1550 In Art
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1550 In Art
Events from the year 1550 in art. Events * Antonis Mor is commissioned by Mary of Hungary to travel around Portugal and paint portraits of the Portuguese branch of her family. * Giorgio Vasari publishes ''Le Vite de' più eccellenti pittori, scultori, ed architettori'' (''The Lives of the Most Eminent Painters, Sculptors, and Architects'') in Florence. Paintings * Sofonisba Anguissola – ''Bernardino Campi Painting Sofonisba Anguissola'' * Bronzino - '' PortraIt of a Young Man (possibly Pierino da Vinci)'' * Lucas Cranach the Elder – ''Self-portrait at 77'' * Frans Floris – ''Banquet of the Gods'' * Maarten van Heemskerck – ''Adam and Eve/Gideon and the Fleece'' * Dirck Jacobsz. – '' Jacob Cornelisz. van Oostsanen Painting a Portrait of His Wife'' * Jan Mandijn – ''The Temptation of St. Anthony'' * Francesco de' Rossi – ''Portrait of a Young Man'' * Titian – '' Venus and Musician'' (''Venus with an Organist and a Dog'', Museo del Prado) Births *April 18 - A ...
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Antonis Mor
Anthonis Mor, also known as Anthonis Mor van Dashorst and Antonio Moro (c. 1517 – 1577), was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis or Mor van Dashorst, and as Antonio Moro, António Mouro, Anthony More, etc., but signed most of his portraits as Anthonis Mor. Mor developed a formal style for court portraits, largely based on Titian, that was extremely influential on court painters across Europe, especially in the Iberian Peninsula, where it created a tradition that led to Diego Velázquez. It can include considerable psychological penetration, especially in portraits of men, but always gives the subject a grand and self-possessed air. Early life and education Mor was born in Utrecht, Netherlands, by some estimation between 1516 and 1520. Little is known about his early life, except that his artistic education commenced under Jan van Scorel. His earliest known work is a portrait which ...
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Jan Mandijn
Jan Mandijn or Jan Mandyn (c. 1500, Haarlem – c. 1560, Antwerp) was a Dutch Renaissance painter, who worked in Antwerp after 1530. Biography Mandijn trained in Haarlem. He moved to Antwerp in 1530.Els Vermandere. "Mandijn, Jan."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May. 2014
He was the teacher of , and .
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ...
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Matthijs Bril
Matthijs Bril or Matthijs Bril the Younger (1550 – 8 June 1583) was a Flemish painter and draughtsman of landscapes A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the p .... He spent most of his active career in Rome where his drawings of ancient Roman sites played an important role in the development of topographical landscape art.Nicola Courtright. "Matthijs Bril." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 16 September 2016 He was also a painter of Capriccio (art), capricci (architectural fantasies), with typical rustic hills with a few ruins.Matthijs Bril
on Hadrianus
He died young and his younger brother Paul Bril, ...
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1600 In Art
Events from the year 1600 in art. Events *Approximate start date of the Baroque art period. Works Image:El Greco View of Toledo.jpg, El Greco, ''View of Toledo'' Image:Michelangelo Caravaggio 040.jpg, Caravaggio, ''The Calling of St Matthew'' Image:Michelangelo Caravaggio 047.jpg, Caravaggio, '' The Martyrdom of St Matthew'' * Federico Barocci - Quintilia Fischieri' (approximate date) * Caravaggio **''The Calling of St Matthew'' (1599-1600) **'' The Martyrdom of Saint Matthew'' (1599-1600) * El Greco **'' Christ Driving the Money Changers from the Temple'' **''View of Toledo'' (1599-1600) * Karel van Mander - ''The Continence of Scipio'' * Domenico Passignano - '' Bathers at San Niccolò'' Births *May - Andrea Vaccaro, Italian Caravaggisti painter in a tenebrist style (died 1670) *''date unknown'' ** Guido Ubaldo Abbatini, Italian painter (died 1656) **Willem Outgertsz Akersloot, Dutch Golden Age engraver (died 1661) ** Filippo d'Angeli, Italian painter of battle scenes with ...
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Giovanni Battista Trotti
Giovanni Battista Trotti (1555 – 11 June 1612) was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona. In Cremona, he was initially a pupil of Bernardino Campi, whose niece he married. He painted in the ''Palazzo dei Giardino'' in Parma. He painted a ''Crucifixion'' in the Cremona Cathedral; while in San Pietro, he painted a ''Santa Maria Egiziaca'' ( St. Mary of Egypt). He painted the ''Beheading of John the Baptist'' for San Domenico at Cremona, and in San Francesco and Sant'Agostino at Piacenza. He was employed by the court of Parma, along with Agostino Carracci; and Agostino found Trotti disagreeable on which account he acquired the name of ''II Malosso'' (bad bone). Other pictures by him are: a ''Immaculate Conception'' for San Francesco Grande, in Piacenza, and a ''Descent from the Cross'', now found in the Brera Academy. He painted frescoes in the cupola of Sant'Abbondi, after designs by Campi, and in ...
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Cristoforo Augusta
Cristoforo Agosta or Agosti or Augusta (16-17th century) was an Italian painter of the Mannerist style. Biography Agosta was born in Casalmaggiore. He was a pupil of Giovanni Battista Trotti and active in Cremona. The 18th-century art historian Giovanni Battista Zaist Giovanni Battista Zaist (Cremona, June 14, 1700 – September 29, 1757) was an Italian painter and art historian. Biography He was a pupil of Giuseppe Natali Giuseppe Natali (1652–1722) was an Italian painter of the Baroque period, active m ... assigned to him the ''Marriage of Santa Caterina'', once in the church of San Domenico in Cremona (now in the Pinacoteca of Cremona). References Year of birth missing Year of death missing 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Cremona Italian Mannerist painters {{Italy-painter-16thC-stub ...
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1607 In Art
{{Year nav topic5, 1607, art Events from the year 1607 in art. Events *Work by the German painter Peter Reimers first appears in Kinsarvik, effectively beginning the Stavanger renaissance. Paintings Image:Saint Jerome Writing-Caravaggio (c. 1607).jpg, Caravaggio, ''Saint Jerome Writing'' Image:CaravaggioFlagellation.jpg, Caravaggio, ''Flagellation of Christ'' Image:Michelangelo Merisi da Caravaggio - The Seven Acts of Mercy - WGA04173.jpg, Caravaggio, ''The Seven Works of Mercy'' Image:Michelangelo Caravaggio 071.jpg, Caravaggio, '' David with the Head of Goliath'' Image:Michelangelo Caravaggio 066.jpg, Caravaggio, ''Madonna of the Rosary'' File:Michelangelo Merisi, called Caravaggio - The Crowning with Thorns - Google Art Project.jpg, Caravaggio, '' The Crowning with Thorns'' Image:Caravaggio flagellation.jpg, Caravaggio, '' Christ at the Column'' File:Salome with the Head of John the Baptist-Caravaggio (1610).jpg, Caravaggio, '' Salome with the Head of John the Baptist'' * ...
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Alessandro Pieroni
Alessandro Pieroni (18 April 1550 in Impruneta – 24 July 1607 in Livorno) was an Italian architect and painter. He was active mainly in a Mannerist style, working for the courts of Grandukes Francesco I and Ferdinando I de' Medici, Grand Duke of Tuscany. Biography Pieroni was also known as the ''Sandrino dall' Impruneta''. He was born in Florence in 1550 where he graduated from the Accademia del Disegno in 1570. He began his career as an assistant to Alessandro Allori. Allori led the team between 1587 and 1591, including Pieroni, Giovanni Bizelli, Giovanni Maria Butteri, and a young Cigoli in decorating the ceilings of the corridors of the Uffizi in Florence. For the chapel of San Giovan Gualberto in the Abbey of San Michele in Passignano, Pieroni painted an altarpiece of ''San Giovan Gualberto pardons the murderers of his brother before the crucifix of San Miniato''. For the visit of Grand-Duke Ferdinand to Pisa in 1588, Pieroni completed, along with the painter Filippo ...
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April 18
Events Pre-1600 * 796 – King Æthelred I of Northumbria is murdered in Corbridge by a group led by his ealdormen, Ealdred and Wada. The ''patrician'' Osbald is crowned, but abdicates within 27 days. * 1428 – Peace of Ferrara between Republic of Venice, Duchy of Milan, Republic of Florence and House of Gonzaga: ending of the second campaign of the Wars in Lombardy fought until the Treaty of Lodi in 1454, which will then guarantee the conditions for the development of the Italian Renaissance. *1506 – The cornerstone of the current St. Peter's Basilica is laid. * 1518 – Bona Sforza is crowned as queen consort of Poland. * 1521 – Trial of Martin Luther begins its second day during the assembly of the Diet of Worms. He refuses to recant his teachings despite the risk of excommunication. 1601–1900 * 1689 – Bostonians rise up in rebellion against Sir Edmund Andros. * 1738 – '' Real Academia de la Historia'' ("Royal Academy of History" ...
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Museo Del Prado
The Prado Museum ( ; ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to house one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The Prado Museum is one of the most visited sites in the world, and is considered one of the greatest art museums in the world. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, ...
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