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Carel Fabritius
Carel Pietersz. Fabritius (; bapt. 27 February 1622 – 12 October 1654) was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are '' A View of Delft'' (1652; National Gallery, London), '' The Goldfinch'' (1654), and '' The Sentry'' (1654). Biography Carel Pietersz. Fabritius was born in February 1622 in Middenbeemster, a village in the ten-year-old Beemster polder in the Dutch Republic, and was baptized on 27 February of that year.Carel Fabritius
Netherlands Institute for Art History. Retrieved on 21 August 2014.
He was ...
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Carl Ferdinand Fabritius
Carl Ferdinand Fabritius (1637 – 21 January 1673) was a Painting, painter in the Bishopric of Paderborn (German: ''Fürstbistum Paderborn''). Paderborn prince-bishop (German: ''Fürstbischof'') Ferdinand of Fürstenberg (1626–1683), Ferdinand of Fürstenberg commissioned Fabritius to paint 63 Landscape art, landscape paintings of the towns and villages in his diocese from 1664 to 1667. The paintings were commissioned for display at the prince-bishop's residence :de:Schloss Neuhaus (Paderborn), Neuhaus near Paderborn. Carl Ferdinand Fabritius was born in Warsaw but lived in Vienna from 1659 to his death in 1673.Schaeffer A, von Wartenegg W, Dollmayr H, Glück G. ''Die Gemäldegalerie: Alte Meister''. Vienna: Adolf Holzhausen; 1907: p. 372. List of works * 1664 ''Schieder-Schwalenberg (Lippe), Ansicht mit Burg Schwalenberg'', oil on canvas, 88.5 × 103.5 cm, :de:Erzbischöfliche Akademische Bibliothek Paderborn, Erzbischöfliche Akademische Bibliothek Paderborn ...
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Guild Of Saint Luke
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom or market s ...
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Pushkin Museum
The Pushkin State Museum of Fine Arts (, abbreviated as , ''GMII'') is the largest museum of European art in Moscow. It is located in Volkhonka street, just opposite the Cathedral of Christ the Saviour. The International musical festival Sviatoslav Richter's December Nights has been held in the Pushkin Museum since 1981. Etymology Despite its name, the museum has no direct association with the Russian poet Alexander Pushkin, other than as a posthumous commemoration. The facility was founded by professor Ivan Tsvetaev (father of the poet Marina Tsvetaeva) in 1912. Tsvetaev persuaded the millionaire and philanthropist Yury Nechaev-Maltsov, Yuriy Nechaev-Maltsov and the architect Roman Klein of the urgent need to give Moscow a fine arts museum. After going through a number of name changes, particularly in the transition to the Soviet era and the return of the Russian capital to Moscow, the museum was finally renamed to honour Pushkin in 1937, the 100th anniversary of his death. Hi ...
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Hera (painting)
''Hera'' or ''Hera Hiding During the Battle Between the Gods and the Giants'' is a c. 1643 oil on canvas painting by Carel Fabritius, produced during his apprenticeship in Rembrandt's studio or shortly afterwards. It is now in the Pushkin Museum in Moscow. Title Its present title was given in a 2004 catalogue of the Museum's collections due to the presence of peacocks, which are associated with Hera. The longer version of the title refers to her being sent to the home of Oceanus and Tethys by her mother Rhea during the Titanomachy. However, it is unclear if this interpretation is correct, as it does not explain why she is interrupted while combing her hair or why she does not appear to be near the ocean. In 1883, the painting was thought to depict Narcissus, but this interpretation also falls short, as it does not account for the presence of the peacocks, the running quadruped, or why the figure looks up from the water rather than gazes at their reflection. Bibliography * ...
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Warsaw
Warsaw, officially the Capital City of Warsaw, is the capital and List of cities and towns in Poland, largest city of Poland. The metropolis stands on the Vistula, River Vistula in east-central Poland. Its population is officially estimated at 1.86 million residents within a Warsaw metropolitan area, greater metropolitan area of 3.27 million residents, which makes Warsaw the List of cities in the European Union by population within city limits, 6th most-populous city in the European Union. The city area measures and comprises List of districts and neighbourhoods of Warsaw, 18 districts, while the metropolitan area covers . Warsaw is classified as an Globalization and World Cities Research Network#Alpha 2, alpha global city, a major political, economic and cultural hub, and the country's seat of government. It is also the capital of the Masovian Voivodeship. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th cent ...
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National Museum, Warsaw
The National Museum in Warsaw (, MNW) is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art (Art of ancient Egypt, Egyptian, Art in ancient Greece, Greek, Roman art, Roman), counting about 11,000 pieces, an extensive gallery of Culture of Poland#Art, Polish painting since the 16th century and a collection of foreign painting (Art of Italy, Italian, French art, French, Flemish Baroque painting, Flemish, Dutch School (painting), Dutch, German art, German and Russian culture, Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the Allied-occupied Germany, American authorities in post-war Germany. The museum is also home to Numismatics, numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects. The museum boasts the Faras Gallery at the Natio ...
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Rijksmuseum
The Rijksmuseum () is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw. The Rijksmuseum was founded in The Hague on 19 November 1798 and moved to Amsterdam in 1808, where it was first located in the Royal Palace and later in the Trippenhuis. The current main building was designed by Pierre Cuypers and first opened in 1885.The renovation
Rijksmuseum. Retrieved on 4 April 2013.
On 13 April 2013, after a ten-year renovation which cost 375 million, the main building was reopened by
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Young Man In A Fur Cap
''A Young Man in a Fur Cap and a Cuirass (probably a Self Portrait)'' is a 1654 portrait painting by Carel Fabritius. It is an oil painting on canvas of 70.5 by 61.5 cm (27.8 by 24.2 in). The painting is generally considered to be a self-portrait. The work has been in the collection of the National Gallery in London London is the Capital city, capital and List of urban areas in the United Kingdom, largest city of both England and the United Kingdom, with a population of in . London metropolitan area, Its wider metropolitan area is the largest in Wester ... since 1924. References 1654 paintings Paintings by Carel Fabritius Self-portraits {{1650s-painting-stub ...
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Portrait Of Abraham De Potter
''Portrait of Abraham de Potter, Amsterdam Silk Merchant'' () is a 1649 portrait painting of silk merchant Abraham de Potter by the Dutch painter Carel Fabritius. The oil painting on canvas is 68.5 by (27.0 by ). The work has been in the collection of the Rijksmuseum in Amsterdam since 1892. History Fabritius made this painting a year before moving to Delft. This portrait and the ''Self-portrait'' in the Museum Boijmans Van Beuningen, in Rotterdam, are the only works that have survived from the short period between his collaboration with Rembrandt in Amsterdam and his departure to Delft. At that time he was living again in his native village of Middenbeemster. 17th-century documents show that at this time he also carried out assignments for wealthy Amsterdam families who had country houses in the Beemster. He may have come into contact with these families thanks to the relationships of the person portrayed in this painting, Abraham de Potter, who was a family friend and fellow Ca ...
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Pieter De Hooch
Pieter Hendricksz. de Hooch (; also spelled ''Hoogh'' or ''Hooghe''; 20 December 1629  – after 1683), was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown (his son Pieter died in 1684, a date often wrongly given for the father). Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife, baptised at the Reformed Church in Rotterdam in 1629. He was the eldest of five children and outlived all of his siblings, evidently raised in a working class home. Though, his father was described as a "master bricklayer", hence a skilled artisan required to be a member ...
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Johannes Vermeer
Johannes Vermeer ( , ; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for making masterful use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." The modest celebrity he enjoyed during his life gave way to obscurity ...
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Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Ancient Greek, Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "Icon, icons", in the Byzantine art, Byzantine and Eastern Orthodox Churches, Orthodox Christian tradition. This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic ...
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