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Caballerango
''Caballerango'' (''Horse Wrangler'') is a 2018 Mexican documentary film, director Juan Pablo González's debut feature. It's a portrait of residents of Milpillas in Los Altos de Jalisco as they grapple with the sudden death of a young horse wrangler named Nando. The editing alternates wide shots of landscape and community with more intimate scenes where the director, a native of the region himself, asks questions of those onscreen. Gradually, Nando's death starts to look like it might have been a suicide. It also becomes clear that the community's still reeling from the loss of several other young people. The mysterious circumstances of their demise dovetail with globalization's effects on the community: a drop in farming jobs and population exodus from the region. The film expands upon material that González's Cannes Critics' Week short, "¿Por qué el recuerdo?" ("The Solitude of Memory"), previously broached. It displays dimensions of slow cinema and includes only 37 shots ...
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Juan Pablo González
Juan Pablo González (born August 13, 1984) is a Mexican film director, screenwriter and editor known for his 2018 film Caballerango, and the 2022 Sundance award winner Dos Estaciones. His work primarily focuses on the Los Altos region of Mexico, where he's from. In 2015 González was named one of the "25 New Faces of Independent Film" by Filmmaker Magazine. The following year, his one-take short Las Nubes premiered at Havana and at the 2017 International Film Festival Rotterdam. In 2018, his critically acclaimed mid-length documentary Caballerango premiered at the International Documentary Festival Amsterdam (IDFA). He is currently the co-director of film at the California Institute of the Arts The California Institute of the Arts (CalArts) is a private art university in Santa Clarita, California. It was incorporated in 1961 as the first degree-granting institution of higher learning in the US created specifically for students of both ... (CalArts). In 2020 he won the Vi ...
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Isidore Bethel
Isidore Bethel is a French-American filmmaker whom ''Filmmaker'' named one of the "25 New Faces of Independent Film" in 2020. The films he edits, directs, and produces use filmmaking to make sense of overwhelming experiences and touch on recurrent themes of displacement, sexuality, aging, trauma, grief, therapy, and art-making. His first feature film as director, ''Liam'', premiered at the Boston LGBT Film Festival in 2018 and received the Jury Prize in the Documentary section of the Paris LGBTQ+ Film Festival. His second film, ''Acts of Love'', which French actor Francis Leplay co-directed, premiered at Hot Docs and received the Tacoma Film Festival's Best Feature Award in 2021. Films he has edited have screened at Cannes, SXSW, and the Berlinale, in museums such as the Museum of Modern Art, the Beirut Art Center, and the Pompidou Center, and on broadcast platforms such as '' POV'', ''The New York Times Op-Docs, and Netflix. He has worked in France, Mexico, and the United ...
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True/False Film Festival
True/False Film Fest is an annual documentary film festival that takes place in Columbia, Missouri. The Fest occurs on the first weekend in March (sometimes beginning in late February), with films being shown from Thursday evening to Sunday night. Films are screened at multiple locations around downtown Columbia, including Ragtag Cinema, Jesse Hall, Missouri Theatre Center for the Arts, The Picturehouse, The Blue Note, The Globe, Rhynsburger Theater and the Forrest Theater in the Tiger Hotel. It offers one award each year, the True Vision Award. True/False Film Fest and Ragtag Cinema are programs of the 501(c)(3) not-for-profit organization, the Ragtag Film Society. Ragtag Film Society seeks to champion independent film and media art and to serve film communities both locally and globally. History True/False was started by Paul Sturtz and David Wilson (who also founded the Ragtag Cinema) in February 2004. In 2006, it won the ''Riverfront Times'' best film festival. In 2008, ...
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Dallas International Film Festival
The Dallas International Film Festival (DIFF), presented by Dallas Film, is an annual film festival that takes place in Dallas, Texas. About Dallas Film Dallas Film, established as Dallas Film Society, Inc., is a 501(c)(3) nonprofit organization founded in 2006 to celebrate films and their impact on society, to honor filmmakers and recognize their achievements and contribution in enhancing the creative community, to provide educational programs to develop better understanding of the role of film in today's world and to promote the City of Dallas and its commitment to the art of filmmaking. Since its inception, Dallas Film has contributed more than $1M in filmmaker awards, brought over 2,000 filmmakers to Dallas, and screened over 2,000 films from more than 50 countries. History 2007 The Dallas International Film Festival began in 2007 as the AFI Dallas International Film Festival. The festival was cofounded by advertising executive Liener Temerlin and Deep Ellum Film Festival ...
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International Documentary Film Festival Amsterdam
The International Documentary Film Festival Amsterdam (IDFA) is the world's largest documentary film festival held annually since 1988 in Amsterdam. Over a period of twelve days, it has screened more than 300 films and sold more than 250,000 tickets. Visitors to the festival have increased from 65,000 in 2000 to 285,000 in 2018. The festival is an independent, international meeting place for audiences and professionals to see a diverse (in form, content, and cultural background) program of high-quality documentaries. IDFA selects creative and accessible documentaries, which offer new insights into society. In its mission statement, IDFA says it ‘strives to screen films with urgent social themes that reflect the spirit of the time in which they are made’. The festival was initially held at the Leidseplein area in the center of Amsterdam. It has since spread to a number of other locations, including Tuschinski Cinema and EYE Filmmuseum. Apart from its international film progra ...
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Camden International Film Festival
The Camden International Film Festival, stylized as CIFF, is an annual documentary film festival based in Camden, Rockport, and Rockland, Maine, in the United States that takes place on the last weekend in September. Created in 2005 by Benjamin Fowlie, the festival highlights craft and innovation within nonfiction storytelling. In addition, CIFF hosts the annual Points North Documentary Forum, a two-day conference that provides documentary filmmakers with opportunities for professional development and creative inspiration. Past participants include representatives from HBO, A&E, the BBC, ''The New York Times'', ''Discovery'', ZDF-Arte, Kickstarter, Vimeo, the Tribeca Institute, the Sundance Institute, Harvard's Berkman Center and MIT's Open Doc Lab. The festival screens approximately 80 documentary features and shorts annually. Screenings are followed by Q&A sessions with directors and industry professionals. Festivities over the weekend also include a course through the Univer ...
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2010s Spanish-language Films
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit (measurement), unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest Positive number, positive integer. It is also sometimes considered the first of the sequence (mathematics), infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally ac ...
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2018 Documentary Films
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly ...
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2018 Films
2018 in film is an overview of events, including the highest-grossing films, award ceremonies, critics' lists of the best films of 2018, festivals, a list of films released and notable deaths. Evaluation of the year Richard Brody of ''The New Yorker'' said, "2018 has been a banner year for movies, but you'd never know it from a trip to a local multiplex—or from a glimpse at the Oscarizables. The gap between what's good and what's widely available in theatres—between the cinema of resistance and the cinema of consensus—is wider than ever." He also stated, "In some cases, streaming has filled the gap. Several of the year's best movies, such ''Shirkers'' and ''The Ballad of Buster Scruggs'', are being released by Netflix at the same time as (or just after) a limited theatrical run. Others, which barely qualified as having theatrical releases (one theatre for a week), are now available to stream online, on demand, and are more widely accessible to viewers (albeit at home) tha ...
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Remezcla
Remezcla is an American media company focusing on the Latin American cultural sphere. It serves the millennial market. History The brand was founded by Claire Frisbie, Andrew Herrera and Nuria Net in 2006, had no outside funding; it first received external funding in 2017, from the Hemisphere Media Group, which was used to "aggressively" expand its video content production. It is operated by members of its own demographic, young Latinos. Its Editor-in-chief is Andrea Gompf, who encountered the brand as a magazine when it emerged in 2008. In 2018, Gompf said that she "fell in love with its fresh voice and perspective" immediately, as it was the first publication she felt represented her as a U.S.-born Latina. She then emailed the company asking for a job when it was still a recommendations newsletter and culture blog. It launched a revamped website in 2014 and moved to a full time headquarters in Bushwick, Brooklyn with 35 employees in 2016. In 2019 it won the Best Social Video: ...
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IndieWire
IndieWire (sometimes stylized as indieWIRE or Indiewire) is a film industry and review website that was established in 1996. The site's focus was predominantly independent film, although its coverage has grown to "to include all aspects of Hollywood and the expanding universes of TV and streaming." IndieWire is part of Penske Media. History The original IndieWire newsletter launched on July 15, 1996, billing itself as "the daily news service for independent film." Following in the footsteps of various web- and AOL-based editorial ventures, IndieWire was launched as a free daily email publication in the summer of 1996 by New York- and Los Angeles-based filmmakers and writers Eugene Hernandez, Mark Rabinowitz, Cheri Barner, Roberto A. Quezada, and Mark L. Feinsod. Initially distributed to a few hundred subscribers, the readership grew rapidly, passing 6,000 in late 1997. In January 1997, IndieWire made its first appearance at the Sundance Film Festival to begin their coverage o ...
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Indiewire
IndieWire (sometimes stylized as indieWIRE or Indiewire) is a film industry and review website that was established in 1996. The site's focus was predominantly independent film, although its coverage has grown to "to include all aspects of Hollywood and the expanding universes of TV and streaming." IndieWire is part of Penske Media. History The original IndieWire newsletter launched on July 15, 1996, billing itself as "the daily news service for independent film." Following in the footsteps of various web- and AOL-based editorial ventures, IndieWire was launched as a free daily email publication in the summer of 1996 by New York- and Los Angeles-based filmmakers and writers Eugene Hernandez, Mark Rabinowitz, Cheri Barner, Roberto A. Quezada, and Mark L. Feinsod. Initially distributed to a few hundred subscribers, the readership grew rapidly, passing 6,000 in late 1997. In January 1997, IndieWire made its first appearance at the Sundance Film Festival to begin their coverage o ...
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