Charlotte Dubray
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Charlotte Dubray
Charlotte Besnard (25 April 1854 – 15 March 1931), born Charlotte Dubray, was a French sculptor. She is perhaps best known as the wife of the successful painter Paul-Albert Besnard (1849–1934), whose career she did much to advance. Although she was well known for her own work in her day, she has since been largely forgotten. Life Charlotte-Gabrielle Dubray was born in Paris on 25 April 1854. Her parents were Vital Gabriel Dubray (1818–1892), a sculptor, and Jeanne Aglaë Cecconi (1820–1896). Her father had a successful career under the Second French Empire (1851–70), executed many commissions and became a member of the Legion of Honour. Vital Dubray taught sculpture to two of his daughters, Charlotte and Giovanna. At this time sculpture was considered a less noble art than painting, a rough and dirty trade akin to artisan stonecutting, that generally required a public or private sponsor to cover the cost. Women sculptors were rare and had to have strong and determined ...
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Paul-Albert Besnard
Paul-Albert Besnard (2 June 1849 – 4 December 1934) was a French painter and printmaker. Biography Besnard was born in Paris and studied at the École des Beaux-Arts, studied with Jean Bremond and was influenced by Alexandre Cabanel. He won the Prix de Rome in 1874 with the painting ''Death of Timophanes''. On 19 November 1879 he married the sculptor Charlotte Dubray (1854–1931). They had four children, of whom three were artists. Until about 1880 he followed the academic tradition, but then broke away completely, and devoted himself to the study of colour and light as conceived by the Impressionists. The realism of this group never appealed to his bold imagination, but he applied their technical method to ideological and decorative works on a large scale, such as his frescoes at the Sorbonne, the Ecole de Pharmacie, the ceiling of the Comédie-Française (main theatre in Paris), the Salle des Sciences at the Hôtel de Ville, the ''mairie'' of the 1st arrondissement, an ...
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French Academy In Rome
The French Academy in Rome (french: Académie de France à Rome) is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy. History The Academy was founded at the Palazzo Capranica in 1666 by Louis XIV under the direction of Jean-Baptiste Colbert, Charles Le Brun and Gian Lorenzo Bernini. The Academy was from the 17th to 19th centuries the culmination of study for select French artists who, having won the prestigious Prix de Rome (Rome Prize), were honored with a 3, 4 or 5-year scholarship (depending on the art discipline they followed) in the Eternal City for the purpose of the study of art and architecture. Such scholars were and are known as ''pensionnaires de l'Académie'' (Academy pensioners). One recipient of the scholarship in the 17th century was Pierre Le Gros the Younger. The Academy was housed in the Palazzo Capranica until 1737, and then in the Palazzo Mancini from 1737 to 1793. In 1803 Napoleon Bonaparte ...
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Père Lachaise Cemetery
Père Lachaise Cemetery (french: Cimetière du Père-Lachaise ; formerly , "East Cemetery") is the largest cemetery in Paris, France (). With more than 3.5 million visitors annually, it is the most visited necropolis in the world. Notable figures in the arts buried at Père Lachaise include Michel Ney, Frédéric Chopin, Émile Waldteufel, Édith Piaf, Marcel Proust, Georges Méliès, Marcel Marceau, Sarah Bernhardt, Oscar Wilde, Thierry Fortineau, J.R.D. Tata, Jim Morrison and Sir Richard Wallace. The Père Lachaise is located in the 20th arrondissement of Paris, 20th arrondissement and was the first garden cemetery, as well as the first municipal cemetery in Paris. It is also the site of three World War I memorials. The cemetery is located on the Boulevard de Ménilmontant. The Paris Métro station Philippe Auguste (Paris Métro), Philippe Auguste on Paris Métro Line 2, Line 2 is next to the main entrance, while the station Père Lachaise (Paris Métro), Père Lachaise, on both ...
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Frantz Jourdain
Frantz Jourdain (3 October 1847 – 22 August 1935) was a Belgian architect and author. He is best known for La Samaritaine, an Art Nouveau department store built in the 1st arrondissement of Paris in three stages between 1904 and 1928. He was respected as an authority on Art Nouveau. Life Frantz Jourdain was born in 1847. In the 1860s he studied in Paris at the École nationale supérieure des Beaux-Arts, École des Beaux-Arts. He obtained French citizenship in 1870. Critic Jourdain was a theoretician of Art Nouveau. He began writing on the arts in 1875, and by the end of his life had published about two hundred articles in sixty magazines and newspapers, at first news items but later critical articles in which he expressed his thoughts on art. Some of these were gathered into collections in 1886 and 1931. His writings were eclectic. Apart from writing on artistic questions he published a picaresque romance, two collections of short stories, a novel, a play and two collections ...
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Exposition Universelle (1900)
The Exposition Universelle of 1900, better known in English as the 1900 Paris Exposition, was a world's fair held in Paris, France, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was held at the esplanade of Les Invalides, the Champ de Mars, the Trocadéro and at the banks of the Seine between them, with an additional section in the Bois de Vincennes, and it was visited by more than 50 million people. Many international congresses and other events were held within the framework of the Exposition, including the 1900 Summer Olympics. Many technological innovations were displayed at the Fair, including the ''Grande Roue de Paris'' ferris wheel, the '' Rue de l'Avenir'' moving sidewalk, the first ever regular passenger trolleybus line, escalators, diesel engines, electric cars, dry cell batteries, electric fire engines, talking films, the telegraphone (the first magnetic audio recorder), the ...
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Société Nationale Des Beaux-Arts
Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter and gallery owner Louis Martinet and the writer Théophile Gautier, the Société Nationale des Beaux-Arts was first chaired by Gautier, with the painter Aimé Millet as deputy chairman. The committee was composed of the painters Eugène Delacroix, Carrier-Belleuse, and Puvis de Chavannes, and among the exhibitors were Léon Bonnat, Jean-Baptiste Carpeaux, Charles-François Daubigny, Gustave Doré, and Édouard Manet. In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor – and ceased to mount further exhibitions. The 19th century in French art is characterised by a continuous str ...
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Auguste Delaherche
Auguste Delaherche (27 December 1857 – 27 June 1940) was a French ceramicist, who was a leading figure in French art pottery through the Art Nouveau period. Like other leading French potters of the period, he was intensely interested in ceramic glaze effects of colour and surface texture. He began his career making stoneware, but later also made porcelain in his studio. After some years potting in Paris, in 1894 he returned to his native region, and ten years later changed his operation to a one-man studio pottery. He also moved in stages from making exclusively stoneware to only making porcelain. Career He trained at the École des Arts Décoratifs in Paris. At the start of his career he worked in other artistic media, restoring stained glass, designing "religious jewellery" and as head of the electroplating department at the firm of Christofle in Paris, who had pioneered the technique. He began potting with salt-glazed stoneware in 1883 near Beauvais, and in 1887 bough ...
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Bethulia
Bethulia (, ''Baituloua''; Hebrew: בתוליה) is a biblical "city whose deliverance by Judith, when besieged by Holofernes, forms the subject of the Book of Judith." Etymology The name "Bethulia" in Hebrew can be associated, in an allegorical sense, with "Beth-el" (house of God). If treated as a real geographical name, it can be explained as a composite word built from "betulah", virgin, and " Jah", the proper name of God, so literally "Yhwh's virgin". This suits the portrayal of Judith as a chaste widow and the book's emphasis on following religious rules, chastity among them. Hugo Willrich suggested in 1900 in his book "Judaica" that "Bethulia" is a corrupted form of "Bethalagan". Location The Jewish Encyclopedia suggests an original allegorical sense, later applied to a concrete place in the described region. However, no place-name easily derivable from Bethulia could be identified there. The Catholic Encyclopedia (1907–14) writes: "The view that Bethulia is merely ...
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Holofernes
In the deuterocanonical Book of Judith, Holofernes ( grc, Ὀλοφέρνης; he, הולופרנס) was an invading Assyrian general known for having been beheaded by Judith, a Hebrew widow who entered his camp and beheaded him while he was drunk. Holofernes had been dispatched by Nebuchadnezzar to take vengeance on Israel, which had withheld assistance in his most recent war. Having occupied every country along the coastline, Holofernes destroyed all worship of gods other than Nebuchadnezzar. Holofernes was warned against attacking the Jewish people by Achior, the leader of the Ammonites; however, despite the advice he laid siege to the city of Bethulia, commonly believed to be Meselieh. The city almost fell to the invading army; Holofernes' advance stopped the water supply to Bethulia, leading to its people encouraging their rulers to give in to Holofernes' demands. The leaders vowed to surrender if no help arrived within five days. Bethulia was saved by Judith, a Hebrew ...
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Book Of Judith
The Book of Judith is a deuterocanonical book, included in the Septuagint and the Catholic and Eastern Orthodox Christian Old Testament of the Bible, but excluded from the Hebrew canon and assigned by Protestants to the apocrypha. It tells of a Jewish widow, Judith, who uses her beauty and charm to destroy an Assyrian general and save Israel from oppression. The surviving Greek manuscripts contain several historical anachronisms, which is why some Protestant scholars now consider the book non-historical: a parable, a theological novel, or perhaps the first historical novel. The name Judith (), meaning "Praised" or "Jewess", is the feminine form of Judah. Historical context Original language It is not clear whether the Book of Judith was originally written in Hebrew or in Greek. The oldest existing version is in the Septuagint, and might either be a translation from Hebrew or composed in Greek. Details of vocabulary and phrasing point to a Greek text written in a language m ...
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