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Jan Mandijn or Jan Mandyn (c. 1500,
Haarlem Haarlem (; predecessor of ''Harlem'' in English) is a city and municipality in the Netherlands. It is the capital of the province of North Holland. Haarlem is situated at the northern edge of the Randstad, one of the most populated metropoli ...
– c. 1560,
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
) was a
Dutch Renaissance The Renaissance in the Low Countries was a cultural period in the Northern Renaissance that took place in around the 16th century in the Low Countries (corresponding to modern-day Belgium, the Netherlands and French Flanders). Culture in the Low C ...
painter, who worked in Antwerp after 1530.


Biography

Mandijn trained in Haarlem. He moved to Antwerp in 1530.Els Vermandere. "Mandijn, Jan."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May. 2014
He was the teacher of
Jan van der Elburcht Jan van der Elburcht (1500–1571) was an early Dutch painter. His name is derived from Elburg, his town of birth. Biography According to Karel van Mander he was called ''cleen Hansken'' (little Hans), and was known for landscapes.
,
Gillis Mostaert Gillis Mostaert the Elder (27 or 28 November 1528 – 28 December 1598) was a Flemish Renaissance painter and draughtsman active in Antwerp in the second half of the 16th century.
and
Bartholomeus Spranger Bartholomeus Spranger or Bartholomaeus SprangerBartholomeus Spranger
at the
.Frans en Gillis Mostart
in Karel van Mander's '' Schilder-boeck'', 1604
He died in
Antwerp Antwerp (; nl, Antwerpen ; french: Anvers ; es, Amberes) is the largest city in Belgium by area at and the capital of Antwerp Province in the Flemish Region. With a population of 520,504,
.


Work

Only one signed work of Mandijn survives, the ''Temptation of Saint Anthony'' ( Frans Hals Museum in Haarlem). It is similar in style to Hieronymus Bosch and that is why he is called a follower of Bosch. This is confirmed by the early biographer Karel van Mander who wrote that Mandijn was good at painting spooky and funny scenes like Hieronymus Bosch. The 'Temptation' is inspired by Bosch's work, but Mandijn's style was freer and looser and the colours and fantastic creatures are less harmonious. As a result, the whole is less powerful than Bosch. Mandijn's paintings incorporate the elements typical of Bosch such as hybrid demons composed of various parts of insects, amphibians, reptiles and birds. The stylistic features of Mandijn's style have been identified in a series of Antwerp 'devil pictures' that have been attributed to him, such as the ''Temptation of Saint Christopher'' ( Alte Pinakothek in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by popu ...
). A recent study showed that Mandijn was also proficient in the "antique" manner. In 1552, for instance, the painter and his workshop completed a monumental altarpiece in a classicizing style for the Church of Saint Eustace in Zichem. The triptych with scenes from the life of Saint Eustace is still preserved in the afore-mentioned church.Van Heesch (2018): pp. 109–122


References


External links

{{DEFAULTSORT:Mandijn, Jan 1500 births 1560 deaths Dutch Renaissance painters Artists from Haarlem