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Caslon Egyptian
Egyptian is a typeface created by the Caslon foundry of Salisbury Square, London around or probably slightly before 1816, that is the first general-purpose sans-serif typeface in the Latin alphabet known to have been created. Historical background Sans-serif lettering in block capitals had been developing in popularity over the past decades, initially due to interest in classical antiquity in which inscriptions often had minimal or no serifs, and come to be used by architect John Soane and copied by others, particularly in signpainting. Historian James Mosley, the leading expert on early sans-serifs, has suggested in his book ''The Nymph and The Grot'' that Soane's influence was crucial in spreading the idea of sans-serif letterforms around the end of the eighteenth century. However, it was some decades before a printing typeface would be released in this style, now commonly used. The name "Egyptian" had become commonly used in England by 1816 to describe this style of letteri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caslon Two Lines English Egyptian
Caslon is the name given to serif typefaces designed by William Caslon I (c. 1692–1766) in London, or inspired by his work. Caslon worked as an engraver of punches, the masters used to stamp the moulds or matrices used to cast metal type. He worked in the tradition of what is now called old-style serif letter design, that produced letters with a relatively organic structure resembling handwriting with a pen. Caslon established a tradition of engraving type in London, which previously had not been common, and was influenced by the imported Dutch Baroque typefaces that were popular in England at the time. His typefaces established a strong reputation for their quality and their attractive appearance, suitable for extended passages of text. The letterforms of Caslon's roman, or upright type include an "A" with a concave hollow at top left and a "G" without a downwards-pointing spur at bottom right. The sides of the "M" are straight. The "W" has three terminals at the top ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Caslon IV
William is a masculine given name of Norman French origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Liam, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the German given name ''Wilhelm''. Both ultimately descend from Proto-Germanic ''*Wiljahelmaz'', with a direct cognate also in the Old Norse name ''Vilhjalmr'' and a West Germanic borrowing into Medieval Latin ''Willelmus''. The Proto-Germanic name is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrus Highsmith
Cyrus Highsmith (born 1973) is an American typeface designer, illustrator, and author. After graduating from the Rhode Island School of Design in 1997, he worked at Font Bureau in Boston as Senior Type Designer until founding his own type foundry, Occupant Fonts, in 2016, distributing alongside his former employers via the Type Network service. Some of Highsmith’s most well-known typefaces are Zócalo, used by the Mexican daily ''El Universal (Mexico City), El Universal'', and the Antenna series, which was used in several magazine designs as well as by Ford Motor Company, Ford and the official Star Wars website. Other clients for custom fonts include or have included ''The Wall Street Journal'', ''Martha Stewart Living'', ''La Prensa Gráfica'' of El Salvador, ''ESPN'', and ''Men’s Health''. His typefaces Prensa and Relay won the 2001 ''Bukvaːraz!'' award, organized by ATypI (the International Typographic Association) in 2001. In 2015, Cyrus Highsmith received the Gerrit Noordz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallery (3224487829)
Gallery or The Gallery may refer to: Arts, entertainment, and media * Art gallery ** Contemporary art gallery Music * Gallery (band), an American soft rock band of the 1970s Albums * ''Gallery'' (Elaiza album), 2014 album * ''Gallery'' (Great White album), a 1999 compilation album * ''Gallery'', an album by Bert Kaempfert 1974 * ''The Gallery'' (album), a 1995 album by Dark Tranquility * ''Gallery'', 2017 album by Arizona Songs * "Gallery" (Mario Vazquez song) * Gallery (Yōko Oginome song) * "Gallery", a 2018 track by Toby Fox from ''Deltarune Chapter 1 OST'' from the video game ''Deltarune'' * "The Gallery", a song on the Joni Mitchell album ''Clouds'' * "The Gallery", a song on the Bradley Joseph album ''Rapture'' * In the Gallery, a song on the initial and self-titled Dire Straits album Television * ''Gallery'' (TV series), Canadian documentary series on CBC Television (1973–1979) * ''Gallery Girls'', a reality TV program Other arts, entertainment, and media * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque (Stephenson Blake Typefaces)
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around the beginning of the twentieth century. Stephenson Blake's grotesque faces are in the traditional nineteenth-century "grotesque" style of sans-serif, with folded-up letterforms and a solid structure not intended for extended body text. Forming a sprawling series, they include several unusual details, such as an 'r' with a droop, a bruised-looking 'G' and 'C' with inward curls on the right, very short descenders and considerable variation in stroke width, creating a somewhat eccentric, irregular impression. Much less even in colour than later families like Univers and Helvetica, they were very commonly used in British commercial printing in the metal type era, with a revival of interest as part of a resurgence of use of such "industrial" sans-serifs around the 1950s. Writing in ''The Typography of Press Advertisement'' (1956) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Figgins
Vincent Figgins (1766 – 29 February 1844) was a British typefounder based in London, who cast and sold metal type for printing. After an apprenticeship with typefounder Joseph Jackson, he established his own type foundry in 1792. His company was extremely successful and, with its range of modern serif faces and display typefaces, had a strong influence on the styles of British printing in the nineteenth century. Figgins introduced or popularised both slab-serif and sans-serif typefaces, which have since become two of the main genres of typeface. He was also involved in local politics as a Councilman of the City of London. Family and early life Figgins was born in 1766 and started his career as an apprentice to the typefounder Joseph Jackson. He worked for Jackson from 1782 until Jackson's death in 1792. According to Reed, Figgins was largely the manager of Jackson's foundry from about 1790 onwards due to Jackson's poor health. His wife was Elizabeth and he had sons Vinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephenson Blake
Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining until the 1990s as the last active type foundry in Britain, since when it has diversified into specialist engineering. The type foundry began operations in July 1818 by silversmith and mechanic William Garnett and toolmaker John Stephenson, financially supported by James Blake. That November, news came that the breakaway Caslon foundry (formed when William Caslon III left the original firm and acquired Joseph Jackson's foundry in 1792§ ( Caslon foundry 1716; 1764; etc. §) was put up for sale by William Caslon IV. In 1819 the deal was concluded and Blake, Garnett & Co. were suddenly in charge of one of England's most prestigious typefoundries. In 1829 Garnett left to become a farmer. The company was renamed Blake & Stephenson in 1830, but Blake died soon after. It became Stephenson, Blake & Co. in 1841-1905. John Stephenson die ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John A
Sir John Alexander Macdonald (January 10 or 11, 1815 – June 6, 1891) was the first prime minister of Canada, serving from 1867 to 1873 and from 1878 to 1891. The dominant figure of Canadian Confederation, he had a political career that spanned almost half a century. Macdonald was born in Scotland; when he was a boy his family immigrated to Kingston in the Province of Upper Canada (today in eastern Ontario). As a lawyer, he was involved in several high-profile cases and quickly became prominent in Kingston, which elected him in 1844 to the legislature of the Province of Canada. By 1857, he had become premier under the colony's unstable political system. In 1864, when no party proved capable of governing for long, Macdonald agreed to a proposal from his political rival, George Brown, that the parties unite in a Great Coalition to seek federation and political reform. Macdonald was the leading figure in the subsequent discussions and conferences, which resulted in the Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Printing Historical Society
The Printing Historical Society or 'PHS' is a learned society devoted to the study of the history of printing, in all its forms. History The Society was founded in London in 1964 by a group of teachers, scholars, students of design and bibliography, librarians, professional printers and amateur enthusiasts, notably James Mosley, James Moran, John Dreyfus, Michael Turner, Berthold Wolpe, David Chambers and Michael Twyman. At the time, and to some degree ever since, the PHS had close connections with the St Bride Library (then called the St Bride Printing Library) and the Department of Typography & Graphic Communication at the University of Reading. The PHS was the first society to be instituted specifically for the study of printing history, and has been followed by several others, notably the American Printing History Association. Aims The aims of the PHS are stated to be 'to foster an interest in the history of printing and encourage both the study and the preservation of printi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Point-size Names
Fonts originally consisted of a set of moveable type letterpunches purchased from a type foundry. As early as 1600, the sizes of these types—their "bodies"—acquired traditional names in English, French, German, and Dutch, usually from their principal early uses. These names were used relative to the others and their exact length would vary over time, from country to country, and from foundry to foundry. For example, "agate" and "ruby" used to be a single size "agate ruby" of about 5 points; metal type known as "agate" later ranged from 5 to 5.8 points. The sizes were gradually standardized as described above.. Modern Chinese typography uses the following names in general preference to stating the number of points. In ambiguous contexts, the word ''hào'' ( t , s , "number") is added to the end of the size name to clarify the meaning. Note that the Chinese font sizes use American points; the Continental systems traditionally used the Fournier or Didot points. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type Museum
The Type Archive (formerly the Type Museum) is a collection of artefacts representing the legacy of type founding in England, whose famous type foundries and composing systems supplied the world with type in over 300 languages. The Archive was founded in 1992 by Susan Shaw in Stockwell, South London. Overview The Type Archive is a repository of the original forms, punches, matrices and patterns of some of the most successful metal and wood type foundries. It holds a historic collection of presses. It is estimated that the collections include between five and eleven million artefacts. The archive is a working factory that manufactures matrices (moulds for typecasting) for letterpress printing. The Museum is an educational resource for colleges wanting to see an experimental type workshop. Collections The Museum’s major collections are: * The Stephenson Blake Collection of English foundry type with industrial and hand casting equipment. In their long trading history Steph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matrix (printing)
In the manufacture of metal type used in letterpress printing, a matrix (from the Latin meaning ''womb'' or ''a female breeding animal'') is the mould used to cast a letter, known as a sort. Matrices for printing types were made of copper. However, in printmaking the matrix is whatever is used, with ink, to hold the image that makes up the print, whether a plate in etching and engraving or a woodblock in woodcut. Description In letterpress or "cold metal" typesetting, used from the beginning of printing to the late nineteenth century, the matrix of one letter is inserted into the bottom of an adjustable-width hand mould, the mould is locked and molten type metal is poured into a straight-sided vertical cavity above the matrix. When the metal has cooled and solidified the mould is unlocked and the newly cast metal sort is removed. The matrix can then be reused to produce more copies of the sort.Meggs, Philip B. ''A History of Graphic Design.'' John Wiley & Sons, Inc. 1998. (pp 58 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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