Bécs (album)
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Bécs (album)
''Bécs'' is the sixth studio album by Austrian electronic music producer and guitarist Fennesz, released 28 April 2014 by Mego Records. The album has been described as a conceptual and sonic successor to Fennesz's well-received 2001 album '' Endless Summer'' and is his first solo release since 2008's ''Black Sea''. Background ''Bécs'' is described as a departure from the drone music influences of ''Black Sea,'' instead featuring contemporary pop music structures. ''Pitchfork'' noted the album's "twinkly and bright" melodies, with the album's use of distortion "(walking) a tightrope between oceanic envelopment and repellant destruction." The track "Paroles" is notable for a stripped-down sound that does not feature as many audio effects as most of Fennesz's work. Reception ''Bécs'' was well-received by critics upon release; it currently holds a score of 86 from Metacritic, indicating "universal acclaim." London-based music magazine ''Uncut'' praised the album, calling it ...
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Fennesz
Christian Fennesz (born 25 December 1962) is an Austrian producer and guitarist active in electronic music since the 1990s, often credited simply by his last name. His work utilizes guitar and laptop computers to blend melody with treated samples and glitch production. He lives and works in Vienna, and currently records on the UK label Touch. Fennesz first received widespread recognition for his 2001 album '' Endless Summer'', released on the Austrian label Mego. He has collaborated with a number of artists, including Ryuichi Sakamoto, Jim O'Rourke, Ulver, David Sylvian, and King Midas Sound. Biography Fennesz was born and raised in Austria and studied music formally in art school. He started playing guitar around the age of 8 or 9. He initially performed as a member of the Austrian experimental rock band Maische before signing to electronic music label Mego as a solo artist. The influence of techno led him to begin composing with a laptop. In 1995 he released his first EP ' ...
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Pitchfork (website)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously review ...
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Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ...
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PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports, theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular reviews, features, and columns. In the fall of 2005, monthly readership exceeded one million. From 2006 onward, ''PopMatters'' produced several syndicated newspaper columns for McClatchy-Tribune News Service. By 2009 there were four different pop culture related col ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ...
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Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. The magazine has an average of 361,200 monthly readers and their website, exclaim.ca, has an average of 675,000 unique visitors a month. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. James Keast ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Metacritic
Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). Metacritic was created by Jason Dietz, Marc Doyle, and Julie Doyle Roberts in 1999. The site provides an excerpt from each review and hyperlinks to its source. A color of green, yellow or red summarizes the critics' recommendations. It is regarded as the foremost online review aggregation site for the video game industry. Metacritic's scoring converts each review into a percentage, either mathematically from the mark given, or what the site decides subjectively from a qualitative review. Before being averaged, the scores are weighted according to a critic's popularity, stature, and volume of reviews. The website won two Webby Awards for excellence as an aggregation website. Criticism of the site has focused on the assessment system, the ass ...
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AnyDecentMusic?
AnyDecentMusic? is a website that collates album reviews from magazines, websites, and newspapers. Primarily focused on popular music – covering rock, pop, electronic, dance, folk, country, roots, hip-hop, R&B, and rap – albums are adjudged by aggregating a consensus from several sources; reviews are sourced from more than 50 websites, magazines and newspapers. These publications are largely based in the US and UK, but some are also from Canada, Ireland and Australia. History AnyDecentMusic? was set up in 2008 by Ally Palmer and Terry Watson, the directors of PalmerWatson, a newspaper and magazine design consultancy. On creating the site: "Newspapers are our business (and we're passionate about them). Our other passion is music, and we've combined the two things." Site organization The site's creators, Palmer and Watson, say: " nyDecentMusic?surveys reviews of recent album releases in newspapers and websites and provides a constantly updated chart of critical reaction." ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that started in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: origins and UK scene The original wide-spread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinct from other em ...
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