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Celtic Otherworld
In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy.Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p.1671 It is described either as a parallel world that exists alongside our own, or as a heavenly land beyond the sea or under the earth. The Otherworld is usually elusive, but various mythical heroes visit it either through chance or after being invited by one of its residents. They often reach it by entering ancient burial mounds or caves, or by going under water or across the western sea. Sometimes, they suddenly find themselves in the Otherworld with the appearance of a magic mist, supernatural beings or unusual animals.MacKillop, James. ''Dictionary of Celtic Mythology''. Oxford University Press, 1998. pp.21, 205, 270, 322–3, 346, 359–60. . An otherworldly woman may invite the hero into ...
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15 They Rode Up To A Stately Palace
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Cnoc Meadha
Cnoc Meadha (also Cnoc Meádha Siuil referring to its location on the plain of Maigh Seóla, and variously spelled Knockmagha, Knockma, or Knock Ma) is a hill west of Tuam, County Galway, in Ireland. It is said in legend to be the residence of Finnbheara, the king of the Connacht Connacht ( ; ga, Connachta or ), is one of the provinces of Ireland, in the west of Ireland. Until the ninth century it consisted of several independent major Gaelic kingdoms ( Uí Fiachrach, Uí Briúin, Uí Maine, Conmhaícne, and Del ... fairies. Of two large cairns on the hill, one was thought to be the burial-place of Finnbheara and the other of Queen Medb, whose name may be transformed in the name Cnoc Meadha. Knockma Hill is topped with prehistoric cairns. G. H. Kinahan wrote of the place: In Evans-Wentz's classic ''The Fairy-Faith in Celtic Countries'', his informant Mr John Glynn, the town clerk of Tuam, mentions that: References {{reflist Geography of Galway (city) ...
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Brú Na Bóinne
(; 'Palace of the Boyne' or more properly 'Valley of the Boyne') or Boyne valley tombs, is an area in County Meath, Ireland, located in a bend of the River Boyne. It contains one of the world's most important prehistoric landscapes dating from the Neolithic period, including the large Megalithic passage graves of Knowth, Newgrange and Dowth as well as some 90 additional monuments. The archaeological culture associated with these sites is called the "Boyne culture". Since 1993, the site has been a World Heritage Site designated by UNESCO, known since 2013 as "Brú na Bóinne - Archaeological Ensemble of the Bend of the Boyne". Location The area is located eight kilometers west of Drogheda in County Meath, Ireland, in a bend of the River Boyne. It is around 40 kilometers north of Dublin. Brú na Bóinne is surrounded on its southern, western and eastern sides by the Boyne; additionally, a small tributary of the Boyne, the River Mattock, runs along the northern edge, almost comp ...
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Liminality
In anthropology, liminality () is the quality of ambiguity or disorientation that occurs in the middle stage of a rite of passage, when participants no longer hold their pre-ritual status but have not yet begun the transition to the status they will hold when the rite is complete. During a rite's liminal stage, participants "stand at the threshold" between their previous way of structuring their identity, time, or community, and a new way (which completing the rite establishes). The concept of liminality was first developed in the early twentieth century by folklorist Arnold van Gennep and later taken up by Victor Turner. More recently, usage of the term has broadened to describe political and cultural change as well as rites. During liminal periods of all kinds, social hierarchies may be reversed or temporarily dissolved, continuity of tradition may become uncertain, and future outcomes once taken for granted may be thrown into doubt. The dissolution of order during liminality cr ...
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Beltane
Beltane () is the Gaelic May Day festival. Commonly observed on the first of May, the festival falls midway between the spring equinox and summer solstice in the northern hemisphere. The festival name is synonymous with the month marking the start of summer in Ireland, May being ''Mí na Bealtaine''. Historically, it was widely observed throughout Ireland, Scotland, and the Isle of Man. In Irish the name for the festival day is (), in Scottish Gaelic (), and in Manx Gaelic /. Beltane is one of the principal four Gaelic seasonal festivals—along with Samhain, Imbolc, and Lughnasadh—and is similar to the Welsh . Bealtaine is mentioned in the earliest Irish literature and is associated with important events in Irish mythology. Also known as ("first of summer"), it marked the beginning of summer and was when cattle were driven out to the summer pastures. Rituals were performed to protect cattle, people and crops, and to encourage growth. Special bonfires were kindled, w ...
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Samhain
Samhain ( , , , ; gv, Sauin ) is a Gaelic festival on 1 NovemberÓ hÓgáin, Dáithí. ''Myth Legend and Romance: An Encyclopaedia of the Irish Folk Tradition''. Prentice Hall Press, 1991. p. 402. Quote: "The basic Irish division of the year was into two parts, the summer half beginning at Bealtaine (May 1st) and the winter half at Samhain (November 1st) ... The festivals properly began at sunset on the day before the actual date, evincing the Celtic tendency to regard the night as preceding the day". marking the end of the harvest season and beginning of winter or "darker half" of the year. Celebrations begin on the evening of 31 October, since the Celtic day began and ended at sunset. This is about halfway between the autumnal equinox and winter solstice. It is one of the four Gaelic seasonal festivals along with Imbolc, Beltaine and Lughnasa. Historically it was widely observed throughout Ireland, Scotland, Galicia and the Isle of Man (where it is spelled Sauin). A simi ...
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The Voyage Of Bran
The Voyage of Bran ( sga, Immram Brain [], meaning "The Voyage of Bran [son of Febail]") is a medieval seventh- or eighth-century Irish language narrative. Source The date of composition has been assigned to the late 7th or early 8th century, and the text is known to have been included in the lost 8th century codex ''Cín Dromma Snechtai''. Although the conventional title ''Immram Brain'' identifies the tale-type as an ''immram'' (‘voyage’ tale), some scholars argue the work does count among the genuine ''immrama'', but rather be considered an ''echtra'' (‘adventure’ tale) and the title ''Echtrae Brain'' should be adopted, for indeed ''Echtra Bran maic Febail'' is the title (and categorisation) as occurs in the 11th century tale-list. Dillon, Myles (1948). ''Early Irish Literature'' p. 107 (pp. 101-130), ''apud'' The constructed title ''Echtrae Brain ocus Tomaidm Locha Febuil'' has also been suggested. The tale may derive from the " otherworldly journey" material from ...
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Fionn Mac Cumhaill
Fionn mac Cumhaill ( ; Old and mga, Find or ''mac Cumail'' or ''mac Umaill''), often anglicized Finn McCool or MacCool, is a hero in Irish mythology, as well as in later Scottish and Manx folklore. He is leader of the ''Fianna'' bands of young roving hunter-warriors, as well as being a seer and poet. He is said to have a magic thumb that bestows him with great wisdom. He is often depicted hunting with his hounds Bran and Sceólang, and fighting with his spear and sword. The tales of Fionn and his ''fiann'' form the Fianna Cycle or Fenian Cycle (''an Fhiannaíocht''), much of it narrated by Fionn's son, the poet Oisín. Etymology In Old Irish, finn/find means "white, bright, lustrous; fair, light-hued (of complexion, hair, etc.); fair, handsome, bright, blessed; in moral sense, fair, just, true". It is cognate with Primitive Irish ''VENDO-'' (found in names from Ogam inscriptions), Welsh ''gwyn'', Cornish ''gwen'', Breton ''gwenn'', Continental Celtic and Common Brittoni ...
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Proto-Indo-European Religion
Proto-Indo-European mythology is the body of myths and deities associated with the Proto-Indo-Europeans, the hypothetical speakers of the reconstructed Proto-Indo-European language. Although the mythological motifs are not directly attested – since Proto-Indo-European speakers lived in preliterate societies – scholars of comparative mythology have reconstructed details from inherited similarities found among Indo-European languages, based on the assumption that parts of the Proto-Indo-Europeans' original belief systems survived in the daughter traditions. The Proto-Indo-European pantheon includes a number of securely reconstructed deities, since they are both cognates – linguistic siblings from a common origin –, and associated with similar attributes and body of myths: such as *''Dyḗws Ph₂tḗr'', the daylight-sky god; his consort *''Dʰéǵʰōm'', the earth mother; his daughter *''H₂éwsōs'', the dawn goddess; his sons the Divine Twins; and ''*Seh₂ul'', ...
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