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Bulan Loi Luean
"Bulan Loi Luean" ( th, บุหลันลอยเลื่อน, ) or "Bulan Luean Loi Fa" (, ; ) is a composition of Thai classical music traditionally credited to King Rama II. According to the traditional story, the King had a dream in which he saw the moon floating toward him and then heard beautiful music. Upon waking up, he played the music he heard in the dream and had court musicians arrange and remember the piece. The music has since been used in the classical play (lakhon nai) of '' Inao''. In 1871, King Chulalongkorn (Rama V) had a Western arrangement of the song adopted as the royal anthem, and it became known as "Sansoen Phra Barami". The composition was used as the royal anthem until 1888, when the current royal anthem (also known as "Sansoen Phra Barami"; the new anthem was distinguished as "Sansoen Phra Barami (Farang)" as opposed to "Sansoen Phra Barami (Thai)" for the previous one) was adopted. King Vajiravudh (Rama VI) later had another arrangement, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saw Sam Sai
The ''saw sam sai'' ( th, ซอสามสาย, , , also spelled ''saw samsai'', and occasionally called simply ''sam sai''; literally 'three-stringed fiddle') is a traditional bowed string instrument of Thailand. It is in the ''saw'' family of Thai fiddles, which also includes the ''saw u'' and ''saw duang'', but unlike the other two, has three strings, with a bow that is separate from the instrument. The ''saw sam sai'' is made up of three parts: the neck, the bout and the bow. It has a three-lobed coconut bowl for a body, and a hardwood or ivory neck that has been cleaned and polished with wood varnish. The coconut bowl is covered on one end with animal skin, and it has three silk strings. Its bow is constructed of horsetail and hardwood. Other elements include the pegs, nut, bridge, gem, lasso, and strings. Typically, the player glues a jewel onto the skin before playing, to reduce the skin's resonance. The instrument is regarded as one of high stature and is often ornatel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hem Vejakorn
Hem Vejakorn ( th, เหม เวชกร; ; January 17, 1904, Phra Nakhon, Bangkok – April 16, 1969, Thon Buri, Bangkok) was a Thai artist and writer. He is best known for his illustrations for the covers of 10-satang pulp novels, which have in turn influenced subsequent generations of Thai artists and illustrators, and also his ghost stories. It is estimated that he produced more than 50,000 pieces of art, including pen and pencil drawings, watercolors, posters and oil paintings. He portrayed rural life, Thai history and figures from Thai classical literature. His works have been reproduced on Thai postage stamps and featured in art galleries. Early life Hem was born in Bangkok. He lived with a stepfamily of half-sisters and half-brothers. At age 11, he took up residence with his uncle, MR Daeng Dinakara, an architect in charge of supervising the Italian artists and architects employed in the building of Ananta Samakhom Throne Hall. Hem was then acquainted with artist Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rattanakosin Kingdom (1782–1932)
The Rattanakosin Kingdom ( th, อาณาจักรรัตนโกสินทร์, , , abbreviated as , ) or Kingdom of Siam were names used to reference the fourth and current Thai people, Thai kingdom in the History of Thailand, history of Thailand (then known as Siam). It was founded in 1782 with the History of Bangkok#Rattanakosin, establishment of Rattanakosin (Bangkok), which replaced the city of Thonburi Kingdom, Thonburi as the capital of Siam. This article covers the period until the Siamese revolution of 1932. The maximum zone of influence of Rattanakosin included the vassal states of Post-Angkor period, Cambodia, History of Laos#Siam and Suzerainty (1779–1893), Laos, Shan States, and the northern History of Malaysia#Siamese expansion into Malaya, Malay states. The kingdom was founded by Rama I of the Chakri Dynasty. The first half of this period was characterized by the consolidation of the kingdom's power and was punctuated by periodic conflicts with Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chom Rat Chong Charoen
Chom Rat Chong Charoen ( th, จอมราชจงเจริญ, lit: Long live the great king) was the royal and national anthem of Rattanakosin Kingdom. History In 1855, there were two captains, Thomas George Knox and Captain Impey. They both arrived in Rattanakosin and both brought the song "God Save the King", which is a song in honour of Queen Victoria of the United Kingdom to Siam. New lyrics were written in English in honour of the King Rama V, which has shown significant evidence ithe Siam Recorder Later, Phraya Sisunthonwohan changed the lyrics in Siam dialect to the poetics of the poem, Quite by naming the new song "Chom Rat Chong Charoen". Relinquishment When King Rama V visited British Singapore in 1871, 'God Save the King' was played and it was realised that the song is both the national anthem of Britain and Siam. After he returned back to Siam, he invited to discuss about changing the royal and national anthem. Khru Mi Khaek decided to bring "Bulan Loi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sansoen Phra Barami
"Sansoen Phra Barami" ( th, สรรเสริญพระบารมี, ; ) is the current royal anthem of Thailand. It was a de facto national anthem of Siam before 1932. History The first song to be used as royal anthem and de facto national anthem of Siam/Thailand appeared in the reign of King Mongkut of Rattanakosin Kingdom. In 1851, two former British military officers named Captain Impey and Lieutenant Thomas George Knox served with the Siamese Army. They trained the troops of King Mongkut and the Second King Pinklao with British military tradition. So, they adopted the anthem "God Save the King" as honor music for the king of Siam. Phraya Srisunthonwohan (Noi Āchāryānkura) wrote Thai lyrics for this anthem later and named it as " Chom Rat Chong Charoen", which means "long live the great king". In 1871, King Chulalongkorn visited Singapore and Batavia (now Jakarta) in the Dutch East Indies; it appeared that Siam used the same anthem with Great Britain, who r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama II
Phra Phutthaloetla Naphalai ( th, พระพุทธเลิศหล้านภาลัย, 24 February 1767 – 21 July 1824), personal name Chim ( th, ฉิม), also styled as Rama II, was the second monarch of Siam under the Chakri dynasty, ruling from 1809 to 1824. In 1809, Itsarasunthon succeeded his father Rama I, the founder of Chakri dynasty, as Loetlanaphalai the King of Siam. His reign was largely peaceful, devoid of major conflicts. His reign was known as the "Golden Age of Rattanakosin Literature" as Loetlanaphalai was patron to a number of poets in his court and the King himself was a renowned poet and artist. The most notable poet in his employ was the illustrious Sunthorn Phu, the author of ''Phra Aphai Mani''. Early life Chim was born in 1767 during the Ayutthaya Kingdom in Amphawa District, Samut Songkram. Chim was a son of Luang Yokkrabat of Ratchaburi and Nak of Samut Sakorn, as his father and mother was then known. They would later become King Rama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thai Classical Music
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the ''klong thap'' and ''khim'' (Persian origin), the ''jakhe'' (Indian origin), the ''klong jin'' (Chinese origin), and the '' klong kaek'' (Indonesian origin). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Traditional and folk music Classical music Thai classical music is syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Rama II
Phra Phutthaloetla Naphalai ( th, พระพุทธเลิศหล้านภาลัย, 24 February 1767 – 21 July 1824), personal name Chim ( th, ฉิม), also styled as Rama II, was the second monarch of Siam under the Chakri dynasty, ruling from 1809 to 1824. In 1809, Itsarasunthon succeeded his father Rama I, the founder of Chakri dynasty, as Loetlanaphalai the King of Siam. His reign was largely peaceful, devoid of major conflicts. His reign was known as the "Golden Age of Rattanakosin Literature" as Loetlanaphalai was patron to a number of poets in his court and the King himself was a renowned poet and artist. The most notable poet in his employ was the illustrious Sunthorn Phu, the author of ''Phra Aphai Mani''. Early life Chim was born in 1767 during the Ayutthaya Kingdom in Amphawa District, Samut Songkram. Chim was a son of Luang Yokkrabat of Ratchaburi and Nak of Samut Sakorn, as his father and mother was then known. They would later become King Ram ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakhon Nai
Lakhon nai ( th, ละครใน, ) is a Thai performing art originating in the royal court of Thailand (formerly Siam). It features slow choreography accompanied by a piphat ensemble. The repertoire of lakhon nai consists of only four epics; the Ramakian, Unarut (Aniruddha Aniruddha ( sa, अनिरुद्ध ') is a character in Hindu mythology, the son of Pradyumna and Rukmavati, and the grandson of Krishna and Rukmini. He is said to have been very much like his grandfather, to the extent that he is con ...), Inao ( Panji), and Dalang (a greater version of Inao). A variation of this genre with male performers is called ''lakhon nai phu chai'' ( th, ละครในผู้ชาย; ). Etymology ''Lakhon nai'' is believed to be a contraction of ''lakhon nang nai'' (ละครนางใน), or 'theatre of the women of the palace'. It was also known as ''lakhon khang nai'' (ละครข้างใน, literally, 'theatre of the inner court') and ''lakho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inao (epic)
The Panji tales (formerly spelled Pandji) are a cycle of Javanese stories, centred around the legendary prince of the same name from East Java, Indonesia. Along with the Ramayana and Mahabharata, the tales are the basis of various poems and a genre of wayang (shadow puppetry) known in East Java as ''wayang gedhog'' (the meaning here is unclear, as "gedhog" means "a thumping sound"). Panji tales have been the inspiration of Indonesian traditional dances, most notably the topeng (mask) dances of Cirebon and Malang, as well as gambuh dance-drama in Bali. Especially in the environs of Kediri, the suggested homeland of the tales of Panji, local stories grew and were connected with the obscure legendary figure of Totok Kerot. Panji tales have spread from East Java (Indonesia) to be a fertile source for literature and drama throughout Indochina Peninsula (a region that includes modern-day Thailand, Cambodia, Laos, Myanmar, South Vietnam) and Malay World as well. Origin In these roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chulalongkorn
Chulalongkorn ( th, จุฬาลงกรณ์, 20 September 1853 – 23 October 1910) was the fifth monarch of Siam under the House of Chakri, titled Rama V. He was known to the Siamese of his time as ''Phra Phuttha Chao Luang'' (พระพุทธเจ้าหลวง, the Royal Buddha). Chulalongkorn's reign was characterised by the modernisation of Siam, governmental and social reforms, and territorial concessions to the British and French. As Siam was surrounded by European colonies, Chulalongkorn, through his policies and acts, ensured the independence of Siam. All his reforms were dedicated to ensuring Siam's independence given the increasing encroachment of Western powers, so that Chulalongkorn earned the epithet ''Phra Piya Maharat'' (พระปิยมหาราช, the Great Beloved King). Early life King Chulalongkorn was born on 20 September 1853 to King Mongkut and Queen Debsirindra and given the name Chulalongkorn. In 1861, he was designated ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farang
Farang ( fa, فرنگ) is a Persian (and Southeast Asian) word that originally referred to the Franks (the major Germanic tribe) and later came to refer to White Europeans in general. The word "Farang" is a cognate and originates from Old French: "". During the crusades, Frankish control was extended further in the Middle East. Unlike previous Franks, these Franks were almost all Christian as opposed to older Franks who were mixed groups of different religions. Over time, the word began to be used more generically. In 12th century, the term Frank became associated with all of Western Europeans (including the French, Italians, and the Flemish) in the Muslim world. The term ''Frangistan'' ( fa, فرنگستان) was used by Thai and Muslims and was also used frequently by Persians. Muslim traders referred to all European traders as Farang and it entered much of the languages of South Asia and Southeast Asia as a term. Name The word ''farang'' is from Persian word ''faran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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