HOME
*



picture info

Central Motion Picture Corporation
Central Motion Picture Corporation (中央電影事業股份有限公司, or CMPC 中影 in short) is a Taiwanese movie studio. It was established in 1954 as a state-owned media organisation by the then Kuomintang of Taiwan. It has produced movies by Taiwanese directors like Ang Lee, Hou Hsiao-hsien, Tsai Ming-liang, and Edward Yang Edward Yang (; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese cinema. He won the Be .... CMPC was privatised in 2005 when the film production and distribution business ceased, but resumed in 2009 after a change in management. External links References Taiwanese film studios Entertainment companies established in 1954 1954 establishments in Taiwan {{Taiwan-company-stub ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Central Motion Picture Corporation Logo 1956
Central is an adjective usually referring to being in the center of some place or (mathematical) object. Central may also refer to: Directions and generalised locations * Central Africa, a region in the centre of Africa continent, also known as Middle Africa * Central America, a region in the centre of America continent * Central Asia, a region in the centre of Eurasian continent * Central Australia, a region of the Australian continent * Central Belt, an area in the centre of Scotland * Central Europe, a region of the European continent * Central London, the centre of London * Central Region (other) * Central United States, a region of the United States of America Specific locations Countries * Central African Republic, a country in Africa States and provinces * Blue Nile (state) or Central, a state in Sudan * Central Department, Paraguay * Central Province (Kenya) * Central Province (Papua New Guinea) * Central Province (Solomon Islands) * Central Province, Sri ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Movie Studio
A film studio (also known as movie studio or simply studio) is a major entertainment company or motion picture company that has its own privately owned studio facility or facilities that are used to make films, which is handled by the production company. Most firms in the entertainment industry have never owned their own studios, but have rented space from other companies. There are also privately held company, independently owned studio facilities, who have never produced a motion picture of their own because they are not entertainment companies or motion picture companies; they are companies who sell only studio space. Beginnings In 1893, Thomas Edison built the first movie studio in the United States when he constructed the Edison's Black Maria, Black Maria, a tarpaper-covered structure near his laboratories in West Orange, New Jersey, West Orange, New Jersey, and asked circus, vaudeville, and dramatic actors to perform for the camera. He distributed these movies at vaudevil ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

State-owned
State ownership, also called government ownership and public ownership, is the ownership of an industry, asset, or enterprise by the state or a public body representing a community, as opposed to an individual or private party. Public ownership specifically refers to industries selling goods and services to consumers and differs from public goods and government services financed out of a government's general budget. Public ownership can take place at the national, regional, local, or municipal levels of government; or can refer to non-governmental public ownership vested in autonomous public enterprises. Public ownership is one of the three major forms of property ownership, differentiated from private, collective/cooperative, and common ownership. In market-based economies, state-owned assets are often managed and operated as joint-stock corporations with a government owning all or a controlling stake of the company's shares. This form is often referred to as a state-o ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kuomintang
The Kuomintang (KMT), also referred to as the Guomindang (GMD), the Nationalist Party of China (NPC) or the Chinese Nationalist Party (CNP), is a major political party in the Republic of China, initially on the Chinese mainland and in Taiwan after 1949. It was the sole party in China during the Republican Era from 1928 to 1949, when most of the Chinese mainland was under its control. The party retreated from the mainland to Taiwan on 7 December 1949, following its defeat in the Chinese Civil War. Chiang Kai-shek declared martial law and retained its authoritarian rule over Taiwan under the ''Dang Guo'' system until democratic reforms were enacted in the 1980s and full democratization in the 1990s. In Taiwanese politics, the KMT is the dominant party in the Pan-Blue Coalition and primarily competes with the rival Democratic Progressive Party (DPP). It is currently the largest opposition party in the Legislative Yuan. The current chairman is Eric Chu. The party originate ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Ang Lee
Ang Lee (; born October 23, 1954) is a Taiwanese filmmaker. Born in Pingtung County of southern Taiwan, Lee was educated in Taiwan and later in the United States. During his filmmaking career, he has received international critical and popular acclaim and a range of accolades. Lee's early successes included ''Pushing Hands'' (1991), ''The Wedding Banquet'' (1993), and ''Eat Drink Man Woman'' (1994), which explored the relationships and conflicts between tradition and modernity, Eastern and Western; the three films are informally known as the "''Father Knows Best''" trilogy.Wei Ming Dariotis, Eileen Fung,Breaking the Soy Sauce Jar: Diaspora and Displacement in the Films of Ang Lee" in Hsiao-peng Lu, ed., '' Transnational Chinese Cinemas: Identity, Nationhood, Gender'' (Honolulu: University of Hawaii Press, 1997), p. 242. The films were critically successful both in his native Taiwan and internationally. His first entirely English-language film was ''Sense and Sensibility'' (199 ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Hou Hsiao-hsien
Hou Hsiao-hsien (; born 8 April 1947) is a Mainland Chinese-born Taiwanese film director, screenwriter, producer and actor. He is a leading figure in world cinema and in Taiwan's New Wave cinema movement. He won the Golden Lion at the Venice Film Festival in 1989 for his film ''A City of Sadness'' (1989), and the Best Director award at the Cannes Film Festival in 2015 for '' The Assassin'' (2015). Other highly regarded works of his include '' The Puppetmaster'' (1993) and ''Flowers of Shanghai'' (1998). Hou was voted "Director of the Decade" for the 1990s in a poll of American and international critics by ''The Village Voice'' and ''Film Comment''. In a 1998 New York Film Festival worldwide critics' poll, Hou was named "one of the three directors most crucial to the future of cinema." ''A City of Sadness'' ranked 117th in the British Film Institute's 2012 ''Sight & Sound'' critics' poll of the greatest films ever made. In 2017, Metacritic ranked Hsiao-hsien 16th on its list of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Tsai Ming-liang
Tsai Ming-liang (; born 27 October 1957) is a Malaysian-Taiwanese filmmaker. Tsai has written and directed 11 feature films, many short films, and television films. He is one of the most celebrated "Second New Wave" film directors of Taiwanese cinema. His films have been acclaimed worldwide and have won numerous awards at festivals. In 1994, Tsai won the ''Golden Lion'' at the 51st Venice International Film Festival for the film ''Vive L'Amour''. Early life Tsai was born in Malaysia, is of Chinese descent and spent his first 20 years in Kuching, Sarawak, after which he moved to Taipei, Taiwan. This, he said, had "a huge impact on ismind and psyche". "Even today", Tsai has said, "I feel I belong neither to Taiwan nor to Malaysia. In a sense, I can go anywhere I want and fit in, but I never feel that sense of belonging." Tsai graduated from the Drama and Cinema Department of the Chinese Culture University of Taiwan in 1982 and worked as a theatrical producer, screenwriter, and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Edward Yang
Edward Yang (; November 6, 1947 – June 29, 2007) was a Taiwanese filmmaker. Yang, along with fellow auteurs Hou Hsiao-hsien and Tsai Ming-liang, was one of the leading film-makers of the Taiwanese New Wave and Taiwanese cinema. He won the Best Director Award at Cannes for his 2000 film ''Yi Yi''. Youth and early career Yang was born in Shanghai in 1947, and grew up in Taipei, Taiwan. After studying Electrical Engineering in National Chiao Tung University (located in Hsinchu, Taiwan), where he received his bachelor's degree ( BSEE), he enrolled in the graduate program at the University of Florida, where he received his master's degree in electrical engineering in 1974.''International Dictionary of Films and Filmmakers''. Eds. Sara Pendergast and Tom Pendergast. Vol. 2: Directors. 4th ed. Detroit: St. James Press, 2001. p1092-1094. 4 vols. "Edward Yang" accessed through Thomson Gale's Biography Research Centre 1 July 2007 During this time and briefly afterwards, Yang worked at ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Screen Daily
''Screen International'' is a British film magazine covering the international film business. It is published by Media Business Insight, a British B2B media company. The magazine is primarily aimed at those involved in the global film business. The magazine in its current form was founded in 1975, and its website, ''Screendaily.com'', was added in 2001. ''Screen International'' also produces daily publications at film festivals and markets in Berlin, Germany; Cannes, France; Toronto, Ontario, Canada; the American Film Market in Santa Monica, California; and Hong Kong. History ''Screen International'' traces its history back to 1889 with the publication of ''Optical Magic Lantern and Photographic Enlarger''. At the turn of the 20th century, the name changed to ''Cinematographic Journal'' and in 1907 it was renamed '' Kinematograph and Lantern Weekly''. Kinematograph Weekly ''Kinematograph and Lantern Weekly'' contained trade news, advertisements, reviews, exhibition advice, a ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Taiwanese Film Studios
Taiwanese may refer to: * Taiwanese language, another name for Taiwanese Hokkien * Something from or related to Taiwan (Formosa) * Taiwanese aborigines, the indigenous people of Taiwan * Han Taiwanese Han Taiwanese, Taiwanese Han (), Taiwanese Han Chinese, or Han Chinese are Taiwanese people of full or partial ethnic Han descent. According to the Executive Yuan of Taiwan, they comprise 95 to 97 percent of the Taiwanese population, which also ..., the Han people of Taiwan * Taiwanese people, residents of Taiwan or people of Taiwanese descent * Taiwanese language (other) * Taiwanese culture * Taiwanese cuisine * Taiwanese identity See also * {{disambiguation Language and nationality disambiguation pages ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Entertainment Companies Established In 1954
Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousands of years specifically for the purpose of keeping an audience's attention. Although people's attention is held by different things because individuals have different preferences, most forms of entertainment are recognisable and familiar. Storytelling, music, drama, dance, and different kinds of performance exist in all cultures and were supported in royal courts and developed into sophisticated forms, over time becoming available to all citizens. The process has been accelerated in modern times by an entertainment industry that records and sells entertainment products. Entertainment evolves and can be adapted to suit any scale, ranging from an individual who chooses a private entertainment from a now enormous array of pre-recorded pr ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]