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Calle Luna, Calle Sol
''Calle luna, Calle sol'' (English title: ''World's Apart'') is a Venezuelan telenovela developed by José Vicente Quintana and produced by RCTV in 2009 as a free adaptation of the telenovela ''Marielena'' that was produced by the same channel in 1979. Monica Spear and Manuel Sosa star as the main protagonists with Amanda Gutiérrez and Nacho Huett as antagonists, accompanied by the stellar performances of Chantal Baudaux, Daniel Alvarado and Nacarid Escalona. RCTV began transmitting ''Calle Luna, Calle Sol'' from March 18, 2009 at 9 pm replacing ''Nadie me dirá como quererte''. The last episode was broadcast on September 14, 2009. Plot ''Calle Luna, Calle Sol'' is a telenovela contrasting folk and urban culture. It shows two completely different realities: that of the rich and the poor, and what differentiates the two groups. In both neighborhoods, major developments speak for themselves and their realities are moved each of the characters. In the story, Maria Esperanza i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telenovela
A telenovela is a type of a television serial drama or soap opera produced primarily in Latin America. The word combines ''tele'' (for "television") and ''novela'' (meaning "novel"). Similar drama genres around the world include '' teleserye'' (Philippines), '' téléroman'' (Canada, specifically Quebec), and ''sinetron'' (Indonesia). Commonly described using the American colloquialism Spanish soap opera, many telenovelas share some stylistic and thematic similarities to the soap opera familiar to the English-speaking world. The significant difference is their series run length; telenovelas tell one self-contained story, typically within the span of a year or less whereas soap operas tend to have intertwined storylines told during indefinite, continuing runs. This makes them shorter than most other television series, but still much longer than a miniseries. This planned run results in a faster-paced, more concise style of melodrama compared to a typical soap opera. Episodes of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libres Como El Viento
''Libres como el viento'' (English title: ''Free as the wind'') is a Venezuelan telenovela developed by Pilar Romero and produced by Radio Caracas Television in 2009. The series was inspired by the novel ''Una Brizna de paja en el viento'' written by Rómulo Gallegos in 1952. The story was based on the context of student protests that took place in the country during that year. Laura Chimaras and Jonathan Montenegro starred as the protagonists with Guillermo Pérez, Juliet Lima and Damián Genovese as the antagonists. Plot ''Libres como el viento'' is a love story marked by university news and pragmatic news of students. Fabiola Azcárate, the youngest of five siblings, is sent abroad to continue her studies after her father's death. But nostalgia will force her to return to her country without knowing that the love of her childhood is waiting for her. Upon arrival, "La Muñeca", as her relatives call her, will find out that the brothers are divided because they do not kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RCTV Telenovelas
Radio Caracas Televisión (RCTV) was a Venezuelan free-to-air television network headquartered in the Caracas neighborhood of Quinta Crespo. It was sometimes referred to as the Canal de Bárcenas. Owned by Empresas 1BC, Radio Caracas Televisión (RCTV) was inaugurated on 15 November 1953 by William H. Phelps Jr., William H. Phelps, Jr. Its Radio broadcasting, radio counterpart was Radio Caracas Radio. On 27 May 2007, president Hugo Chávez decided to shut down the channel by refusing to renew their Broadcast license, broadcast concession, accusing the channel of being involved in the 2002 Venezuelan coup d'état attempt, 2002 coup d'état in Venezuela, which briefly overthrew his government. The Supreme Tribunal of Justice (Venezuela), Supreme Tribunal of Justice (TSJ) upheld the National Commission of Telecommunications (CONATEL) decision. RCTV continued to broadcast via pay television on RCTV Internacional. In January 2010, RCTV was sanctioned with temporary closure. It reject ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Venezuelan Television Series Endings
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Venezuelan Television Series Debuts
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the Brahmi numerals, beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an Ascender (typography), ascender in most modern typefaces, in typefaces with text figures the character usually has a desc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
