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Chapel Of The Congregation Of Monte Dei Poveri
The Chapel of the Congregation of Monte dei Poveri (Cappella della Congregazione di Monte dei Poveri) is a Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...-style chapel located on Via dei Tribunali, Naples, Via Tribunali in central Naples, Italy. The chapel is closed for services. The chapel is located inside the courtyard of the Palazzo Ricca, Naples, Palazzo Ricca, formerly the offices of the Monte dei Poveri, and now the offices of the historic archives of the Fondazione of the Istituto Banco di Napoli. The chapel was designed in 1663 by Don Giuseppe Caracciolo. The atrium has sculptures by Girolamo D'Auria, depicting Saints Thomas Acquinus, Januarius, and Anthony of Padua, and a canvas depicting the Holy Family by Giannantonio D’Amato. The main altar was designe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Via Dei Tribunali, Naples
Via dei Tribunali is a street in the old historic center of Naples, Italy. It was the main '' decumanus'' or Decumanus Maggiore — that is, the main east-west street—of the ancient Greek and then Roman city of Neapolis, paralleled to the south by the lower ''decumanus'' ( Decumano Inferiore, now called Spaccanapoli) and to the north by the upper ''decumanus'' ( Decumano Superiore) (now ''via Anticaglia'' and ''Via della Sapienza''). The three ''decumani'' were (and still are) intersected by numerous north-south cross-streets called ''cardini'', together forming the grid of the ancient city. The modern streets/alleys that overlie and follow the ancient grid of these ancient streets. The length of the modern ''Via dei Tribunali'' was determined by the urban expansion requirements of the Spanish starting in the early 16th century. The street runs from the church of San Pietro a Maiella and adjacent Naples Music Conservatory at the west end of the old city for about three-quarters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Ricca
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Roman Empire, Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Ricca, Naples
The Palazzo Ricca is a monumental palace, located on the southernmost end of Via dei Tribunali #231, in central Naples, region of Campania, Italy. It presently houses the archives of the Foundation of the Istituto Banco di Napoli. The palace is just down the street from the entrance to Castel Capuano History The palace once housed the Banco dei Poveri (Bank of the Poor) arose between the sixteenth century in Naples, and along with nearly eight other such institutions, it was later consolidated into the Banco di Napoli. These institutions served as pawnshops, almshouses, and in the case of the Banco dei Poveri, the proximity to the courts at the ''Vicaria'' (Castel Capuano) meant that they often serves as bails-bondsmen. A story, perhaps apocryphal, by Carlo Cerano about the origins of the bank support the latter function. The bank staff was composed of lay religious congregations, and its funds were amassed through alms, income from rental properties, and donations, in the latter c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girolamo D'Auria
Girolamo D'Auria (1577–1620) was an Italian sculptor, active mainly in Naples, Italy. His first name is variously used as Hieronymus, Ieronimo, Hieronimo, Jeronimo, Geronimo or Gerolamo. Girolamo's father, Giovanni Domenico D'Auria, and Annibale Caccavello, were pupils of Giovanni da Nola.Francesco Abbate, ''Il sodalizio tra Annibale Caccavello e Gian Domenico D'Auria e un'ipotesi per Salvatore Caccavello'', in "Annali della Scuola Normale Superiore di Pisa", classe di Lettere e Filosofia, ser. 3., vol. 6., 1, 1976. his main task was sculpting funereal monuments including some in Santi Severino e Sossio The church of Santi Severino e Sossio and the annexed monastery are located on via Bartolommeo Capasso in Naples, Italy. The church is attached to one of the oldest monasteries in the city, and from 1835 it has housed the State Archives of Naple ..., the church of Santa Maria di Monteoliveto, and the monument of Giovanni Alfonso Bisvallo, sculpted in 1617 at San Severo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giannantonio D’Amato
Giannantonio is an Italian masculine blended given name that is a combination of Gianni and Antonio. Notable people known by this name include the following: Given name *Giannantonio Lecchi or Giovanni Antonio Lecchi (1702 - 1776), Italian Jesuit and mathematician *Giannantonio Moschini (1773 - 1840), Italian author and Roman Catholic priest *Giannantonio Sperotto Giannantonio Sperotto (born November 7, 1950, in Breganze) is an Italian former professional footballer. He played for 5 seasons (66 games, 8 goals) in the Serie A for Vicenza Calcio, A.S. Varese 1910, S.S.C. Napoli, F.C. Catanzaro and A.S. Roma ... (born 1950), Italian football player *Giannantonio Orsini, nickname of Giovanni Antonio Del Balzo Orsini (1386 or 1393 – 1463), Italian nobleman and military leader Surname * Fabio Di Giannantonio (born 1998), Italian motorcycle racer * John Giannantonio (born c. 1934), American gridiron football player See also * Gian Antonio * Gianantonio Notes {{given name It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Fasulo
Filippo is an Italian male given name, which is the equivalent of the English name Philip, from the Greek ''Philippos'', meaning "amante dei cavalli".''Behind the Name''"Given Name Philip" Retrieved on 23 January 2016. The female variant is Filippa. The name may refer to: * Filippo I Colonna (1611–1639), Italian nobleman *Filippo II Colonna (1663–1714), Italian noblemen *Filippo Abbiati (1640–1715), Italian painter *Filippo Baldinucci (1624–1697), Italian historian *Filippo Brunelleschi (1377–1446), Italian architect *Filippo Carli (1876–1938), Italian sociologist *Filippo Castagna (1765–1830), Maltese politician * Filippo Coarelli (born 1936), Italian archaeologist *Filippo Coletti (1811–1894), Italian singer * Filippo di Piero Strozzi (1541–1582), French general *Filippo Salvatore Gilii (1721–1789), Italian priest and linguist * Filippo Grandi (born 1957), Italian diplomat *Filippo Illuminato (1930-1943), Italian partisan, recipient of the Gold Medal of Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Persico
Paolo Persico (1796), was an Italian sculptor of the late-Baroque, active at and near Naples. He is best known for sculptures in the gardens of Palace of Caserta, including the figures of ''Diana and Acteon'' in a fountain. He also contributed statues of the ''Lions'' for the entrance stairway, a ''Faun'', ''The Gladiator'', and an ''Apollo''. His work at Caserta was a collaborative project with contributions by Angelo Brunelli, Pietro Solari, Andrea Violani, and Gaetano Salomone. by Pietro Napoli-Signorelli. Volume II, 2nd edition, Naples (1811); page 252. He also produced sculptures, including the statuary group called ''Soavità del giogo matrimoniale'' and the angels in the complex bas-relief of the main altarpiece depicting the ''Deposition'' (collaboration with Francesco Cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Giordano
Luca Giordano (18 October 1634 – 3 January 1705) was an Italian late-Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence, and Venice, before spending a decade in Spain. Early life and training Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname ''Luca fa presto'', which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (''Fulmine'') and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Gior ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Barba
Gaetano (anglicized ''Cajetan'') is an Italian masculine given name. It is also used as a surname. It is derived from the Latin ''Caietanus'', meaning "from ''Caieta''" (the modern Gaeta). The given name has been in use in Italy since medieval period, although it also remained in use as a byname indicating people from Gaeta, as in Thomas Cajetan or ''Gaetanus'' (1469–1534). The modern given name can be traced to Saint Gaetano dei Conti di Tiene (1480–1547) who was canonized in 1671. Other variants of the name exist in other Romance languages, the French form of the name is ''Gaëtan, Gaétan'', the Portuguese form is '' Caetano'', and the Spanish form is '' Cayetano''. The feminine form is ''Gaetana'' (also ''Caetana'' and ''Cayetana''). People with the given name ''Gaetano'' Clergy and religious figures * Pope Nicholas III (Giovanni Gaetano Orsini), Pope from 1277–1280 * Thomas Cajetan (Tomasso de Vio Cardinal Cajetan), (1469 – 1534), Italian philosopher, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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