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Charun
In Etruscan mythology, Charun (also spelled Charu, or Karun) acted as one of the psychopompoi of the underworld (not to be confused with the god of the underworld, known to the Etruscans as Aita). He is often portrayed with Vanth, a winged figure also associated with the underworld. Origins His name was imported from Greek Charon, although it is uncertain whether Etruscans had a native name for a god of the underworld before this. As suggested by alternations in the Etruscan language such as ''θu'' "one" changing to ''θunśna'' "first", ''lev'' "lion" (from Greek leōn) and ''Apulu'' (from Greek ''Apóllōn''), words ending in ''-n'' after ''u'' were disappearing from the language which is why we see his name spelled ''Xarun'' and later ''Xaru''. Appearance The Etruscan Charun was fundamentally different from his Greek counterpart. Guarding the entry to the underworld he is depicted with a hammer (his religious symbol) and is shown with pointed ears, snakes around his arms, ...
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Charun Dead Souls Cdm Paris 2783
In Etruscan mythology, Charun (also spelled Charu, or Karun) acted as one of the psychopompoi of the underworld (not to be confused with the god of the underworld, known to the Etruscans as Aita). He is often portrayed with Vanth, a winged figure also associated with the underworld. Origins His name was imported from Greek Charon, although it is uncertain whether Etruscans had a native name for a god of the underworld before this. As suggested by alternations in the Etruscan language such as ''θu'' "one" changing to ''θunśna'' "first", ''lev'' "lion" (from Greek leōn) and ''Apulu'' (from Greek ''Apóllōn''), words ending in ''-n'' after ''u'' were disappearing from the language which is why we see his name spelled ''Xarun'' and later ''Xaru''. Appearance The Etruscan Charun was fundamentally different from his Greek counterpart. Guarding the entry to the underworld he is depicted with a hammer (his religious symbol) and is shown with pointed ears, snakes around his arms ...
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Charun Hammer Cdm Paris 2783
In Etruscan mythology, Charun (also spelled Charu, or Karun) acted as one of the psychopompoi of the underworld (not to be confused with the god of the underworld, known to the Etruscans as Aita). He is often portrayed with Vanth, a winged figure also associated with the underworld. Origins His name was imported from Greek Charon, although it is uncertain whether Etruscans had a native name for a god of the underworld before this. As suggested by alternations in the Etruscan language such as ''θu'' "one" changing to ''θunśna'' "first", ''lev'' "lion" (from Greek leōn) and ''Apulu'' (from Greek ''Apóllōn''), words ending in ''-n'' after ''u'' were disappearing from the language which is why we see his name spelled ''Xarun'' and later ''Xaru''. Appearance The Etruscan Charun was fundamentally different from his Greek counterpart. Guarding the entry to the underworld he is depicted with a hammer (his religious symbol) and is shown with pointed ears, snakes around his arms ...
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Vanth
Vanth is a chthonic figure in Etruscan mythology shown in a variety of forms of funerary art, such as in tomb paintings and on sarcophagi. Vanth is a female demon in the Etruscan underworld that is often accompanied either by additional Vanth figures or by another underworld demon, Charun (later referred to as ''Charu''). Both Vanth and Charun are only seen in iconography beginning c. 400 BC, in the middle period of Etruscan art, although some earlier inscriptions mention her name. Vanth has no direct counterpart in Greek mythology, and is very frequently, but not always, seen winged. Although Vanth has no real Greek counterpart, she has been compared to the Greek Furies, the Erinyes, especially in older publications. This is an unlikely association since she is almost always shown in Etruscan iconography to be a benevolent guide, not an avenging spirit, which the Furies often represent. Her other attributes include the possession of a torch, key, or scroll, and she is shown o ...
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Etruscan Mythology
Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture. History Greek influence Greek traders brought their religion and hero figures with them to the coastal areas of the central Mediterranean. Odysseus, Menelaus and Diomedes from the Homeric tradition were recast in tales of the distant past that had them roaming the lands West of Greece. In Greek tradition, Heracles wandered these western areas, doing away with monsters ...
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Underworld
The underworld, also known as the netherworld or hell, is the supernatural world of the dead in various religious traditions and myths, located below the world of the living. Chthonic is the technical adjective for things of the underworld. The concept of an underworld is found in almost every civilization and "may be as old as humanity itself". Common features of underworld myths are accounts of living people making journeys to the underworld, often for some heroic purpose. Other myths reinforce traditions that entrance of souls to the underworld requires a proper observation of ceremony, such as the ancient Greek story of the recently dead Patroclus haunting Achilles until his body could be properly buried for this purpose. Persons having social status were dressed and equipped in order to better navigate the underworld. A number of mythologies incorporate the concept of the soul of the deceased making its own journey to the underworld, with the dead needing to be taken a ...
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Charon (mythology)
In Greek mythology, Charon or Kharon (; grc, Χάρων) is a psychopomp, the ferryman of Hades, the Greek underworld. He carries the souls of those who have been given funeral rites across the rivers Acheron and Styx, which separate the worlds of the living and the dead. Archaeology confirms that, in some burials, low-value coins were placed in, on, or near the mouth of the deceased, or next to the cremation urn containing their ashes. This has been taken to confirm that at least some aspects of Charon's mytheme are reflected in some Greek and Roman funeral practices, or else the coins function as a viaticum for the soul's journey. In Virgil's epic poem, ''Aeneid'', the dead who could not pay the fee, and those who had received no funeral rites, had to wander the near shores of the Styx for one hundred years before they were allowed to cross the river. Some mortals, heroes, and demigods were said to have descended to the underworld and returned from it as living beings. T ...
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Skin
Skin is the layer of usually soft, flexible outer tissue covering the body of a vertebrate animal, with three main functions: protection, regulation, and sensation. Other cuticle, animal coverings, such as the arthropod exoskeleton, have different cellular differentiation, developmental origin, structure and chemical composition. The adjective cutaneous means "of the skin" (from Latin ''cutis'' 'skin'). In mammals, the skin is an organ (anatomy), organ of the integumentary system made up of multiple layers of ectodermal tissue (biology), tissue and guards the underlying muscles, bones, ligaments, and internal organs. Skin of a different nature exists in amphibians, reptiles, and birds. Skin (including cutaneous and subcutaneous tissues) plays crucial roles in formation, structure, and function of extraskeletal apparatus such as horns of bovids (e.g., cattle) and rhinos, cervids' antlers, giraffids' ossicones, armadillos' osteoderm, and os penis/os clitoris. All mammals have som ...
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Blackwell Publishing
Wiley-Blackwell is an international scientific, technical, medical, and scholarly publishing business of John Wiley & Sons. It was formed by the merger of John Wiley & Sons Global Scientific, Technical, and Medical business with Blackwell Publishing in 2007.About Wiley-Blackwell
John Wiley & Sons, Inc.
Wiley-Blackwell is now an imprint that publishes a diverse range of academic and professional fields, including , , ,

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Beard
A beard is the hair that grows on the jaw, chin, upper lip, lower lip, cheeks, and neck of humans and some non-human animals. In humans, usually pubescent or adult males are able to grow beards. Throughout the course of history, societal attitudes toward male beards have varied widely depending on factors such as prevailing cultural-religious traditions and the current era's fashion trends. Some religions (such as some sects of Islam, and Sikhism) have considered a full beard to be essential and mandate it as part of their observance. Other cultures, even while not officially mandating it, view a beard as central to a man's virility, exemplifying such virtues as wisdom, strength, sexual prowess and high social status. In cultures where facial hair is uncommon (or currently out of fashion), beards may be associated with poor hygiene or an unconventional demeanor. In countries with colder climates, beards help protect the wearer's face from the elements. Beards also provide sun ...
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Wing
A wing is a type of fin that produces lift while moving through air or some other fluid. Accordingly, wings have streamlined cross-sections that are subject to aerodynamic forces and act as airfoils. A wing's aerodynamic efficiency is expressed as its lift-to-drag ratio. The lift a wing generates at a given speed and angle of attack can be one to two orders of magnitude greater than the total drag on the wing. A high lift-to-drag ratio requires a significantly smaller thrust to propel the wings through the air at sufficient lift. Lifting structures used in water include various foils, such as hydrofoils. Hydrodynamics is the governing science, rather than aerodynamics. Applications of underwater foils occur in hydroplanes, sailboats and submarines. Etymology and usage For many centuries, the word "wing", from the Old Norse ''vængr'', referred mainly to the foremost limbs of birds (in addition to the architectural aisle). But in recent centuries the word's meaning has ...
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Apotropaic Magic
Apotropaic magic (from Greek "to ward off") or protective magic is a type of magic intended to turn away harm or evil influences, as in deflecting misfortune or averting the evil eye. Apotropaic observances may also be practiced out of superstition or out of tradition, as in good luck charms (perhaps some token on a charm bracelet), amulets, or gestures such as crossed fingers or knocking on wood. Many different objects and charms were used for protection throughout history. Symbols and objects Ancient Egyptian Apotropaic magical rituals were practiced throughout the ancient Near East and ancient Egypt. Fearsome deities were invoked via ritual in order to protect individuals by warding away evil spirits. In ancient Egypt, these household rituals (performed in the home, not in state-run temples) were embodied by the deity who personified magic itself, Heka. The two gods most frequently invoked in these rituals were the hippopotamus-formed fertility goddess, Taweret, and the ...
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Giuliano Bonfante
Giuliano Bonfante (6 August 1904, Milan – 9 September 2005, Rome) was an Italian linguist and expert on the language of the Etruscans and other Italic peoples. He was professor of linguistics at the University of Genoa and then at the University of Turin. Bonfante was born in Milan, the son of jurist Pietro Bonfante.Bonfante, Pietro http://www.treccani.it/enciclopedia/pietro-bonfante/ He collaborated with his daughter, Larissa Bonfante, in his study of the Etruscan language. He became a member of the Accademia dei Lincei in 1958. He died in Rome. Bibliography * ''Della intonazione sillabica indoeuropea'' (1930) *''I dialetti indoeuropei'' (Naples, 1931) * ''Storia del diritto romano'' 2 v. (1958–59) *''Latini e Germani in Italia''(Brescia, 1965) *''La dottrina neolinguistica'' (Turin, 1970) *''Studi romeni'' (Rome, 1973) *''La protopatria degli Slavi'' (Wrocław, 1984) *''Grammatica latina: per le Scuole Medie Superiori''(Milan Milan ( , , Lombard: ; it, Milano ...
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