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Celtic Maze
Celtic mazes are straight-line spiral key patterns that have been drawn all over the world since prehistoric times. The patterns originate in early Celtic developments in stone and metal-work, and later in medieval Insular art. Prehistoric spiral designs date back to Gavrinis (c. 3500 BCE).Meehan, Aidan (1993). ''Celtic Design: Maze Patterns'', pp. 7–8. . The straight-line spirals of Celtic labyrinths originated in chevrons and lozenges and are drawn by the Celts using a connect the dots method. See also * Celtic knot * Labyrinth * Prayer Labyrinth * Maze, whose technical definition does not include "Celtic mazes" * Spirangle In geometry, a spirangle is a figure related to a spiral. Spirangles are similar to spirals in that they expand from a center point as they grow larger, but they are made out of straight line segments, instead of curves. Spirangle vectographs ... References 4th-millennium BC establishments Celtic art Patterns Spirals {{art-hist- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line (mathematics)
In geometry, a line is an infinitely long object with no width, depth, or curvature. Thus, lines are one-dimensional objects, though they may exist in two, three, or higher dimension spaces. The word ''line'' may also refer to a line segment in everyday life, which has two points to denote its ends. Lines can be referred by two points that lay on it (e.g., \overleftrightarrow) or by a single letter (e.g., \ell). Euclid described a line as "breadthless length" which "lies evenly with respect to the points on itself"; he introduced several postulates as basic unprovable properties from which he constructed all of geometry, which is now called Euclidean geometry to avoid confusion with other geometries which have been introduced since the end of the 19th century (such as non-Euclidean, projective and affine geometry). In modern mathematics, given the multitude of geometries, the concept of a line is closely tied to the way the geometry is described. For instance, in analytic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Connect The Dots
Connect the dots (also known as connect-the-dots, dot to dot, or join the dots) is a form of puzzle containing a sequence of numbered dots. When a line is drawn connecting the dots the outline of an object is revealed. The puzzles frequently contain simple line art to enhance the image created or to assist in rendering a complex section of the image. Connect the dots puzzles are generally created for children. The use of numbers can be replaced with letters or other symbols. Versions for older solvers frequently have extra solving steps to discover the order, such as those used in puzzlehunts and the connect-the-dots crosswords invented by Liz Gorski. Other uses of the term In adult discourse the phrase "connect the dots" can be used as a metaphor to illustrate an ability (or inability) to associate one idea with another, to find the "big picture", or salient feature, in a mass of data. It can mean using extrapolation to solve a mystery from clues, or else come to a conclusio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Art
Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages. Celtic art is a difficult term to define, covering a huge expanse of time, geography and cultures. A case has been made for artistic continuity in Europe from the Bronze Age, and indeed the preceding Neolithic age; however archaeologists generally use "Celtic" to refer to the culture of the European Iron Age from around 1000 BC onwards, until the conquest by the Roman Empire of most of the territory concerned, and art historians typically begin to talk about "Celtic art" only from the La Tène culture, La Tène period (broadly 5th to 1st centuries BC) onwards. Early Celtic art is another term used for this period, stretching in Britain to about 150 AD. The Early Medieval art of Britain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spirangle
In geometry, a spirangle is a figure related to a spiral. Spirangles are similar to spirals in that they expand from a center point as they grow larger, but they are made out of straight line segments, instead of curves. Spirangle vectographs are used in vision therapy to promote stereopsis and help resolve problems with hand–eye coordination. Two-dimensional spirangles A two-dimensional spirangle is an open figure consisting of a line bent into angles similar to a corresponding polygon. The spirangle can start at a center point, or a distance from the center, and has some number of turns around the center point. Three-dimensional spirangles Three-dimensional spirangles have layers that slant upward, progressively gaining height from the previous segment. This is similar to staircases in large buildings that turn at the top of each flight. The segments also may progressively lose an amount of length and resemble a pyramid. Uses * Ophthalmology — * Electronics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maze
A maze is a path or collection of paths, typically from an entrance to a goal. The word is used to refer both to branching tour puzzles through which the solver must find a route, and to simpler non-branching ("unicursal") patterns that lead unambiguously through a convoluted layout to a goal. The term "labyrinth" is generally synonymous with "maze", but can also connote specifically a unicursal pattern. The pathways and walls in a maze are typically fixed, but puzzles in which the walls and paths can change during the game are also categorised as mazes or tour puzzles. Construction Mazes have been built with walls and rooms, with hedges, turf, corn stalks, straw bales, books, paving stones of contrasting colors or designs, and brick, or in fields of crops such as corn or, indeed, maize. Maize mazes can be very large; they are usually only kept for one growing season, so they can be different every year, and are promoted as seasonal tourist attractions. Indoors, mirror ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prayer Labyrinth
In Greek mythology, the Labyrinth (, ) was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labyrinth
In Greek mythology, the Labyrinth (, ) was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celtic Knot
Celtic knots ( ga, snaidhm Cheilteach, cy, cwlwm Celtaidd, kw, kolm Keltek, gd, snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation of Christian monuments and manuscripts, such as the 8th-century St. Teilo Gospels, the Book of Kells and the Lindisfarne Gospels. Most are endless knots, and many are varieties of basket weave knots. History The use of interlace patterns had its origins in the late Roman Empire. Knot patterns first appeared in the third and fourth centuries AD and can be seen in Roman floor mosaics of that time. Interesting developments in the artistic use of interlaced knot patterns are found in Byzantine architecture and book illumination, Coptic art, Celtic art, Islamic art, Kievan Rus'ian book illumination, Ethiopian art, and European architecture and book illum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lozenge (shape)
A lozenge ( ; symbol: ), often referred to as a diamond, is a form of rhombus. The definition of ''lozenge'' is not strictly fixed, and the word is sometimes used simply as a synonym () for ''rhombus''. Most often, though, lozenge refers to a thin rhombus—a rhombus with two acute and two obtuse angles, especially one with acute angles of 45°. The lozenge shape is often used in parquetry (with acute angles that are 360°/''n'' with ''n'' being an integer higher than 4, because they can be used to form a set of tiles of the same shape and size, reusable to cover the plane in various geometric patterns as the result of a tiling process called tessellation in mathematics) and as decoration on ceramics, silverware and textiles. It also features in heraldry and playing cards. Symbolism The lozenge motif dates from the Neolithic and Paleolithic period in Eastern Europe and represents a sown field and female fertility. The ancient lozenge pattern often shows up in Diamond vault ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spiral
In mathematics, a spiral is a curve which emanates from a point, moving farther away as it revolves around the point. Helices Two major definitions of "spiral" in the American Heritage Dictionary are:Spiral ''American Heritage Dictionary of the English Language'', Houghton Mifflin Company, Fourth Edition, 2009. # a curve on a plane that winds around a fixed center point at a continuously increasing or decreasing distance from the point. # a three-dimensional curve that turns around an axis at a constant or continuously varying distance while moving parallel to the axis; a . The first definition describes a |
Chevron (insignia)
A chevron (also spelled cheveron, especially in older documents) is a V-shaped mark or symbol, often inverted. The word is usually used in reference to a kind of fret in architecture, or to a badge or insignia used in military or police uniforms to indicate rank or length of service, or in heraldry and the designs of flags (see flag terminology). Ancient history Appearing on pottery and petrographs throughout the ancient world, the chevron can be considered to be one of the oldest symbols in human history, with V-shaped markings occurring as early as the Neolithic era (6th to 5th millennia BC) as part of the Vinča symbols inventory. The Vinča culture responsible for the symbols appear to have used the chevron as part of a larger proto-writing system rather than any sort of heraldic or decorative use, and are not known to have passed the symbol on to any subsequent cultures.Mäder, Michael: ''Ist die Donauschrift Schrift?'' Budapest: Archaeolingua. , (2019), Many comparativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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