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Carmelita Maracci
Carmelita Maracci (July 17, 1908 – July 26, 1987) was an American concert dancer and choreographer who creatively combined ballet arts and Spanish techniques. She excelled when before an audience with dance experience, receiving enthusiastic praise from performers and critics. Her stage career began in the mid-1920s. Her programs often were of her own design. From the 1950s she remained influential as a Los Angeles-based teacher. Origins Carmelita Maracci was born in Goldfield, Nevada, the daughter of Josephine Gauss and her second husband Joseph Maracci, a restaurateur and gambler. Her French German mother was a concert-level pianist. Her father, Italian and Spanish, had considered a career singing opera; his father was first cousin to Adelina Patti (1843-1919), a celebrated soprano. Hence the name Carmelita Patti Maracci. "Carmelita was brought up as Spanish." Her mother had told her that she was born in Montevideo, Uruguay; Maracci only learned differently much later from her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choreographer
Choreography is the art or practice of designing sequences of movements of physical bodies (or their depictions) in which motion or form or both are specified. ''Choreography'' may also refer to the design itself. A choreographer is one who creates choreographies by practising the art of choreography, a process known as choreographing. It most commonly refers to dance choreography. In dance, ''choreography'' may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called ''dance composition''. Aspects of dance choreography include the compositional use of organic unity, rhythmic or non-rhythmic articulation, theme and variation, and repetition. The choreographic process may employ improvisation for the purpose of developing innovative movement ideas. In general, choreography is used to design dances that are intended to be performed as concert dance. The art of choreography involves the specification of huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel De Falla
Manuel de Falla y Matheu (, 23 November 187614 November 1946) was an Andalusian Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest. Biography Falla was born Manuel María de los Dolores Falla y Matheu in Cádiz. He was the son of José María Falla, a Valencian, and María Jesús Matheu, from Catalonia. In 1889 he continued his piano lessons with Alejandro Odero and learned the techniques of harmony and counterpoint from Enrique Broca. At age 15 he became interested in literature and journalism and founded the literary magazines ''El Burlón'' and ''El Cascabel''. Madrid By 1900 he was living with his family in the capital, where he attended the Real Conservatorio de Música y Declamación. He studied piano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolfo Salazar
Adolfo Salazar Ruiz de Palacios (6 March 1890 - 27 September 1958) was a Spanish music historian, music critic, composer, and diplomat of the first half of the twentieth century. He was the preeminent Spanish musicologist of the Silver Age. Fluent in Spanish, French, and English, he was an intellectual and expert of the artistic and cultural currents of his time, and a brilliant polemicist. He maintained a close connection with other prominent Spanish intellectuals and musicians including José Ortega y Gasset, Jesús Bay y Gay, and Ernesto Halffter. In his writings, he was a defender of the French musical aesthetic of Maurice Ravel and Claude Debussy. He composed over twenty works for orchestra, string quartet, solo piano, voice and piano, chorus, and guitar. While his compositions are significant in the context of the 1920s Spanish musical avant-garde, today his critical writings are deemed of greater importance. He is most known for his insightful commentary and analysis in hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sevillanas
''Sevillanas'' () are a type of folk music and dance of Sevilla and its region. They were derived from the Seguidilla, an old Castilian folk music and dance genre. In the nineteenth century they were influenced by Flamenco. They have a relatively limited musical pattern but are rich in lyrics based on country life, virgins, country towns, neighborhoods, pilgrimage, and love themes. ''Sevillanas'' can be heard mainly in fairs and festivals, including the famous Seville Fair (''Feria de abril de Sevilla''). Among local groups that perform it are the Los Romeros de la Puebla, Los Amigos de Gines, Las Corraleras de Lebrija, Cantores de Hispalis, and Los del Río. Sevillanas Rocieras are a religiously oriented genre of the Sevillana, with a particular emphasis on the Virgin of the Rocío. They are sung in numerous religious and cultural events in the South of the country. The dance Sevillanas are danced by couples of all ages and sexes during celebrations (''fiestas'' or ''f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jota (music)
The jota () is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon. It varies by region, having a characteristic form in Aragon (where it is the most important), Catalonia, Castile-La Mancha, Castile, Navarre, Cantabria, Asturias, Galicia (Spain), Galicia, La Rioja (Spain), La Rioja, Murcia and Eastern Andalusia. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. In Valencia (autonomous community), Valencia, the jota was once danced during interment ceremonies. The jota tends to have a rhythm, although some authors maintain that the is better adapted to the poetic and choreographic structure. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galician people, Galicians use bagpipes, drums, and Bombo legüero, bombos. Theatrical versions are sung and danced with regional costumes an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fandango
Fandango is a lively partner dance originating from Portugal and Spain, usually in triple meter, traditionally accompanied by guitars, castanets, or hand-clapping. Fandango can both be sung and danced. Sung fandango is usually bipartite: it has an instrumental introduction followed by "variaciones". Sung fandango usually follows the structure of "cante" that consist of four or five octosyllabic verses (coplas) or musical phrases (tercios). Occasionally, the first copla is repeated. The meter of fandango is similar to that of the bolero and seguidilla. It was originally notated in time, of slow tempo, mostly in the minor, with a trio in the major; sometimes, however, the whole was in a major key. Later it took the 3-4 tempo, and the characteristic Spanish rhythm. Origins The earliest fandango melody is found in the anonymous "Libro de diferentes cifras de guitarra" from 1705, and the earliest description of the dance itself is found in a 1712 letter by Martín Martí, a Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. Origins ''Dafne'' by Jacopo Peri was the earliest composition considered opera, as understood today. Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. An underlying prerequisite for the creation of opera proper was the practice of monody. Monody is the solo singing/setting of a dramatically conceived melody, designed to express the emotional content of the text it carries, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Dance
Modern dance is a broad genre of western concert or theatrical dance which included dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors. In the late 19th century, modern dance artists such as Isadora Duncan, Maud Allan, and Loie Fuller were pioneering new forms and practices in what is now called aesthetic or free dance. These dancers disregarded ballet's strict movement vocabulary (the particular, limited set of movements that were considered proper to ballet) and stopped wearing corsets and pointe shoes in the search for greater freedom of movement. Throughout the 20th century, sociopolitical concerns, major historical events, and the development of other art forms contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
92nd Street Y
92nd Street Y, New York (92NY) is a cultural and community center located on the Upper East Side of Manhattan in New York City, at the corner of East 92nd Street and Lexington Avenue. Founded in 1874 as the Young Men's Hebrew Association, the 92nd Street Y (often simply called "the Y") transformed from a secular social club to a large arts and cultural center in the 20th century. History In 1874, a group of German-Jewish professionals established the New York Jewish Community Center, Young Men's Hebrew Association (YMHA). The founders were predominantly members of the Temple Shaaray Tefila, or synagogue, and New York's YMHA and other across the country grew out of existing Jewish congregations. The YMHA itself was a secular organization intended to serve as a social and literary fraternity. Officially incorporated on September 10, 1874, the YMHA would initially operate out of rented premises on 112 West 21st Street. A few years later, the organization would move to larger acco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Los Angeles Philharmonic
The Los Angeles Philharmonic, commonly referred to as the LA Phil, is an American orchestra based in Los Angeles, California. It has a regular season of concerts from October through June at the Walt Disney Concert Hall, and a summer season at the Hollywood Bowl from July through September. Gustavo Dudamel is the current Music Director, Esa-Pekka Salonen is Conductor Laureate, Zubin Mehta is Conductor Emeritus, and Susanna Mälkki is Principal Guest Conductor. John Adams is the orchestra's current Composer-in-Residence. Music critics have described the orchestra as the most "contemporary minded", "forward thinking", "talked about and innovative", and "venturesome and admired" orchestra in America. According to Salonen, "We are interested in the future. We are not trying to re-create the glories of the past, like so many other symphony orchestras." "Especially since we moved into the new hall", continues Deborah Borda (former CEO), "our intention has been to integrate 21st-century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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