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Cathedral Of Lucca
Lucca Cathedral ( it, Duomo di Lucca, Cattedrale di San Martino) is a Roman Catholic cathedral dedicated to Saint Martin of Tours in Lucca, Italy. It is the seat of the Archbishop of Lucca. Construction was begun in 1063 by Bishop Anselm (later Pope Alexander II). Description Of the original structure, the great apse with its tall columnar arcades and the fine campanile remain. The nave and transepts of the cathedral were rebuilt in the Gothic style in the 14th century, while the west front was begun in 1204 by Guido Bigarelli of Como, and consists of a vast portico of three magnificent arches, and above them three ranges of open galleries adorned with sculptures. In the nave a small octagonal temple or chapel shrine contains the most precious relic in Lucca, the Holy Face of Lucca ( it, Volto Santo di Lucca) or Sacred Countenance. This cedar-wood crucifix and image of Christ, according to the legend, was carved by his contemporary Nicodemus, and miraculously conveyed to Lucca in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucca
Lucca ( , ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957. Lucca is known as one of the Italian's "Città d'arte" (Arts town), thanks to its intact Renaissance-era city walls and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D. and the Guinigi Tower, a tower that dates from the 1300s. The city is also the birthplace of numerous world-class composers, including Giacomo Puccini, Alfredo Catalani, and Luigi Boccherini. Toponymy By the Romans, Lucca was known as ''Luca''. From more recent and concrete toponymic studies, the name Lucca has references that lead to "sacred wood" (Latin: ''lucus''), "to cut" (Latin: ''lucare'') and "luminous space" (''leuk'', a term used by the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Architecture
The architecture of cathedrals and great churches is characterised by the buildings' large scale and follows one of several branching traditions of form, function and style that derive ultimately from the Early Christian architectural traditions established in Late Antiquity during the Christianization of the Roman Empire. Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bertha, Daughter Of Lothair II
Bertha (born between 863 and 868 – March 925 in Lucca) was countess of Arles by marriage to Theobald of Arles, and margravine of Tuscany by marriage to Adalbert II of Tuscany. She served as regent of Lucca and Tuscany from 915 until 916 during the minority of her son Guy of Tuscany. She was described as beautiful, spirited and courageous, while her influence over her spouse was, coupled with ambition, attributed to have involved her husbands in many wars. She was the second daughter of Lothair II, King of Lotharingia, by his concubine, Waldrada. Life Between 879 and 880, Bertha married her first husband, Theobald of Arles. A Bosonid, his father was Hucbert. Hucbert's brother-in-law was Lothair II. Bertha is also known for her curious correspondence to Caliph al-Muktafi in 906, in which she described herself rather grandly as "Queen of the Franks." Bertha's letter is of interest in that she appears to have little knowledge of Baghdad politics or culture, and it is for this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adalbert II Of Tuscany
Adalbert II (c. 875 – 915), called the Rich, son of Adalbert I, Margrave of Tuscany and Rothild of Spoleto. He was a grandson of Boniface II of Tuscany, Boniface II, and was concerned with the troubles of Lombardy, at a time when so many princes were contending for the wreckage of the Carolingian Empire. Before his father died in 884 or 886, he is accredited the title of "count". He inherited from his father the titles of Count and Duke of Lucca and Margrave of Tuscany. Between 895 and 898, he married Bertha, daughter of Lothair II, Bertha (c.863–8 March 925), the daughter of the Lothair II of Lotharingia, and widow of Count Theobald of Arles. Adalbert and Bertha had at least three children: *Guy of Tuscany, Guy (d. 3 February 929), who succeeded his father as Count and Duke of Lucca and Margrave of Tuscany. *Lambert of Tuscany, Lambert (d. after 938), who succeeded his brother in 929 as Count and Duke of Lucca and Margrave of Tuscany, but lost the titles in 931 to his half-br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chartres Cathedral
Chartres Cathedral, also known as the Cathedral of Our Lady of Chartres (french: Cathédrale Notre-Dame de Chartres), is a Roman Catholic church in Chartres, France, about southwest of Paris, and is the seat of the Bishop of Chartres. Mostly constructed between 1194 and 1220, it stands on the site of at least five cathedrals that have occupied the site since the Diocese of Chartres was formed as an episcopal see in the 4th century. It is in the High Gothic and Romanesque styles, with a Flamboyant north spire. The cathedral was designated a World Heritage Site by UNESCO in 1979, which called it "the high point of French Gothic art" and a "masterpiece". The cathedral is well-preserved and well-restored: the majority of the original stained glass windows survive intact, while the architecture has seen only minor changes since the early 13th century. The building's exterior is dominated by heavy flying buttresses which allowed the architects to increase the window size significan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Bartolomeo
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Tintoretto
Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed Il Furioso ("The Furious"). His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style. Life The years of apprenticeship Tintoretto was born in Venice in 1518. His father, Battista, was a dyer, or ''tintore''; hence the son got the nickname of Tintoretto, "little dyer", or "dyer's boy". Tintoretto is known to have had at least one sibling, a brother named Domenico, although an unreliable 17th-century account says his siblings numbered 22. The family was believed to have originated from Brescia, in Lombardy, then part of the Republic of Venice. Older studies ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Federico Zuccari
Federico Zuccaro, also known as Federico Zuccari (c. 1540/1541August 6, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad. Biography Zuccaro was born at Sant'Angelo in Vado, near Urbino (Marche). His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. Between 1563 and 1565, he was active in Venice with the Grimani family of Santa Maria Formosa. During his Venetian period, he traveled alongside Palladio in Friuli. He was involved in the following fresco projects: * Decoration of the Casina Pio IV, Rome * Grimani Chapel, San Francesco della Vigna, Venice *Monumental staircase, Palazzo Grimani, Venice * Pucci Chapel in the church of Trinità dei Monti, Rome * San Marcello al Corso, Rome * Cathedral of Orvieto (1570) * Oratorio del Gonfalone, Rome (1573) * ''The La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Guinigi
Paolo Guinigi (c. 1372 - 1432) was a lord of Lucca from 1400 until 1430. Biography Paolo was born in Lucca in 1372. He was the youngest son of Francesco Guinigi, member of one of the most outstanding families of Lucca. He was sent to London in 1389 and then to Flanders (1390–1392) to care for the family's affairs. In 1392, he entered Lucca's General Council and later held the position of Anziano (Elder). He fought against his brother, Antonio Guinigi, who had killed the head of the family, his elder brother Lazzaro. Another brother Bartolomeo and others died in a plague which had struck Lucca. Paolo also fell ill. Paolo became the effective lord of Lucca on 21 November 1400 when he received the titles of '' Capitano e Difensore del Popolo''. In the same year he escaped a plot hatched by his distant relative, Nicolao Guinigi, Bishop of Lucca, and he married Maria Caterina Antelminelli, establishing a link with the early 14th century condottieros and lord of Lucca Castruccio Castr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Della Quercia
Jacopo della Quercia (, ; 20 October 1438), also known as Jacopo di Pietro d'Agnolo di Guarnieri, was an Italian sculptor of the Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo. Biography Jacopo della Quercia takes his name from Quercia Grossa (now Quercegrossa), a place near Siena, Tuscany, where he was born in 1374. He received his early training from his father, Piero d'Angelo, a woodcarver and goldsmith. Jacopo della Quercia, a Sienese, must have seen the works of Nicola Pisano and Arnolfo di Cambio on the pulpit in the cathedral of Siena and this must have influenced him. His first work may have been at the age of sixteen, an equestrian wooden statue for the funeral of Azzo Ubaldini. In 1386 he and his father moved to Lucca, owing to party strife and disturbances. It is likely that della Quercia studied the huge collection of Roman sculptures and sarcophagi in the Camposanto in Pisa. These and later inf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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