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Carlo Meliciani
Carlo Meliciani (27 January 1929 – 6 January 2022) was an Italian operatic baritone who had an active international career from the mid-1950s through the late 1970s. From 1959 to 1979 he was on the roster of singers at La Scala in Milan. Although he sang a wide repertoire, he was particularly known for his portrayal of roles from the operas of Giuseppe Verdi. He notably recorded the part of Don Carlo in ''Ernani'' in 1969 with Plácido Domingo in the title role. Career Meliciani was born in Arezzo, Italy, and began his career in the mid-1950s performing with a touring Italian opera company in Great Britain. In the 1958–1959 season he was committed to the Teatro Nuovo di Torino, performing such roles as Amonasro in '' Aida'' and Don Carlo in ''Ernani''. In 1959 he joined the roster of singers at La Scala, making his debut at that opera house as Ping in Giacomo Puccini's '' Turandot''. He remained a regular performer there up into the late 1970s, performing such roles as Alf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Meliciani
Carlo Meliciani (27 January 1929 – 6 January 2022) was an Italian operatic baritone who had an active international career from the mid-1950s through the late 1970s. From 1959 to 1979 he was on the roster of singers at La Scala in Milan. Although he sang a wide repertoire, he was particularly known for his portrayal of roles from the operas of Giuseppe Verdi. He notably recorded the part of Don Carlo in ''Ernani'' in 1969 with Plácido Domingo in the title role. Career Meliciani was born in Arezzo, Italy, and began his career in the mid-1950s performing with a touring Italian opera company in Great Britain. In the 1958–1959 season he was committed to the Teatro Nuovo di Torino, performing such roles as Amonasro in '' Aida'' and Don Carlo in ''Ernani''. In 1959 he joined the roster of singers at La Scala, making his debut at that opera house as Ping in Giacomo Puccini's '' Turandot''. He remained a regular performer there up into the late 1970s, performing such roles as Alf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama '' Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's ''Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guido Turchi
Guido Turchi (10 November 1916 – 15 September 2010) was an Italian composer and writer on music. Guido Turchi was born in Rome, where he later studied at the Conservatorio di Musica Santa Cecilia with Cesare Dobici, A. Ferdinandi, and Alessandro Bustini, and was awarded diplomas in piano and composition in 1940. In 1945 he achieved the highest possible marks in the advanced diploma course given by Ildebrando Pizzetti. Like many Italian composers of his own and the preceding generation, he was not interested in continuing the tradition of his immediate predecessors of the 19th century, but rather turned to other, earlier sources: Gregorian plainchant, Renaissance madrigals, instrumental composers of the eighteenth century, and to non-Italian music of contemporary Europe. In his early works, Turchi employed a musical language sometimes close to the twelve-tone system, though he did not embrace it entirely. The neo-madrigalism fashionable at the time also marks his work, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ildebrando Pizzetti
Ildebrando Pizzetti (20 September 1880 – 13 February 1968) was an Italian composer of classical music, Musicology, musicologist, and Music criticism, music critic. Biography Pizzetti was born in Parma in 1880. He was part of the "Generation of 1880" along with Ottorino Respighi, Gian Francesco Malipiero, and Alfredo Casella. They were among the first Italian composers in some time whose primary contributions were not in opera. The instrumental and ''a cappella'' traditions had never died in Italian music and had produced, for instance, the string quartets of Antonio Scontrino (1850–1922) and the works of Respighi's teacher Giuseppe Martucci; but with the "Generation of 1880" these traditions became stronger. Ildebrando Pizzetti was the son of Odoardo Pizzetti, a pianist and piano teacher who was his son's first teacher. At first Pizzetti seemed headed for a career as a playwright—he had written several plays, two of which had been produced—before he decided in 1895 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabucco
''Nabucco'' (, short for Nabucodonosor ; en, " Nebuchadnezzar") is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of ''Nabucodonosor'', the opera was first performed at La Scala in Milan on 9 March 1842. ''Nabucco'' is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that ''Nabucco'' was born under a lucky star." The opera follows the plight of the Jews as t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jenůfa
''Její pastorkyňa'' (''Her Stepdaughter''; commonly known as ''Jenůfa'' ) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play ''Její pastorkyňa'' by Gabriela Preissová. It was first performed at the National Theatre, Brno on 21 January 1904. Composed between 1896 and 1902, it is among the first operas written in prose. The first of Janáček's operas in which his distinctive voice can clearly be heard, it is a grim story of infanticide and redemption. Like the playwright's original work, it is known for its unsentimental realism. While today it is heard in the composer's original version, ''Jenůfas early popularity was due to a revised version by Karel Kovařovic, altering what was considered its eccentric style and orchestration. Thus altered, it was well-received, first in Prague, and particularly after its Vienna première also worldwide. More than 70 years passed before audiences again heard it in Janáček's original ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fanciulla Del West
''La fanciulla del West'' (''The Girl of the West'') is an opera in three acts by Giacomo Puccini to an Italian libretto by and , based on the 1905 play '' The Girl of the Golden West'' by the American author David Belasco. ''Fanciulla'' followed ''Madama Butterfly'', which was also based on a Belasco play. The opera has fewer of the show-stopping highlights that characterize Puccini's other works, but is admired for its impressive orchestration and for a score that is more melodically integrated than is typical of his previous work. ''Fanciulla'' displays influences from composers Claude Debussy and Richard Strauss, without being in any way imitative. Similarities between the libretto and the work of Richard Wagner have also been found, though some attribute this more to the original plot of the play, and have asserted that the opera remains quintessentially Italian. The opera had a successful and highly publicised premiere at the Metropolitan Opera, New York City, in 1910. Neve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tosca
''Tosca'' is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro dell'Opera di Roma, Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, ''La Tosca'', is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's Campaigns of 1800 in the French Revolutionary Wars#Italy, invasion of Italy. It contains depictions of torture, murder, and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. ''Tosca'' premiered at a time of unrest in Rome, and its first performance was delayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Carlos
''Don Carlos'' is a five-act grand opera composed by Giuseppe Verdi to a French-language libretto by Joseph Méry and Camille du Locle, based on the dramatic play '' Don Carlos, Infant von Spanien'' (''Don Carlos, Infante of Spain'') by Friedrich Schiller. In addition, several incidents, of which the Forest of Fontainebleau scene and ''auto-da-fé'' were the most substantial, were borrowed from Eugène Cormon's 1846 play ''Philippe II, Roi d'Espagne''. The opera is most often performed in Italian translation, usually under the title ''Don Carlo''. The opera's story is based on conflicts in the life of Carlos, Prince of Asturias (1545–1568). Though he was betrothed to Elisabeth of Valois, part of the peace treaty ending the Italian War of 1551–59 between the Houses of Habsburg and Valois demanded that she be married instead to his father Philip II of Spain. It was commissioned and produced by the Théâtre Impérial de l'Opéra ( Paris Opera) and given its premiere at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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