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Chiaroscuro (tv)
Chiaroscuro ( , ; ), in art, is the use of strong contrast (vision), contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures. Similar effects in cinema, and black and white and low-key photography, are also called chiaroscuro. Further specialized uses of the term include chiaroscuro woodcut for coloured woodcuts printed with different blocks, each using a different coloured ink; and chiaroscuro drawing for drawings on coloured paper in a dark medium with white highlighting. Chiaroscuro originated in the Renaissance period but is most notably associated with Baroque art. Chiaroscuro is one of the canonical painting modes of the Renaissance (alongside cangiante, sfumato and unione) (see also Renaissance art). Artists known for using the technique include Leonardo da Vinci, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Mannerism, Late Mannerist and Baroque, Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerism, Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sciography
Sciography, also spelled sciagraphy or skiagraphy ( el, σκιά "shadow" and γράφειν graphein, "write"), is a branch of science of the perspective dealing with the projection of shadows, or delineation of an object in perspective with its gradations of light and shade. One of the major professional fields that use this technique is the architectural field. In architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ... it is defined as a study of shades and shadows cast by simple architectural forms on plane surfaces. In general sciography the light source is imagined as the sun inclined at 45 degrees to both vertical plane and horizontal plane coming from left hand side. The resultant shadow is then drawn. References * * Optical phenomena {{Architecture-stu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shading
Shading refers to the depiction of depth perception in 3D models (within the field of 3D computer graphics) or illustrations (in visual art) by varying the level of darkness. Shading tries to approximate local behavior of light on the object's surface and is not to be confused with techniques of adding shadows, such as shadow mapping or shadow volumes, which fall under global behavior of light. In drawing Shading is used traditionally in drawing for depicting a range of darkness by applying media more densely or with a darker shade for darker areas, and less densely or with a lighter shade for lighter areas. Light patterns, such as objects having light and shaded areas, help when creating the illusion of depth on paper. There are various techniques of shading, including cross hatching, where perpendicular lines of varying closeness are drawn in a grid pattern to shade an area. The closer the lines are together, the darker the area appears. Likewise, the farther apart the lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printmaking
Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ( a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of printing identical "impressions" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drawing
Drawing is a form of visual art in which an artist uses instruments to mark paper or other two-dimensional surface. Drawing instruments include graphite pencils, pen and ink, various kinds of paints, inked brushes, colored pencils, crayons, charcoal, chalk, pastels, erasers, markers, styluses, and metals (such as silverpoint). Digital drawing is the act of drawing on graphics software in a computer. Common methods of digital drawing include a stylus or finger on a touchscreen device, stylus- or finger-to-touchpad, or in some cases, a mouse. There are many digital art programs and devices. A drawing instrument releases a small amount of material onto a surface, leaving a visible mark. The most common support for drawing is paper, although other materials, such as cardboard, wood, plastic, leather, canvas, and board, have been used. Temporary drawings may be made on a blackboard or whiteboard. Drawing has been a popular and fundamental means of public expression throu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raffael 045 Detail , American contemporary realist painter
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Raffael may refer to: * Raffael or Raphael, Italian painter * Raffael or Raphael (given name), given name * Raffael (footballer), Brazilian footballer * Joseph Raffael Joseph Raffael (born February 22, 1933 in Brooklyn, NY - July 12, 2021 Cagnes-sur-Mer) was an American contemporary realist painter. His paintings, primarily watercolors, are almost all presented on a very large scale. Early life Raffael wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illumination (image)
Illumination is an important concept in visual arts. The illumination of the subject of a drawing or painting is a key element in creating an artistic piece, and the interplay of light and shadow is a valuable method in the artist's toolbox. The placement of the light sources can make a considerable difference in the type of message that is being presented. Multiple light sources can wash out any wrinkles in a person's face, for instance, and give a more youthful appearance. In contrast, a single light source, such as harsh daylight, can serve to highlight any texture or interesting features. Processing of illumination is an important concept in computer vision and computer graphics. See also *Chiaroscuro [Baidu] |
Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purple Parchment
Purple parchment or purple vellum refers to parchment dyed purple; codex purpureus refers to manuscripts written entirely or mostly on such parchment. The lettering may be in gold or silver. Later the practice was revived for some especially grand illuminated manuscripts produced for the emperors in Carolingian art and Ottonian art, in Anglo-Saxon England and elsewhere. Some just use purple parchment for sections of the work; the 8th-century Anglo-Saxon Stockholm Codex Aureus alternates dyed and un-dyed pages. It was at one point supposedly restricted for the use of Roman or Byzantine emperors, although in a letter of Saint Jerome of 384, he "writes scornfully of the wealthy Christian women whose books are written in gold on purple vellum, and clothed with gems".Needham, 21 Examples The ''Purple Uncials'' or the ''Purple Codices'' is a well-known group of these manuscripts, all 6th-century New Testament Greek manuscripts: * Codex Purpureus Petropolitanus N (022) * Sinope Gos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illuminated Manuscript
An illuminated manuscript is a formally prepared document where the text is often supplemented with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers, liturgical services and psalms, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories and deeds. While Islamic manuscripts can also be called illuminated, and use essentially the same techniques, comparable Far Eastern and Mesoamerican works are described as ''painted''. The earliest illuminated manuscripts in existence come from the Kingdom of the Ostrogoths and the Eastern Roman Empire and date from between 400 and 600 CE. Examples include the Codex Argenteus and the Rossano Gospels, both of which are from the 6th century. The majority of extant manuscripts are from the Middle Ages, although many survive from the Renaissance, along with a very limited number from Late Antiqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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