Chance Of Love
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Chance Of Love
is the ninth single by Japanese girl group Melon Kinenbi. It was released on May 8, 2003, and its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #10. Track listing # # # References External linksChance of Loveat the Up-Front Works release list (Japanese) 2003 singles 2003 songs Melon Kinenbi songs Song recordings produced by Tsunku Zetima Records singles Torch songs Dance-pop songs {{2000s-Japan-single-stub ...
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Melon Kinenbi
were an all-girl Japanese pop group within Hello! Project. They were formed after they successfully passed the 2nd Morning Musume & Michiyo Heike Imotobun Audition. Melon Kinenbi is the oldest group in the history of Hello! Project not to have changed any of its members since its formation. The band occasionally worked as dancers for other Hello! Project artists; they can, for instance, be seen in the music video for Maki Goto's single "Yaruki! It's Easy". The entire group officially graduated from the Hello! Project on March 31, 2009, along with the rest of the Elder Club. After their graduation, they collaborated with other Japanese punk-rock groups for several limited-release indie singles, and released their 4th album ''Melon's Not Dead''. Two days after the album release and just after their 10-year anniversary, the group announced that they would disband following their final tour activities in May 2010. The group performed together for the last time on May 3, at Nakano S ...
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The Nimaime
is the second album from the J-pop group Melon Kinenbi, containing five of their singles, released on December 1, 2004. Since Tsunku was inactive at the time, it was produced by the other members of Sharam Q instead. Its highest ranking on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #28, and it charted for two weeks. Track listing # # # # # # # # # # # # References External links The Nimaimeentry on the Up-Front Works official website 2004 albums Melon Kinenbi albums Zetima albums {{japan-album-stub ...
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J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Zetima
is a Japanese holding company for various entertainment companies. Its subsidiaries include the talent agency Up-Front Promotion and Up-Front Works, a music production and sales company that manages such record labels as Zetima, Piccolo Town, and Hachama. Artists Up-Front Promotion All groups under Up-Front Promotion are collectively known as Hello! Project. Groups * Morning Musume * Angerme * Juice=Juice * Camellia Factory * Beyooooonds ** Chica#Tetsu ** Rain Forest River Ocean ** SeasoningS * Ocha Norma Soloists/Entertainers * Sayumi Michishige * Chinami Tokunaga * Risako Sugaya Trainees * Hello Pro Kenshūsei Up-Front Works Groups * Bitter & Sweet * Brothers 5 * Dream Morning Musume * Lovendor * Pink Cres. * Sharam Q * Up Up Girls Kakko Kari Soloists/Entertainers * Ai Takahashi * Airi Suzuki * Akira Inaba * Akira Kagawa * Chisato Moritaka * Chisato Okai * Eric Fukusaki * Erina Mano * Gen Takayama * Hirofumi Bannba * Jirou Sugita * Junko Yanagisawa * Kan * Mai Sato ...
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Tsunku
, known professionally as , is a Japanese singer, record producer, and songwriter. He is the lead singer of the rock band Sharam Q. As a songwriter, Tsunku is the primary producer for Morning Musume and other Hello! Project acts, such as Coconuts Musume, Berryz Kobo, Cute, V-u-den, Aya Matsuura, and Maki Goto. He has also produced music for artists such as EE Jump and Sonim. Aside from musical acts, Tsunku has also produced soundtracks for anime and video game series such as ''Rhythm Heaven'' and ''ClassicaLoid''. The total sales of the singles he has written exceed 37.9 million copies, making him the fifth best-selling lyricist in Japan. History Tsunku later worked with Nintendo and J.P.ROOM to create the music video game, '' Rhythm Tengoku''. It was released for the Game Boy Advance exclusively in Japan on August 3, 2006, and later as an arcade machine on September 20, 2007. He also worked on ''Rhythm Tengoku Gold'' (Released in the US as ''Rhythm Heaven'' and in Europe as ''R ...
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Akai Freesia
is the eighth single by Japanese girl group Melon Kinenbi. It was released on January 29, 2003, and its highest position on the Oricon weekly chart was #10. This made it Melon Kinenbi's first single to rank within the top 10. It was also used as an audition song for the sixth generation of Morning Musume, the main "super-group" in Hello! Project is a Japanese musical collective consisting of all female recording artists and groups under Up-Front Promotion, a subsidiary of Up-Front Group. The name was initially used as Michiyo Heike and Morning Musume's fan club name in 1999, but has s .... Track listing # # # References External linksAkai Freesiaat the Up-Front Works release list (Japanese) 2003 singles Melon Kinenbi songs 2003 songs Song recordings produced by Tsunku Songs written by Tsunku Zetima Records singles {{2000s-Japan-single-stub ...
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Mi Da Ra Matenrō
is the tenth single by Japanese girl group Melon Kinenbi. It was released on September 10, 2003, and its highest position on the Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ... weekly chart was #15. Track listing # # # External linksMi Da Ra Matenrōat the Up-Front Works release list (Japanese) 2003 singles 2003 songs Melon Kinenbi songs Song recordings produced by Tsunku Zetima Records singles {{2000s-Japan-single-stub ...
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Japanese People
The are an East Asian ethnic group native to the Japanese archipelago."人類学上は,旧石器時代あるいは縄文時代以来,現在の北海道〜沖縄諸島(南西諸島)に住んだ集団を祖先にもつ人々。" () Japanese people constitute 97.9% of the population of the country of Japan. Worldwide, approximately 129 million people are of Japanese descent; of these, approximately 122.5 million are residents of Japan. People of Japanese ancestry who live outside Japan are referred to as , the Japanese diaspora. Depending on the context, the term may be limited or not to mainland Japanese people, specifically the Yamato (as opposed to Ryukyuan and Ainu people). Japanese people are one of the largest ethnic groups in the world. In recent decades, there has also been an increase in the number of multiracial people with both Japanese and non-Japanese roots, including half Japanese people. History Theories of origins Archaeological evidence indi ...
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Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ...
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2003 Singles
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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2003 Songs
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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