|
Carnivalesque
Carnivalesque is a literary mode that subverts and liberates the assumptions of the dominant style or atmosphere through humor and chaos. It originated as "carnival" in Mikhail Bakhtin's ''Problems of Dostoevsky's Poetics'' and was further developed in ''Rabelais and His World''. For Bakhtin, "carnival" (the totality of popular festivities, rituals and other carnival forms) is deeply rooted in the human psyche on both the collective and individual level. Though historically complex and varied, it has over time worked out "an entire language of symbolic concretely sensuous forms" which express a unified "carnival sense of the world, permeating all its forms". This language, Bakhtin argues, cannot be adequately verbalized or translated into abstract concepts, but it is amenable to a transposition into an artistic language that resonates with its essential qualities: it can, in other words, be "transposed into the language of literature". Bakhtin calls this transposition the ''carnivali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Bakhtin
Mikhail Mikhailovich Bakhtin ( ; rus, Михаи́л Миха́йлович Бахти́н, , mʲɪxɐˈil mʲɪˈxajləvʲɪdʑ bɐxˈtʲin; – 7 March 1975) was a Russian philosopher, literary critic and scholar who worked on literary theory, ethics, and the philosophy of language. His writings, on a variety of subjects, inspired scholars working in a number of different traditions (Marxism, semiotics, structuralism, religious criticism) and in disciplines as diverse as literary criticism, history, philosophy, sociology, anthropology and psychology. Although Bakhtin was active in the debates on aesthetics and literature that took place in the Soviet Union in the 1920s, his distinctive position did not become well known until he was rediscovered by Russian scholars in the 1960s. Early life Bakhtin was born in Oryol, Russia, to an old family of the nobility. His father was the manager of a bank and worked in several cities. For this reason Bakhtin spent his early childhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rabelais And His World
''Rabelais and His World'' (Russian: Творчество Франсуа Рабле и народная культура средневековья и Ренессанса, ''Tvorčestvo Fransua Rable i narodnaja kul'tura srednevekov'ja i Renessansa''; 1965) is a scholarly work by the 20th century Russian philosopher and literary critic Mikhail Bakhtin. It is considered to be a classic of Renaissance studies, and an important work in literary studies and cultural interpretation. The book explores the cultural ethos of the Middle Ages and Renaissance as depicted by the French Renaissance writer François Rabelais, particularly in his novel ''Gargantua and Pantagruel''. Bakhtin argues that for centuries Rabelais's work has been misunderstood. He attempts to redress this and clarify Rabelais's intentions through recovery of sections of ''Gargantua and Pantagruel'' that were previously either ignored or suppressed, and analysis of the Renaissance social system in order to discover the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Rabelais
François Rabelais ( , , ; born between 1483 and 1494; died 1553) was a French Renaissance writer, physician, Renaissance humanist, monk and Greek scholar. He is primarily known as a writer of satire, of the grotesque, and of bawdy jokes and songs. Ecclesiastical yet anticlerical, Christian yet considered by some as a free thinker, a doctor yet having the image of a ''bon vivant'', the multiple facets of his personality sometimes seem contradictory. Caught up in the religious and political turmoil of the Reformation, Rabelais showed himself to be both sensitive and critical towards the great questions of his time. Subsequently, the views of his life and work have evolved according to the times and currents of thought. An admirer of Erasmus, through parody and satire Rabelais fought for tolerance, peace, an evangelical faith, and a return to the knowledge of ancient Greco-Romans to dispel the "Gothic darkness" that characterized the Middle Ages. He took up the thes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gargantua And Pantagruel
''The Life of Gargantua and of Pantagruel'' (french: La vie de Gargantua et de Pantagruel) is a pentalogy of novels written in the 16th century by François Rabelais, telling the adventures of two giants, Gargantua ( , ) and his son Pantagruel ( , ). The work is written in an amusing, extravagant, and satirical vein, features much erudition, vulgarity, and wordplay, and is regularly compared with the works of William Shakespeare and James Joyce. Rabelais was a polyglot, and the work introduced "a great number of new and difficult words ..into the French language". The work was stigmatised as obscene by the censors of the Collège de la Sorbonne, and, within a social climate of increasing religious oppression in a lead up to the French Wars of Religion, it was treated with suspicion, and contemporaries avoided mentioning it.Le Cadet, Nicolas (2009) Marcel De Grève, La réception de Rabelais en Europe du XVIe au XVIIIe siècle', Cahiers de recherches médiévales et humanistes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apocolocyntosis
The ''Apocolocyntosis (divi) Claudii'', literally ''The Pumpkinification of ''(''the Divine'')'' Claudius'', is a satire on the Roman emperor Claudius, which, according to Cassius Dio, was written by Seneca the Younger. A partly extant Menippean satire, an anonymous work called ''Ludus de morte Divi Claudii'' ("Play on the Death of the Divine Claudius") in its surviving manuscripts, may or may not be identical to the text mentioned by Cassius Dio. "Apocolocyntosis" is a word play on "apotheosis", the process by which dead Roman emperors were recognized as gods. Authorship The ''Ludus de morte Divi Claudii'' is one of only two examples of a Menippean satire from the classical era that have survived, the other being the ''Satyricon'', which was likely written by Petronius. Gilbert Bagnani is among the scholars who also attribute the ''Ludus'' text to Petronius. "Apocolocyntosis" is Latinized Greek, and can also be transliterated as ''Apokolokyntosis'' (Attic Greek Ἀποκολο ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucian
Lucian of Samosata, '; la, Lucianus Samosatensis ( 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period). Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration ''The Dream'', he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in Ionia. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialogues Of The Dead
Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature. Etymology The term dialogue stems from the Greek διάλογος (''dialogos'', conversation); its roots are διά (''dia'': through) and λόγος (''logos'': speech, reason). The first extant author who uses the term is Plato, in whose works it is closely associated with the art of dialectic. Latin took over the word as ''dialogus''. As genre Antiquity and the Middle Ages Dialogue as a genre in the Middle East and Asia dates back to ancient works, such as Sumerian disputations preserved in copies from the late third millennium BC, Rigvedic dialogue hymns and the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seneca The Younger
Lucius Annaeus Seneca the Younger (; 65 AD), usually known mononymously as Seneca, was a Stoic philosopher of Ancient Rome, a statesman, dramatist, and, in one work, satirist, from the post-Augustan age of Latin literature. Seneca was born in Córdoba in Hispania, and raised in Rome, where he was trained in rhetoric and philosophy. His father was Seneca the Elder, his elder brother was Lucius Junius Gallio Annaeanus, and his nephew was the poet Lucan. In AD 41, Seneca was exiled to the island of Corsica under emperor Claudius, but was allowed to return in 49 to become a tutor to Nero. When Nero became emperor in 54, Seneca became his advisor and, together with the praetorian prefect Sextus Afranius Burrus, provided competent government for the first five years of Nero's reign. Seneca's influence over Nero declined with time, and in 65 Seneca was forced to take his own life for alleged complicity in the Pisonian conspiracy to assassinate Nero, in which he was probably ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apuleius
Apuleius (; also called Lucius Apuleius Madaurensis; c. 124 – after 170) was a Numidian Latin-language prose writer, Platonist philosopher and rhetorician. He lived in the Roman province of Numidia, in the Berber city of Madauros, modern-day M'Daourouch, Algeria. He studied Platonism in Athens, travelled to Italy, Asia Minor, and Egypt, and was an initiate in several cults or mysteries. The most famous incident in his life was when he was accused of using magic to gain the attentions (and fortune) of a wealthy widow. He declaimed and then distributed his own defense before the proconsul and a court of magistrates convened in Sabratha, near ancient Tripoli, Libya. This is known as the ''Apologia''. His most famous work is his bawdy picaresque novel the ''Metamorphoses'', otherwise known as '' The Golden Ass''. It is the only Latin novel that has survived in its entirety. It relates the adventures of its protagonist, Lucius, who experiments with magic and is accidentall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petronius
Gaius Petronius Arbiter"Gaius Petronius Arbiter" Britannica.com. (; ; c. AD 27 – 66; sometimes Titus Petronius Niger) was a courtier during the reign of . He is generally believed to be the author of the '' Satyricon'', a satirical novel beli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Satyricon
The ''Satyricon'', ''Satyricon'' ''liber'' (''The Book of Satyrlike Adventures''), or ''Satyrica'', is a Latin work of fiction believed to have been written by Gaius Petronius, though the manuscript tradition identifies the author as Titus Petronius. The ''Satyricon'' is an example of Menippean satire, which is different from the formal verse satire of Juvenal or Horace. The work contains a mixture of prose and verse (commonly known as ); serious and comic elements; and erotic and decadent passages. As with ''The Golden Ass'' by Apuleius (also called the ''Metamorphoses''), classical scholars often describe it as a Roman novel, without necessarily implying continuity with the modern literary form. The surviving sections of the original (much longer) text detail the bizarre exploits of the narrator, Encolpius, and his (possible) slave and boyfriend Giton, a handsome sixteen-year-old boy. It is the second most fully preserved Roman novel, after the fully extant ''The Golden Ass'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Dialogues Of The Dead")
