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Camera Magazine
A camera magazine is a light-tight chamber or pair of chambers designed to hold film and move motion picture film stock before and after it has been exposed in the camera. In most movie cameras, the magazine is a removable piece of equipment. Many still photo cameras also have removable camera magazines. A film cartridge serves the same function, but is usually not reusable. Lengths In 16 mm filmmaking, most magazines are designed to accommodate up to 400 feet of film stock, which usually is the longest standard roll size available from film manufacturers (longer rolls can be made upon special request sometimes, but require special magazines). In 35mm filmmaking, there tend to be three common magazine types - 1000 foot magazines, which accommodate the longest standard roll size of 35 mm film; 400 foot magazines, which are often used when the camera is handheld in order to minimize the amount of weight upon the camera operator; and 400 foot Steadicam magazines, which are sp ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ...
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Panavision
Panavision is an American motion picture equipment company founded in 1953 specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with the lightweight Panaflex 35 mm movie camera. The company has introduced other cameras such as the Millennium XL (1999) and the digital video Genesis (2004). Panavision operates exclusively as a rental facility—the company owns its entire inventory, unlike most of its competitors. Early history Robert Gottschalk founded Panavision in late 1953, in partnership with Richard Moore, ...
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Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many fields of ...
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Kinescope At The Canada Museum Of Science & Technology -Ottawa-
Kinescope , shortened to kine , also known as telerecording in Britain, is a recording of a television program on motion picture film, directly through a lens focused on the screen of a video monitor. The process was pioneered during the 1940s for the preservation, re-broadcasting and sale of television programmes before the introduction of quadruplex videotape, which from 1956 eventually superseded the use of kinescopes for all of these purposes. Kinescopes were the only practical way to preserve live television broadcasts prior to videotape. Typically, the term Kinescope can refer to the process itself, the equipment used for the procedure (a movie camera mounted in front of a video monitor, and synchronized to the monitor's scanning rate), or a film made using the process. The term originally referred to the cathode ray tube used in television receivers, as named by inventor Vladimir K. Zworykin in 1929. Hence, the recordings were known in full as kinescope films or kinesc ...
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Kodak
The Eastman Kodak Company (referred to simply as Kodak ) is an American public company that produces various products related to its historic basis in analogue photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. Kodak provides packaging, functional printing, graphic communications, and professional services for businesses around the world. Its main business segments are Print Systems, Enterprise Inkjet Systems, Micro 3D Printing and Packaging, Software and Solutions, and Consumer and Film. It is best known for photographic film products. Kodak was founded by George Eastman and Henry A. Strong on May 23, 1892. During most of the 20th century, Kodak held a dominant position in photographic film. The company's ubiquity was such that its " Kodak moment" tagline entered the common lexicon to describe a personal event that deserved to be recorded for posterity. Kodak began to struggle financially in the late 1990s, as a result of th ...
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Re-can
A re-can is a roll of film stock which was originally opened up from a factory-sealed can and loaded into a camera magazine by a clapper loader, but remained unshot and thus was unloaded back into a film can unused. A re-can will be placed in a black bag in a film can which is then sealed and identified as a re-can, as well as including the film type, emulsion number, and when it was unloaded. Identification is critical, as there may be no other way to know what exactly is inside the can. Re-cans should be sealed in either white or colored gaffer tape, depending on what (if any) color scheme is being used to identify film types; in any case, black gaffer tape should not be used, as it is considered the standard tape color used to seal exposed cans. If any of the roll has been shot, it is not considered a re-can, but rather a short end. Re-cans are considered distinct from new rolls because they may have been subject to environmental conditions since leaving their originally seal ...
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Short End
Short may refer to: Places * Short (crater), a lunar impact crater on the near side of the Moon * Short, Mississippi, an unincorporated community * Short, Oklahoma, a census-designated place People * Short (surname) * List of people known as the Short Arts, entertainment, and media * Short film, a cinema format (also called film short or short subject) * Short story, prose generally readable in one sitting * ''The Short-Timers'', a 1979 semi-autobiographical novel by Gustav Hasford, about military short-timers in Vietnam Brands and enterprises * Short Brothers, a British aerospace company * Short Brothers of Sunderland, former English shipbuilder Computing and technology * Short circuit, an accidental connection between two nodes of an electrical circuit * Short integer, a computer datatype Finance * Short (finance), stock-trading position * Short snorter, a banknote signed by fellow travelers, common during World War II Foodstuffs * Short pastry, one which is rich in ...
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Changing Bag
A changing bag is a photographic bag specifically designed to be light-proof while in use. It is required for certain applications involving photosensitive materials when a darkroom is not available, like in the field. Common usages include removing film from its canister to put it into a developing tank, or loading and unloading sheet film holders. They are also commonly found on the set of a film, where the clapper loader may need one if shooting on location or far away from a darkroom. Usage It is handy to use when a darkroom is not available as is often the case in field shooting. It is also used in commercial photo processing labs, often to change paper. Description A changing bag has two sleeves at one end for both the user's arms, and a zipper (often more than one, for double layered changing bags) to insert the tools and film needed. There are several sizes available, from smaller ones for many still photography applications to larger bags used in large-format still phot ...
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Focus Puller
A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed. "Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 m to 3 m away from the focal plane within a shot, the focus puller will change the distance setting on the lens in precise relation to the changing position of the actor. Additionally, the focus puller may shift focus from one subject to another within the frame, as dictated by the requirements of the shot. This process is called "rack focusing". Focus pulling There is often very little room for error, depending on the parameters of a given shot. The role of a focus puller is extremely important to a film producti ...
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Clapper Loader
A clapper loader or second assistant camera (2nd AC) is part of a film crew whose main functions are that of loading the raw film stock into camera magazines, operating the clapperboard (slate) at the beginning of each take, marking the actors as necessary, and maintaining all records and paperwork for the camera department. The name "clapper loader" tends to be used in the United Kingdom and Commonwealth, while "second assistant camera" tends to be favored in the United States, but the job is essentially the same whichever title is used. The specific responsibilities and division of labor within the department will almost always vary depending on the circumstances of the shoot. Functions Clapper loaders have a very important role as practically the only people on set who directly and physically oversee the state of the undeveloped negative. The loader – the only person who actually handles the negative between the manufacturer and the laboratory – thus can easily ren ...
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