonly known as "British Columbia Interi ...
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KUOW-FM
KUOW-FM (94.9 MHz) is a National Public Radio member station in Seattle, Washington. It is the largest of the three full-fledged NPR member stations in the Seattle and Tacoma media market, with two Tacoma-based stations, KNKX and KVTI being the others. It is a service of the University of Washington, but is operated by KUOW Puget Sound Public Radio, a nonprofit community organization. Studios are located on University Way in Seattle's University District, while the transmitter is on Capitol Hill. History KUOW went on the air in 1952 on 90.5 FM.History Cards for KUOW-FM
, fcc.gov. Retrieved May 25, 2018.
Its transmitter was on the

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Native American Art
Visual arts by indigenous peoples of the Americas encompasses the visual artistic practices of the indigenous peoples of the Americas from ancient times to the present. These include works from South America and North America, which includes Central America and Greenland. The Siberian Yupiit, who have great cultural overlap with Native Alaskan Yupiit, are also included. Indigenous American visual arts include portable arts, such as painting, basketry, textiles, or photography, as well as monumental works, such as architecture, land art, public sculpture, or murals. Some Indigenous artforms coincide with Western art forms; however, some, such as porcupine quillwork or birchbark biting are unique to the Americas. Indigenous art of the Americas has been collected by Europeans since sustained contact in 1492 and joined collections in cabinet of curiosities and early museums. More conservative Western art museums have classified Indigenous art of the Americas within arts of Af ...
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Northwest Coast Art
Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present. Distinguishing characteristics Two-dimensional Northwest Coast art is distinguished by the use of formlines, and the use of characteristic shapes referred to as ''ovoids'', ''U forms'' and ''S forms''. Before European contact, the most common media were wood (often Western red cedar), stone, and copper; since European contact, paper, canvas, glass, and precious metals have also been used. If paint is used, the most common colours are red and black, but yellow is also often used, particularly among Kwakwaka'wakw artists.Bill Holm, Northwest Coast Indian Art: An Analysis of Form. University of Washington Press, Seattle, 1965 Chilkat weaving applies formline de ...
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Clarissa Rizal
Clarissa Rizal (June 4, 1956 – December 7, 2016) was a Tlingit artist of Filipino descent. She was best known as a Chilkat and Ravenstail weaver, but she also worked in painting, printmaking, carving, and sculpting. Personal life Rizal was born on June 4, 1956, in Juneau, Alaska, with the last name of Lampe. Through her mother, she is of the T'ak Dein Taan (black-legged kittywake) clan of Hoonah/Glacier Bay. She also produced works for a time using the married name of Hudson. Rizal raised a son and two daughters; both daughters are weavers. The daughters, Lily Hope and Ursala Hudson, weave and teach in Alaska and other states. Rizal died on December 7, 2016, in Pagosa Springs, Colorado. Apprenticeship and writing When in her twenties, Rizal apprenticed under Jennie Thlunaut to learn Chilkat weaving. Thlunaut was in her 90s. In 2005, Rizal published a book titled ''Jennie Weaves an Apprentice: A Chilkat Weaver's Handbook''. It won a 2007–08 Honoring Alaska's Indig ...
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Button Blanket
A button blanket is wool blanket embellished with mother-of-pearl buttons, created by Northwest Coastal tribes, that is worn for ceremonial purposes. ''Ceremonial robes and their associated regalia have been among the most spectacular creations of the Indian people of the Northwest Coast of North America. For generations, these robes have served as insignia of family and clan histories, duties, rights, and privileges, and they are beginning to mark as well a determined presence in contemporary Canadian society. These robes are powerful statements of identity and, donning them, people become in a real sense what they wear.'' Rather than sleeping equipment, the blankets are used as capes and gifts at ceremonial dances and potlatches. The blankets were originally acquired from the Hudson's Bay Company traders during the mid-19th century. The trade blankets were typically dark blue duffel and decorated with buttons made from abalone or dentalium shells. The central crest typic ...
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Ravenstail Weaving
Ravenstail weaving (''yeil koowu''), also known as Raven's Tail weaving, is a traditional form of geometric weaving-style practiced by Northwest Coast peoples. History The practice of Ravenstail and Chilkat weaving originated among the Tsimshian, and was retained by traditional Tlingit and Haida weavers in present-day Alaska. Ravenstail weaving is thought to be a precursor to Chilkat weaving. Ravenstail weaving has sharp, geometric lines and minimal colors; while Chilkat weaving visually looks more natural with curved lines and a larger color palette. Ravenstail uses a weaving technique called 'twining'. Typically it is created using black and white (and sometimes yellow) colored goat-wool yarn, which creates geometric woven patterns. The early examples used mountain goat-wool yarn. There are not many surviving historical examples, with roughly a dozen Ravenstail robes in North American and European museums. Revival After the 1800s, Ravenstail died out of popularity and due ...
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Jennie Thlunaut
Jennie Thlunaut (–1986) was a Tlingit artist, who is credited with keeping the art of Chilkat weaving alive and was one of the most celebrated Northwest Coastal master weavers of the 20th century.Brown, Steven C. ''Native Visions: Evolution in Northwest Coast Art from the Eighteenth through the Twentieth Century.'' Seattle: University of Washington Press, 1998: 124-5. . Biography Jennie Thlunaut, or ''Shaxʼsaani Kéekʼ'' ("Younger Sister of the Girls"),Chandonnet, Ann"Preserving the Tlingit 'fringe about the body.'"''Juneau Empire.'' (retrieved 22 May 2009) was born on 18 May 1890, 1891, or 1892, depending on the source. Dauenhauer, Richard. ''Haa Ḵusteeyí, Our Culture: Tlingit Life Stories (Classics of Tlingit Oral Literature, Vol 3.'' Seattle: University of Washington Press, 1994: 583-590. .Worl, Rosite and Charles Smythe. "Jennie Thlunaut: Master Chilkat Blanket Artist." ''The Artists Behind the Work.'' Fairbanks: University of Alaska Museum, 1986 (retrieved through Cla ...
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