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Child Bitten By A Lobster
The ''Child Bitten by A Lobster'' is a drawing by the Italian painter Sofonisba Anguissola, executed in chalk and pencil on light blue paper, and dated to around 1554. It is in the collection of the Museo di Capodimonte, in Naples. History This drawing was originally in the collection of cardinal Fulvio Orsini. Around 1600 it was inherited by cardinal Odoardo Farnese, together with other works by Sofonisba Anguissola: ''The Game of Chess'', the ''Self-Portrait at a Spinet'', and an unidentified drawing. Then it came to the Bourbon of Naples, via the Farnese inheritance and is present in the 1644 and 1653 inventories of Palazzo Farnese, in Rome. In 1799 was taken to Naples and here the attribution to Sofonisba Anguissola was lost. From a letter written by Tommaso Cavalieri to Cosimo I de' Medici, on 20 January 1562, accompanying the gift of two drawings (one of which was the ''Old Woman Studying the Alphabet and Laughing Girl'' by Sofonisba Anguissola and the other was ''Cleo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sofonisba Anguissola
Sofonisba Anguissola ( – 16 November 1625), also known as Sophonisba Angussola or Sophonisba Anguisciola, was an Italian Renaissance painting, Italian Renaissance painter born in Cremona to a relatively poor noble family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art. As a young woman, Anguissola traveled to Rome where she was introduced to Michelangelo, who immediately recognized her talent, and to Milan, where she painted the Duke of Alba. The Spanish queen, Elizabeth of Valois, was a keen amateur painter and in 1559 Anguissola was recruited to go to Madrid as her tutor, with the rank of lady-in-waiting. She later became an official court painter to the king, Philip II of Spain, Philip II, and adapted her style to the more formal requirements of official portraits for the Spanish court. After the queen's death, Philip helped arrange an aristocratic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Di Capodimonte
Museo di Capodimonte is an art museum located in the Palace of Capodimonte, a grand Bourbon palazzo in Naples, Italy. The museum is the prime repository of Neapolitan painting and decorative art, with several important works from other Italian schools of painting, and some important ancient Roman sculptures. It is one of the largest museums in Italy. The museum was inaugurated in 1957. History The vast collection at the museum traces its origins back to 1738. During that year King Charles VII of Naples and Sicily (later Charles III, king of Spain) decided to build a hunting lodge on the Capodimonte hill, but then decided that he would instead build a grand palace, partly because his existing residence, the Palace of Portici, was too small to accommodate his court, and partly because he needed somewhere to house the fabulous Farnese art collection which he had inherited from his mother, Elisabetta Farnese, last descendant of the sovereign ducal family of Parma. Over the yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fulvio Orsini
Fulvio Orsini (11 December 1529 – 18 May 1600) was an Italian humanist, historian, and archaeologist. He was a descendant of the Orsini family, one of the oldest, most illustrious, and for centuries most powerful of the Roman princely families, whose origins, when stripped of legend, can be traced back to a certain Ursus de Paro, recorded at Rome in 998. Life Orsini was the natural son of Maerbale Orsini of the line of Mugnano. Cast off by his father at the age of nine, he found a refuge among the choir boys of St. John Lateran, and a protector in Canon Gentile Delfini. He applied himself energetically to the study of the ancient languages, published a new edition of Arnobius and of the Septuagint, and wrote works dealing with the history of Rome. Orsini brought together a large collection of antiquities and built up a costly library of manuscripts and books, including the Vergilius Vaticanus, which later became part of the Vatican library. Orsini became also a friend and patron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odoardo Farnese (cardinal)
Odoardo Farnese (6 December 1573 – 21 February 1626) was an Italian nobleman, the second son of Alessandro Farnese, Duke of Parma and Maria of Portugal, known for his patronage of the arts. He became a Cardinal of the Roman Catholic Church in 1591, and briefly acted as regent of the Duchy of Parma and Piacenza for his nephew Odoardo from 1622 to 1626. Cardinal Odoardo is probably best known today for commissioning the Bolognese artist Annibale Carracci to fresco the Camerino in the Palazzo Farnese in Rome. Carracci undertook this from 1595 to 1597, just prior to starting his decoration of the more famous and elaborate Farnese Gallery in the same palace. The Camerino The Camerino was Farnese's private study. The subject of the central scene in the ceiling is '' The Choice of Hercules''. The scene is surrounded by a painted frame, an example of ''quadro riportato'', which gives the illusion of a framed oil painting hung on the ceiling when in reality both the scene and its fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Game Of Chess (Sofonisba Anguissola)
''The Game of Chess'' (or ''Portrait of the artist's sisters playing chess'') is an oil-on-canvas painting executed ca. 1555 by Italian Renaissance artist Sofonisba Anguissola. Anguissola was 23 years old when she painted it. The painting is signed and dated on the edge of the chessboard, where Anguissola left this Latin inscription: – "Sofonisba Angussola virgin daughter of Amilcare painted from life her three sisters and a maid 1555." History Giorgio Vasari, visiting Cremona, was a guest in the house of Amilcare Anguissola and there admired paintings by Amilcare's daughters. About ''The Game of Chess'' he wrote, "I have seen this year in Cremona, in the house of her father a painting made with much diligence, the depiction of his three daughters, in the act of playing chess, and with them an old housemaid, done with such diligence and facility, that they appear alive, and the only thing missing is speech." This is the oldest document that mentions this painting, which rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait At A Spinet
''Self-Portrait at a Spinet'' is an oil-on-canvas painting by the Italian artist Sofonisba Anguissola, from ''c.'' 1555. It is held in the National Museum of Capodimonte, in Naples.Flavio Caroli, ''Sofonisba Anguissola e le sue sorelle'', Milan, A. Mondadori, 1987 (Italian) It was in cardinal Fulvio Orsini's collection, which passed to Odoardo Farnese Odoardo Farnese (28 April 1612 – 11 September 1646), also known as Odoardo I Farnese to distinguish him from his grandson Odoardo II Farnese, was Duke of Parma, Piacenza and Castro from 1622 to 1646. Biography Odoardo was the eldest legit ... in 1600. Orsini's collection also included Anguissola's ''Partita'' and two drawings by her. See also * List of paintings by Sofonisba Anguissola References Bibliography * Mina Gregori (coordinator), ''I Campi: cultura artistica cremonese del Cinquecento'', Milan, Electa, 1985 (Italian), SBN IT\ICCU\PAL\0002579. * Flavio Caroli, ''Sofonisba Anguissola e le sue sorelle'', Mila ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance List of palaces in Italy#Rome, palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the House of Farnese, Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of The Loves of the Gods (Carracci), ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Clas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosimo I De' Medici, Grand Duke Of Tuscany
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second Duke of Florence from 1537 until 1569, when he became the first Grand Duke of Tuscany, a title he held until his death. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo came to power in 1537 at age 17, just after the 26-year-old Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from Giovanni il Popolano, the great-grandson of Giovanni di Bicci de' Medici, founder of the Medici Bank. It was necessary to search for a successor outside of the "senior" branch of the Medici family descended from Cosimo di Giovanni de' Medici, since the only male child of Alessandro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santi Di Tito
Santi di Tito (5 December 1536 – 25 July 1603) was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism. Biography He was born in Florence, then its own city-state. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558 to 1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (''Homage of the People'') alongside Giovanni de' Vecchi and Niccolò Circignani. He acquired a classical trait, described as ''Raphaelesque'' by S. J. Freedberg. This style contrasted with the reigning ornate Roman painterliness of Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. After returning to Florence in 1564, he joined the Accademia del Disegno. He contributed two conventionally Mannerist paintings for the Duke's study and laboratory, the Stud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boy Bitten By A Lizard
''Boy Bitten by a Lizard'' (Italian: ''Ragazzo morso da un ramarro'') is a painting by the Italian Baroque painter Caravaggio. It exists in two versions, both believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence, the other in the National Gallery, London. Date Both versions are thought to date from the period 1594–1596. According to art historian Roberto Longhi, the latter end of this period seems more likely, given that the paintings have all the signs of the early works painted in the household of Caravaggio's sophisticated patron Cardinal Francesco Del Monte, and that Caravaggio did not enter the Cardinal's Palazzo Madama until some time in 1595. Identity of model As with all of Caravaggio's early output, much remains conjectural, and the identity of the model has been debated. One theory is that the model was Mario Minniti, Caravaggio's companion and the model for several other paintings from the period; the bouffant, curly dar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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