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Capitano
Il Capitano (, Italian for "The Captain") is one of the four stock characters of '' Commedia dell'arte.'' He most likely was never a "Captain" but rather appropriated the name for himself. He is often a braggart and a swaggerer who can maintain his claims only by benefit of the fact that none of the locals know him. He is usually a Spaniard, given the fact that for most of the late Renaissance to well into 17th century, parts of Italy were under Spanish domination. He was most likely inspired by the boisterous Iberic caudillos who told tall tales of their exploits either in the conquest of the Americas or in the wars with Germany. Il Capitano often talks at length about made-up conquests of both the militaristic and the carnal variety in an attempt to impress others, but often ends up impressing only himself. He gets easily carried away in his tales and doesn't realise when those around him don't buy his act. He would be the first to run away from any and all battles, and he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capitano Masking Making
Il Capitano (, Italian for "The Captain") is one of the four stock characters of ''Commedia dell'arte.'' He most likely was never a "Captain" but rather appropriated the name for himself. He is often a braggart and a swaggerer who can maintain his claims only by benefit of the fact that none of the locals know him. He is usually a Spaniard, given the fact that for most of the late Renaissance to well into 17th century, parts of Italy were under Spanish domination. He was most likely inspired by the boisterous Iberic caudillos who told tall tales of their exploits either in the conquest of the Americas or in the wars with Germany. Il Capitano often talks at length about made-up conquests of both the militaristic and the carnal variety in an attempt to impress others, but often ends up impressing only himself. He gets easily carried away in his tales and doesn't realise when those around him don't buy his act. He would be the first to run away from any and all battles, and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Andreini
Francesco Andreini (c. 1548 – 1624) was an Italian actor mainly of commedia dell'arte plays. He began his career playing the role of the unsophisticated love-stricken young man. Later he played the role of Capitan Spavento ("Captain Fright"), a Pickwickian character of excessive fatigue. He died on January 1, 1624, in Mantua, Italy at the age of 76. Francesco Andreini was part of the start of commedia dell'arte and had he not brought this type of theater elsewhere; it would not have made it further to the mainstream media and developed further into multilingualism and oral and textual transmissions. His role of Capitano made its way into modern media with adapted versions solely based on the original Capitano. Francesco had an impact on today's theater and improvisation. (Jaffe-Berg, Erith) https://earlytheatre.org/earlytheatre/article/view/779 Life Andreini was a soldier under the banner of the Medici in the Ottoman–Venetian War (1570–1573). He turned to theatre afte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scaramuccia
Scaramouche () or Scaramouch (; from Italian Scaramuccia , literally "little skirmisher") is a stock clown character of the 16th-century commedia dell'arte (comic theatrical arts of Italian literature). The role combined characteristics of the ''Zanni'' (servant) and the '' Capitano'' (masked henchman), with some assortment of villainous traits. Usually attired in black Spanish dress and burlesquing a Don, he was often beaten by Harlequin for his boasting and cowardice. History Although Tiberio Fiorillo (1608–1694) was not the first to play the role, he greatly developed and popularized it. He removed the mask, used white powder on his face, and employed grimaces. He was small , long beard, and wore a predominantly black costume with a white ruff. In France he became known as Scaramouche. In the 19th century, the English actor Joseph Grimaldi and his son J. S. Grimaldi made numerous appearances as Scaramouche. Character Scaramouche influences the audience to do his biddin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Bloodnok
Major Denis Bloodnok is a fictional character from the 1950s BBC Radio comedy ''The Goon Show''. He was voiced by Peter Sellers. Basis of character Bloodnok's army career is notable for cowardice and monetary irregularities. He was discharged after being found dressed as a woman, although he claimed it was carnival night. He is repeatedly implied to be a womaniser. A prime example of this is in "Drums Along the Mersey" where he is thrown out of a boat for being caught with the captain's wife. Another example is featured in "The Histories of Pliny the Elder", when he says: "You know that saying 'Caesar's wife is above suspicion'? Well, I put an end to all that rubbish!" Also, in "The Jet-Propelled Guided NAAFI", when Moriarty arrives at his tent to bribe him into blowing up said NAAFI, he catches Bloodnok saying supposedly to a woman he was romancing, "Good night darling, I'll see you later", to which Milligan, playing Throat, replies "Good night, darling". In addition, during "Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Gloriosus
''Alazṓn'' ( grc, ἀλαζών) is one of three stock characters in comedy of the theatre of ancient Greece. He is the opponent of the '' eirôn''. The ''alazṓn'' is an impostor that sees himself as greater than he actually is. The ''senex iratus'' (the angry father) and the ''miles gloriosus'' (the braggart soldier) are two types of ''alazṓn''. ''Miles Gloriosus'' ''Miles Gloriosus'' (literally, "braggart-soldier", in Latin) is a stock character of a boastful soldier from the comic theatre of ancient Rome, and variations on this character have appeared in drama and fiction ever since.Frye, Northrop. 1957. ''Anatomy of Criticism: Four Essays''. London: Penguin, 1990. . The character derives from the ''alazṓn'' or "braggart" of the Greek Old Comedy (e.g. Aristophanes). The term "Miles Gloriosus" is occasionally applied in a contemporary context to refer to a posturing and self-deceiving boaster or bully. Literary instances In the play ''Miles Gloriosus'' ("Boastful ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Goon Show
''The Goon Show'' is a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series, broadcast from 28 May to 20 September 1951, was titled ''Crazy People''; subsequent series had the title ''The Goon Show''. The show's chief creator and main writer was Spike Milligan, who performed the series alongside Harry Secombe, Peter Sellers and (for the first two series) Michael Bentine. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects. There were also light music interludes. Some of the later episodes feature electronic effects devised by the fledgling BBC Radiophonic Workshop, many of which were reused by other shows for decades. Elements of the show satirised contemporary life in 1950s Britain, parodying aspects of show business, commerce, industry, art, politics, diplomacy, the police, the military, edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Recruiting Officer
''The Recruiting Officer'' is a 1706 play by the Irish writer George Farquhar, which follows the social and sexual exploits of two officers, the womanising Plume and the cowardly Brazen, in the town of Shrewsbury (the town where Farquhar himself was posted in this capacity) to recruit soldiers. The characters of the play are generally stock, in keeping with the genre of Restoration comedy. Characters Plot The play opens with the recruiter, Captain Plume's Sergeant Kite, recruiting in the town of Shrewsbury. Plume arrives, in love with Sylvia, closely followed by Worthy, a local gentleman who is in love with Sylvia's cousin Melinda. Worthy asked Melinda to become his mistress a year previously, as he believed her to be of inadequate fortune to marry. But he changes his mind after she comes into an inheritance of £20,000. Melinda accepts an invitation from Captain Brazen, another recruiter, to annoy Worthy, as she was offended by Worthy's previous offer. However, her maid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Farquhar
George Farquhar (1677The explanation for the dual birth year appears in Louis A. Strauss, ed., A Discourse Upon Comedy, The Recruiting Officer, and The Beaux’ Stratagem by George Farquhar' (Boston: D.C. Heath & Co., 1914), p. v. Strauss notes that "Our sole source of information as to the time of his birth is the entry of his matriculation in the register of Trinity College" on 17 July 1694, where "His age is given as 17." Earlier biographers took this to mean Farquhar was in his 17th year—hence born in 1678—and Strauss favors this date. But later writers, such as William Myers, ed., George Farquhar: The Recruiting Officer and Other Plays'' (Oxford: Oxford University Press, 1995), p. vii, give the dual year, and John Ross, ed., ''George Farquhar: The Recruiting Officer (New Mermaids),'' 2nd ed., (London: A&C Black, 1991), p. xiii, gives a birthdate of "''ca.'' 1677" for the playwright. – 29 April 1707) was an Irish dramatist. He is noted for his contributions to late R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque Picto
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and court ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_(6985293553).jpg "Click for more on -> Miles Gloriosus")
