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Candi Ijo
Ijo temple ( id, Candi Ijo) is a Hindu candi (temple) located 4 kilometers from Ratu Boko or around 18 kilometers east from Yogyakarta, Indonesia. The temple was built between 10th to 11th century CE during the Mataram Kingdom period. Location The temple compound is located in Groyokan hamlet, Sambirejo village, Kecamatan Prambanan, Sleman Regency, Yogyakarta. The temple's name derived from its location, the Gumuk Ijo hill. The temple compound stood on western slope of the hill, in a quiet region east of Yogyakarta, around 4 kilometers southeast from Ratu Boko archaeological compound. The temple elevation is 410 meters above the sea level. The western hill of Gumuk Ijo overlooks rice paddies, villages and Adisucipto International Airport. The temple compound measures 0.8 hectares, however the original temple compound is estimated to be far larger. On the hill foot and slopes on western sides there are some archaeological artifacts and temple ruins which suggest the larger com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratu Boko
Ratu Boko ( jv, Ratu Baka) or Ratu Boko Palace is an archaeological site in Java. Ratu Boko is located on a plateau, about three kilometres south of Prambanan temple complex in Yogyakarta, Indonesia. The original name of this site is still unclear, however the local inhabitants named this site after King Boko, the legendary king mentioned in Roro Jonggrang folklore. In Javanese language, Javanese, ''Ratu Boko'' means "Stork King". The site covers 16 hectares in two hamlets (''Dawung'' and ''Sambireja'') of the village of Bokoharjo and Prambanan, Sleman Regency. In striking contrast to other Classic-period sites in Central Java and Yogyakarta, which are remains of temples, Ratu Boko displays attributes of an occupation or Human settlement, settlement site, although its precise function is unknown. Probably the site was a palace complex which belonged to the kings of Sailendra or Mataram Kingdom that also built temples scattered across the Prambanan Plain. The argument was based on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niche (architecture)
A niche (CanE, or ) in Classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea (AD 64–69) was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedrae; sheathed in dazzling polished white marble, such curved surfaces concentrated or dispersed the daylight. A is a very shallow niche, usually too shallow to contain statues, and may resemble a blind window (a window without openings) or sealed door. (Compare: blind arcade) The word derives from the Latin (), via the French . The Italian '' nicchio'' () may also be involved,OED, "Niche" as the traditional decoration for the top of a niche is a scallop shell, as in the illustration, hence also the alternative term of "conch" for a semi-dome, usually reserved for larger exedra. In Gothic architecture, a niche may be set within a tabernacle framing, like a richly de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banyunibo
Banyunibo ( jv, "dripping water") is a 9th-century Buddhist temple located in Cepit hamlet, Bokoharjo village, Prambanan, Sleman Regency, Special Region of Yogyakarta, Indonesia. The temple, dating from the era of Mataram Kingdom, sits in a narrow valley surrounded by paddy fields about two kilometers southeast of the Ratu Boko archaeological park on the east side of modern Yogyakarta. Further north is the Prambanan temple, and to the south are the Gunung Sewu hills, extension of Gunung Kidul hills. Architecture Banyunibo has a curved rooftop design crowned with a solitary stupa; this theme is unique among the surviving Buddhist temples of Central Java. The curved rooftop was either meant to symbolize lotus or padma petals, or meant to mimic the organic roof made from ''ijuk'' fibres (black fibres surrounding the trunk of ''Arenga pinnata'') common in ancient Java vernacular architecture and also found today in Balinese temple roof architecture. The main structure was origina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prambanan
Prambanan ( id, Candi Prambanan, jv, ꦫꦫꦗꦺꦴꦁꦒꦿꦁ, Rara Jonggrang) is a 9th-century Hindu temple compound in Special Region of Yogyakarta, Indonesia, dedicated to the Trimūrti, the expression of God as the Creator (Brahma), the Preserver (Vishnu) and the Destroyer (Shiva). The temple compound is located approximately northeast of the city of Yogyakarta on the boundary between Central Java and Yogyakarta provinces. The temple compound, a UNESCO World Heritage Site, is the largest Hindu temple site in Indonesia and the second-largest in Southeast Asia after Angkor Wat. It is characterized by its tall and pointed architecture, typical of Hindu architecture, and by the towering central building inside a large complex of individual temples. Prambanan temple compounds originally consists of 240 temple structures; which represents the grandeur of ancient Java's Hindu art and architecture, also considered as a masterpiece of the classical period in Indonesia. Prambanan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kewu Plain
Kewu Plain, also known as Prambanan Plain or Opak River valley, is a fertile volcanic plain that lies between Merapi-Merbabu complex in the north, Bantul lowlands and Sewu karst limestone range in the south, Bengawan Solo river valley in the east, the Progo River in the west, and Kedu Plain on northwest. It is located within the Yogyakarta Special Region, Sleman Regency, Klaten Regency and Solo City (Central Java), Indonesia. Historically the area was identified as Mamratipura. The region was the center of both the Mataram kingdom in the 8th to 10th centuries, and later the Mataram Sultanate in the 16th century. It has been an important location in Central Javanese history and culture for over a millennium since it contains many ancient archaeological remnants of historic significance. If each temple structure was counted separately, the 9th century Central Java period could be said to have produced thousands of temples, scattered from Dieng Plateau, Kedu Plain to Kewu Plain. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antefix
An antefix (from Latin ', to fasten before) is a vertical block which terminates and conceals the covering tiles of a tiled roof (see imbrex and tegula, monk and nun). It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta, might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in the Roman period. On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon, with its petrifying eyes and sharp teeth was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by the emperor Augustus as his own lucky star sign and appeared on coins and leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devata
''Devata'' (pl: ''devatas'', meaning 'the gods') (Devanagari: देवता; Khmer: ទេវតា (''tevoda''); Thai: เทวดา (''tevada''); Javanese, Balinese, Sundanese, Malay: ''dewata''; Batak languages: ''debata'' (Toba), ''dibata'' (Karo), ''naibata'' (Simalungun); '' diwata'' (Philippine languages)) are smaller and more focused Devas (Deities) in Indian religions, such as Hinduism and Buddhism. The term "devata" itself can also mean deva. They can be either male or female. Every human activity has its devata, its spiritual counterpart or aspect. Types There are many kinds of devatas: vanadevatas (forest spirits, perhaps descendants of early nature-spirit cults), gramadevata (village gods), devatas of river crossings, caves, mountains, and so on. For example, in the Konkan region of India, Hindu devatas are often divided into five categories: # Grama devatas or village deities who could be the founder deity such as Jathera or ancestral worship of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakti
In Hinduism, especially Shaktism (a theological tradition of Hinduism), Shakti (Devanagari: शक्ति, IAST: Śakti; lit. "Energy, ability, strength, effort, power, capability") is the primordial cosmic energy, female in aspect, and represents the dynamic forces that are thought to move through the universe. She is thought of as creative, sustaining, as well as destructive, and is sometimes referred to as auspicious source energy. Shakti is sometimes personified as the creator goddess, and is known as "Adi Shakti" or "Adi Parashakti" ("inconceivableprimordial energy"). In Shaktism, Adi Parashakti is worshipped as the Supreme Being. On every plane of creation, energy manifests itself into all forms of matter; these are all thought to be infinite forms of Parashakti. She is described as ''anaadi'' (with no beginning, no ending) and ''nitya'' (forever). Origins One of the oldest representations of the goddess in India is in a triangular form. The Baghor stone, found in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nāga
The Nagas (IAST: ''nāga''; Devanāgarī: नाग) are a divine, or semi-divine, race of half-human, half-serpent beings that reside in the netherworld (Patala), and can occasionally take human or part-human form, or are so depicted in art. A female naga is called a Nagi, or a Nagini. According to legend, they are the children of the sage Kashyapa and Kadru. Rituals devoted to these supernatural beings have been taking place throughout South Asia for at least 2,000 years. They are principally depicted in three forms: as entirely human with snakes on the heads and necks, as common serpents, or as half-human, half-snake beings in Hinduism, Buddhism, and Jainism. ''Nagaraja'' is the title given to the king of the nagas. Narratives of these beings hold cultural significance in the mythological traditions of many South Asian and Southeast Asian cultures, and within Hinduism and Buddhism, they are the ancestral origins of the Nagavanshi Kshatriyas. Etymology In Sanskrit, a () ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoni
''Yoni'' (; sometimes also ), sometimes called ''pindika'', is an abstract or aniconic representation of the Hindu goddess Shakti. It is usually shown with ''linga'' – its masculine counterpart. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The ''yoni'' is conceptualized as nature's gateway of all births, particularly in the esoteric Kaula and Tantra practices, as well as the Shaktism and Shaivism traditions of Hinduism. ''Yoni'' is a Sanskrit word that has been interpreted to literally mean the "womb", the "source", and the female organs of generation., Quote: "Yoni- 'womb, vulva', Yoni- "way, abode' is from a second PIE root ..; It also connotes the female sexual organs such as "vagina", "vulva", and "uterus", or alternatively to "origin, abode, or source" of anything in other contexts. For example, the Vedanta tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linga
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos, the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence. The original meaning of ''lingam'' as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga ( sa, लिऊग ) meaning he is transcen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
