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C (album)
''C'' (stylized as ''「C」'') is the debut studio album by Japanese entertainer Miho Nakayama. Released through King Records on August 21, 1985, the album features Nakayama's debut single " C". The album peaked at No. 11 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 90,000 copies. Track listing Charts References External links * * * {{Authority control 1985 debut albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miho Nakayama
is a Japanese singer and actress. She is affiliated with Big Apple Co., Ltd. Nakayama is nicknamed , and sometimes uses the pseudonyms or when she writes the lyrics. Biography History Nakayama was born in Saku, Nagano, Japan. Following her mother's remarriage, her family moved to Koganei, Tokyo. There, Nakayama attended Koganei Municipal Junior High School. Idol career After being discovered by a talent scout while shopping in Harajuku, she made her debut on 21 June 1985 with her single " C", as well as a starring role in the film '' Be-Bop High School''. Throughout her career as a singer and actress, Nakayama recorded 22 studio albums and scored eight No. 1 singles on Oricon's charts; two of them selling over a million copies each. She also starred in a Famicom Disk System dating sim made by Nintendo titled ''Nakayama Miho no Tokimeki High School'', in which she played a high school student trying to mask her true identity. Acting career In 1995, director Shunji Iwai cast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kayōkyoku
is a Japanese pop music genre, which became a base of modern J-pop. ''The Japan Times'' described ''kayōkyoku'' as "standard Japanese pop" or " Shōwa-era pop". ''Kayōkyoku'' represents a blend of Western and Japanese musical scales. Music in this genre is extremely varied as a result. ''Kayōkyoku'' in the narrower and more practical sense, however, excludes J-pop and ''enka''. Unlike "J-pop" singers such as Southern All Stars' Keisuke Kuwata, the singers of the ''kayōkyoku'' genre do not use stylized pronunciations based on the English language, but prefer traditional Japanese. There are exceptions, such as in singer Momoe Yamaguchi's song "Rock 'n' Roll Widow". Unlike ''enka'', ''kayōkyoku'' is also not based on emotional displays of effort while singing. Famous ''kayōkyoku'' artists include Kyu Sakamoto, The Peanuts, The Tigers, Candies, Pink Lady, Seiko Matsuda, Junko Sakurada, The Checkers and Onyanko Club. Characteristics Kayokyoku music has simple melodies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teen Pop
Teen pop is a subgenre of pop music that is created, marketed and oriented towards preteens and teenagers.Lamb, Bill"Teen Pop" About.com. Retrieved January 28, 2007. Teen pop incorporates different subgenres of pop music, as well as elements of R&B, dance, electronic, hip hop and rock, while the music of girl groups, boy bands, and acts like Britney Spears, is sometimes referred to as pure pop. Typical characteristics of teen pop music include Auto-Tuned or pitch-corrected vocals, choreographed dances, emphasis on visual appeal (photogenic faces, unique body physiques, immaculate hair styles and fashion clothes), lyrics focused on love, relationships, dancing, partying, friendship, puppy love (also known as a "crush") and repeated chorus lines. Its lyrics also incorporate sexual innuendo. Teen pop singers often cultivate an image of a girl next door/boy next door. According to AllMusic, teen pop "is essentially dance-pop, pop, and urban ballads" that are marketed to teens, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Records (Japan)
, commonly known as King Records, is a Japanese record company founded in January 1931 as a division of the Japanese publisher Kodansha. It initially began operating as an independent entity in the 1950s. It later became part of the Otowa Group. Today, King Records is one of Japan's largest record companies which is not owned by a multinational entity. The label's headquarters are in Bunkyo, Tokyo. The label's name is actually based from the now-defunct ''Kingu'' magazine published by Kodansha from 1924 to 1957. Sub-labels Its Starchild label, was managed by animation producer Toshimichi Ōtsuki, specialised in anime music and film. King Records also distributes the Up-Front Works–owned and –operated labels Piccolo Town and Rice Music, and also released video games for the PC-88, Famicom, and MSX2 computers. On February 1, 2016, King Records restructured Starchild and renamed it King Amusement Creative. Paddle Wheel Records is a division of King Record Co. You! Be Cool i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After School (album)
is the second studio album by Japanese entertainer Miho Nakayama. Released through King Records on December 18, 1985, the album features the single " Namaiki". The album peaked at No. 13 on Oricon , established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in Nov ...'s albums chart and sold over 95,000 copies. Track listing Charts References External links * * * {{Authority control 1985 albums Miho Nakayama albums Japanese-language albums King Records (Japan) albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C (song)
"C" (stylized as "「C」") is the debut single by Japanese entertainer Miho Nakayama. Written by Takashi Matsumoto and Kyōhei Tsutsumi, the single was released on June 21, 1985, by King Records. Background and release Aside from being her debut single, "C" marked the beginning of her collaboration with songwriters Matsumoto and Tsutsumi, who went on to write songs on her first four albums. The song was used as the opening theme of the TBS drama series , which starred Nakayama. "C" peaked at No. 12 on Oricon's weekly singles chart and sold over 170,000 copies. The song earned Nakayama the Best New Artist award at the 27th Japan Record Awards and the Best Newcomer Award at the 23rd Golden Arrow Awards. Nakayama self-covered the song on her 2019 album ''Neuf Neuf is the 22nd studio album by Japanese entertainer Miho Nakayama. Released through King Records (Japan), King Records on December 4, 2019, it was Nakayama's first studio release in 20 years after her 1999 album ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takashi Matsumoto (lyricist)
is a Japanese lyricist and former musician. After several years playing the drums in the rock bands Apryl Fool and Happy End during the late 1960s and early 1970s, Matsumoto decided to focus on writing lyrics for others in 1974. As of 2015, he had written over 2,100 songs, 130 of which entered the top 10 on the Oricon chart. Total sales of the singles he has written exceed 49.8 million copies, making him the third best-selling lyricist in Japan. In 2017, he was awarded the Medal with Purple Ribbon from the Japanese government for his work in music. Life and career In elementary school, Matsumoto listened to Igor Stravinsky and read poetry by Jean Cocteau. However, he bought a drum kit and became obsessed with rock music because of the Beatles. Matsumoto is a Keio University graduate. Matsumoto's first band was , which covered songs like Them's " Gloria and Sam & Dave's "Hold On, I'm Comin'". In 1968 he joined the psychedelic rock band Apryl Fool, going by the alias Rei Matsumo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetsuji Hayashi
Tetsuji Hayashi (林哲司, ''Hayashi Tetsuji''; born on August 20, 1949) is a Japanese composer, singer-songwriter, and arranger. Hayashi got his start after he was influenced by American pop music when he was kid. He started to compose and arrange for artists like Yukie Nakama, Momoko Kikuchi, Kiyotaka Sugiyama, and others during his career. He is credited for bringing the golden age of 80's J-Pop. Biography Hayashi was born as the youngest of five siblings, growing up listening to American pop music from an early age under the influence of his brother. By the time he was 20, he entered the Yamaha Music School, which was sponsored by the Yamaha music magazine ''Light Music'', which he would then go on to edit. After that, he began his activities as a composer and arranger, becoming his main activity in the 1980s. He composed song such as Anri's "Kanashimi ga Tomaranai," Akina Nakamori's "Kita Uingu," and Tomoyo Harada "Aijō Monogatari." He wrote songs such as Momoko Kikuchi's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirō Sagisu
is a Japanese composer, arranger and music producer. With a career spanning over 40 years (beginning in the late 1970s), he is best known for his works as a record producer for acts including various choir members Mike Wyzgowski, Misia, Satoshi Tomiie, and Ken Hirai. Sagisu has also worked as a film composer for several anime and films and is well known for his collaborations with Gainax, especially the soundtrack to Hideaki Anno's series ''Neon Genesis Evangelion''. Sagisu's career in music started in 1977, when he became one of the members of jazz fusion band T-Square. He made three albums with the group before becoming a full-time composer and writer in 1979. By 1997, he had composed over 2,000 songs, advertising jingles and TV and movie pieces. Sagisu won the Tokyo Anime Award for "Best Music" in 2010 for '' Evangelion: 2.0 You Can (Not) Advance''. Sagisu arranged a rendition of the Japanese national anthem, "Kimigayo", performed at the 2020 Summer Olympics opening ceremony b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
