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Castello Di Torrechiara
Torrechiara Castle ( it, Castello di Torrechiara) is a 15th-century castle near Langhirano, in the province of Parma, northern Italy. It sits atop a terraced hill south of the city of Parma, in a strategic position overlooking the Parma River in the valley below. The castle was commissioned by Pier Maria II de' Rossi, the fourth count of San Secondo, and built between 1448 and 1460. The fortress shows the influence of the castles of the House of Sforza, particularly Visconti-Sforza Castle. The castle is managed by the Polo Museale dell'Emilia Romagna since 2015, History The castle was built as a defensive fortification and as a noble residence for de Rossi's mistress, Bianca Pellegrini d'Arluno. Bianca died in Torrechiara after around the year 1480. Pier Maria retired to Torrechiara in 1482, where he died later that year. They were both buried in the castle, in the Oratory of San Nicomede in the north-east tower. The castle changed hands many times over the centuries until i ...
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Castello Di Torrechiara
Torrechiara Castle ( it, Castello di Torrechiara) is a 15th-century castle near Langhirano, in the province of Parma, northern Italy. It sits atop a terraced hill south of the city of Parma, in a strategic position overlooking the Parma River in the valley below. The castle was commissioned by Pier Maria II de' Rossi, the fourth count of San Secondo, and built between 1448 and 1460. The fortress shows the influence of the castles of the House of Sforza, particularly Visconti-Sforza Castle. The castle is managed by the Polo Museale dell'Emilia Romagna since 2015, History The castle was built as a defensive fortification and as a noble residence for de Rossi's mistress, Bianca Pellegrini d'Arluno. Bianca died in Torrechiara after around the year 1480. Pier Maria retired to Torrechiara in 1482, where he died later that year. They were both buried in the castle, in the Oratory of San Nicomede in the north-east tower. The castle changed hands many times over the centuries until i ...
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Merlon
A merlon is the solid upright section of a battlement (a crenellated parapet) in medieval architecture or fortifications.Friar, Stephen (2003). ''The Sutton Companion to Castles'', Sutton Publishing, Stroud, 2003, p. 202. Merlons are sometimes pierced by narrow, vertical embrasures or slits designed for observation and fire. The space between two merlons is called a crenel, and a succession of merlons and crenels is a crenellation. Crenels designed in later eras for use by cannons were also called embrasures. Etymology The term ''merlon'' comes from the French language, adapted from the Italian , possibly a shortened form of , connected to Latin (pitchfork), or from a diminutive , from or (a wall). An alternative etymology suggests that the medieval Latin (mentioned from the end of the 10th century) functioned as a diminutive of Latin , " blackbird", expressing an image of this bird sitting on a wall. As part of battlements As an essential part of battlements, merlons were ...
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Cities And Towns In Emilia-Romagna
A city is a human settlement of notable size.Goodall, B. (1987) ''The Penguin Dictionary of Human Geography''. London: Penguin.Kuper, A. and Kuper, J., eds (1996) ''The Social Science Encyclopedia''. 2nd edition. London: Routledge. It can be defined as a permanent and densely settled place with administratively defined boundaries whose members work primarily on non-agricultural tasks. Cities generally have extensive systems for housing, transportation, sanitation, utilities, land use, production of goods, and communication. Their density facilitates interaction between people, government organisations and businesses, sometimes benefiting different parties in the process, such as improving efficiency of goods and service distribution. Historically, city-dwellers have been a small proportion of humanity overall, but following two centuries of unprecedented and rapid urbanization, more than half of the world population now lives in cities, which has had profound consequences for g ...
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Frazioni Of The Province Of Parma
A ''frazione'' (plural: ) is a type of subdivision of a ''comune'' (municipality) in Italy, often a small village or hamlet outside the main town. Most ''frazioni'' were created during the Fascist era (1922–1943) as a way to consolidate territorial subdivisions in the country. In the autonomous region of the Aosta Valley, a ''frazione'' is officially called an ''hameau'' in French. Description Typically the term ''frazioni'' applies to the villages surrounding the main town (''capoluogo'') of a ''comune''. Subdivision of a ''comune'' is optional; some ''comuni'' have no ''frazioni'', but others have several dozen. The ''comune'' usually has the same name of the ''capoluogo'', but not always, in which case it is called a ''comune sparso''. In practice, most ''frazioni'' are small villages or hamlets, occasionally just a clump of houses. Not every hamlet is classified as a ''frazione''; those that are not are often referred to as ''località'', for example, in the telephone boo ...
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Renata Tebaldi
Renata Tebaldi ( , ; 1 February 1922 – 19 December 2004) was an Italian lirico-spinto soprano popular in the post-war period, and especially prominent as one of the stars of La Scala, San Carlo and, especially, the Metropolitan Opera. Often considered among the great opera singers of the 20th century, she focused primarily on the verismo roles of the lyric and dramatic repertoires. Italian conductor Arturo Toscanini called her voice "" ("the voice of an angel"), and La Scala music director Riccardo Muti called her "one of the greatest performers with one of the most extraordinary voices in the field of opera." Early years and education Born in Pesaro, Tebaldi was the daughter of cellist Teobaldo Tebaldi and Giuseppina Barbieri, a nurse. Her parents separated before her birth and Tebaldi grew up with her mother in her maternal grandparents' home in Langhirano. Stricken with polio at the age of three, Tebaldi became interested in music and sang with the church choir in L ...
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Ladyhawke (film)
''Ladyhawke'' is a 1985 medieval fantasy film directed and produced by Richard Donner and starring Matthew Broderick, Rutger Hauer and Michelle Pfeiffer. The story is about a young thief who becomes unwillingly involved with a warrior and his lady who are hunted by the Bishop of Aquila. As he learns about the couple's past and secret, he chooses to help them overcome the bishop's forces: men-at-arms, a wolf hunter and an infernal curse. Plot In medieval Italy, Phillipe Gaston, a thief known as "The Mouse", is imprisoned in the dungeons of the evil Bishop of Aquila. Phillipe escapes, just in time to avoid execution. He is recaptured at an inn by the Bishop's guards, led by Captain Marquet. The former captain, Etienne Navarre, arrives, rescues him, and defeats Marquet and the guards. As Navarre and Phillipe flee on horseback, Navarre's hawk scatters the other guards, aiding the escape. Navarre and Phillipe stay the night at a farmer's barn. Later, Phillipe tries to leave, but ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

Benedetto Bembo
250px, Frescoes of Pier Maria II de' Rossi and Bianca Pellegrini in the Castle of Torrechiara. Benedetto Bembo (c. 1423 - 1489) was an Italian painter and miniaturist. Biography Details of Bembo's life are scarce. He was likely born in Brescia, the son of one Giovanni from Cremona and the brother of painter Bonifacio Bembo. His first known work is the Torrechiara Polyptich, of 1462, once housed in the San Nicodemo Chapel of the Castle of Torrechiara and later moved in the Art Gallery of the Castello Sforzesco in Milan. Bembo was also responsible of the decoration of the ''Camera d'Oro'' ("Golden Chamber") in the same castle: it is a fresco cycle, dating from around 1462, telling the amorous deeds of condottiero Pier Maria II de' Rossi (then owner of the building) and his lover Bianca Pellegrini. Another work is a panel of ''Madonna of Humility and Musician Angels'' (c. 1460) now in the Civic Museum Amedeo Lia of La Spezia La Spezia (, or , ; in the local Spezzino dialect) ...
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ...
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Keep (tower)
A keep (from the Middle English ''kype'') is a type of fortified tower built within castles during the Middle Ages by European nobility. Scholars have debated the scope of the word ''keep'', but usually consider it to refer to large towers in castles that were fortified residences, used as a refuge of last resort should the rest of the castle fall to an adversary. The first keeps were made of timber and formed a key part of the motte-and-bailey castles that emerged in Normandy and Anjou during the 10th century; the design spread to England, south Italy and Sicily. As a result of the Norman invasion of 1066, use spread into Wales during the second half of the 11th century and into Ireland in the 1170s. The Anglo-Normans and French rulers began to build stone keeps during the 10th and 11th centuries; these included Norman keeps, with a square or rectangular design, and circular shell keeps. Stone keeps carried considerable political as well as military importance and could take ...
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