Adolfo Salazar Ruiz de Palacios (6 March 1890 - 27 September 1958) was a

Spanish Spanish might refer to: * Items from or related to Spain: **Spaniards are a nation and ethnic group indigenous to Spain **Spanish language, spoken in Spain and many Latin American countries **Spanish cuisine Other places * Spanish, Ontario, Cana ...

music

historian A historian is a person who studies and writes about the past and is regarded as an authority on it. Historians are concerned with the continuous, methodical narrative and research of past events as relating to the human race; as well as the stu ...

, music critic,

composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...

, and

diplomat A diplomat (from grc, δίπλωμα; romanized ''diploma'') is a person appointed by a state or an intergovernmental institution such as the United Nations or the European Union to conduct diplomacy with one or more other states or internati ...

of the first half of the twentieth century. He was the preeminent Spanish

musicologist Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some mu ...

of the Silver Age. Fluent in Spanish, French, and English, he was an intellectual and expert of the artistic and cultural currents of his time, and a brilliant polemicist. He maintained a close connection with other prominent Spanish intellectuals and musicians including José Ortega y Gasset, Jesús Bay y Gay, and Ernesto Halffter. In his writings, he was a defender of the French musical aesthetic of Maurice Ravel and Claude Debussy. He composed over twenty works for

orchestra An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, c ...

string quartet The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists ...

, solo

piano The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboa ...

, voice and piano, chorus, and

guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ...

. While his compositions are significant in the context of the 1920s Spanish musical avant-garde, today his critical writings are deemed of greater importance. He is most known for his insightful commentary and analysis in his eighteen years as music critic (1918-1936) for the Madrid daily El Sol.

Biography

Salazar was born in

Madrid Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and ...

. He attended

Madrid University The Complutense University of Madrid ( es, Universidad Complutense de Madrid; UCM, links=no, ''Universidad de Madrid'', ''Universidad Central de Madrid''; la, Universitas Complutensis Matritensis, links=no) is a public research university loca ...

, first studying

history History (derived ) is the systematic study and the documentation of the human activity. The time period of event before the History of writing#Inventions of writing, invention of writing systems is considered prehistory. "History" is an umbr ...

but then switching to music. He was co-director of the Revista Musical Hispano-Americana (1914-1918) with Rogelio Villar. He studied composition with Bartolomé Pérez Casas, and is said to have studied with Maurice Ravel, though little documentary evidence exists. In 1915, along with Manuel de Falla and M. Salvador y Carreras, he founded the Sociedad Nacional de Música, serving as secretary until 1922. In the late 1920s, he turned his attention from composing to devote himself to music criticism. In his columns for El Sol between 1918 and 1936, he both reviews

concert A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety a ...

s and discusses trends in the Spanish public's reception of

classical music Classical music generally refers to the art music of the Western world, considered to be distinct from Western folk music or popular music traditions. It is sometimes distinguished as Western classical music, as the term "classical music" also ...

. His activities as critic and historian intermingle, though the second became more important over the years and is a consequence of the first. Salazar corresponded with many of the leading intellectuals and composers of his time, including José Ortega y Gasset, as well as members of the Grupo de los Ocho including Jesús Bay y Gay, Ernesto and Rodolfo Halffter, and Salvador Barcarisse. In 1932, he attended the International Congress of Arab Music in

Egypt Egypt ( ar, مصر , ), officially the Arab Republic of Egypt, is a transcontinental country spanning the northeast corner of Africa and southwest corner of Asia via a land bridge formed by the Sinai Peninsula. It is bordered by the Mediter ...

. In 1937, Salazar went to

Paris Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. S ...

to carry out a propaganda mission on behalf of the Republican government. In 1938, he was named cultural attaché for the Spanish Embassy in

Washington, D.C ) , image_skyline = , image_caption = Clockwise from top left: the Washington Monument and Lincoln Memorial on the National Mall, United States Capitol, Logan Circle, Jefferson Memorial, White House, Adams Morgan, ...

. While in the United States, he organized courses in folklore at the University of Middlebury in the company of Joaquín Nin-Culmell. In 1939, he moved to Mexico at the invitation of Mexican president Lázaro Cárdenas del Río, and continued to write essays and monographs on European music. From 1939, he taught at the Colegio de México, and from 1946 at the Mexico National Conservatory. In 1947, he gave a lecture series at Harvard University titled "Music in Cervantes," and two years later was awarded a Guggenheim fellowship. He died in

Mexico City Mexico City ( es, link=no, Ciudad de México, ; abbr.: CDMX; Nahuatl: ''Altepetl Mexico'') is the capital and largest city of Mexico, and the most populous city in North America. One of the world's alpha cities, it is located in the Valley o ...

in 1958.

Musical style

Salazar's earliest works ("Estampes," "Jaculatoria") have Spanish-style nationalism. His style evolved in the mid-1910s toward Impressionistic techniques: parallel chords, lack of clear cadences, and avoidance of major or minor modes. His most successful works are the two for string quartet, ''Rubaiyat'' and ''Arabia''. Written correspondence shows that Manuel de Falla gave guidance to Salazar in the composition of Rubaiyat. His last composition, ''Cuatro letrillas de Cervantes'', is more strictly tonal and closer to folksong than his early works, with clear patterns and two-measure phrases.

Compositions

1913 - Melancolie (Goethe), voice and piano 1915 - Tres poemas de Rosalía de Castro, voice and piano 1916 - Tres preludios, for piano 1917 - Quartet in G minor - Schumaniana, for piano 1920 - Trois chansons de Paul Verlaine, voice and piano 1923 - Arabia, orchestra 1924 - String quartet no. 3 in B minor - Rubaiyat, string quartet 1925 - Trois petite pièces, chamber 1927 - Zarabanda, chamber - Romancillo, guitar - Deux enfantines, guitar 1929 - Paisajes, orchestra 1934 - Homenaje a Arbós, orchestra 1948 - Cuatro letrillas de Cervantes, chorus Source: Emilio Casares Rodicio

Written works

- Andrómeda. Critical essays (1921) - Música y músicos de hoy (1928) - Sinfonía y ballet. Idea y gesto en música y danzas contemporáneas (1929) - La música contemporánea en España (1930) - La música actual en Europa y sus problemas (1935) - El siglo romántico (1936, 2nd ed. 1955) - La música en el siglo XX (1936) - Música y sociedad en el siglo XX (1939) - La rosa de los vientos en la música europea (1940) - Las grandes estructuras de la música (1941) - Introducción a la música actual (1942) - La música moderna (1944) - Music in Our Time (1946) - La danza y el ballet (1950) - La música de España (1953)

References

External links

Conservatorio de Música Adolfo Salazar
{{DEFAULTSORT:Salazar, Adolfo Spanish composers Spanish male composers Spanish musicologists 1890 births 1958 deaths 20th-century musicologists 20th-century Spanish male musicians