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Buddhist Temples In South Korea
Buddhist temples are an important part of the Korean landscape. This article gives a brief overview of Korean Buddhism, then describes some of the more important temples in Korea. Most Korean temples have names ending in ''-sa'' (사, 寺), which means "temple" in Sino-Korean. Many temples, like Sudeoksa, offer visitors a Temple Stay program. Background A distinctive form of Buddhism evolved in Korea. This was facilitated by the geographical location and cultural conditions. Buddhism first arrived in Korea in 372 in Goguryeo. In 374 the influential Han Chinese monk Ado arrived in the kingdom and inspired King Sosurim of Goguryeo the following year. The first two temples Seongmunsa and Ilbullansa were built in 375 on the order of the king. Buddhism soon became the national religion of Goguryeo. With the advent of Taoism in 624 the rulers began to suppress Buddhism and its importance quickly declined. The Baekje Kingdom, on the other hand, flourished under the influence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Buddhism
Korean Buddhism is distinguished from other forms of Buddhism by its attempt to resolve what its early practitioners saw as inconsistencies within the Mahayana Buddhist traditions that they received from foreign countries. To address this, they developed a new holistic approach to Buddhism that became a distinct form, an approach characteristic of virtually all major Korean thinkers. The resulting variation is called '' Tongbulgyo'' ("interpenetrated Buddhism"), a form that sought to harmonize previously arising disputes among scholars (a principle called ''hwajaeng'' 和諍). Centuries after Buddhism originated in India, the Mahayana tradition arrived in China through the Silk Road in the 1st century CE via Tibet; it then entered the Korean peninsula in the 3rd century during the Three Kingdoms Period, from where it was transmitted to Japan. In Korea, it was adopted as the state religion of 3 constituent polities of the Three Kingdoms Period, first by the Goguryeo (also kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iljumun
Iljumun is the first gate at the entrance to many Korean Buddhist temples. Called the "One-Pillar Gate", because when viewed from the side the gate appears to be supported by a single pillar. Description The Iljumun is one of the three major types of gates constructed on the path that leads to the temple and often illustrates the formality of Buddhist architecture. The other two are the Cheonwangmun (Gate of Guardians) and the Haetalmun (Gate of Deliverance). The construction of Iljumun is said to have originated from the tradition of placing four gates at the four cardinal points around the stupas of Sanchi in India since the 1st century BC. The Iljumun symbolizes the one true path of enlightenment which supports the world. Physically, the gate serves to demarcate the temple from the outside. It is the boundary between the Buddhist temple and a human's worldly life. The gate symbolizes purification and one must leave all of their worldly desires before entering the temple. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busan
Busan (), officially known as is South Korea's most populous city after Seoul, with a population of over 3.4 million inhabitants. Formerly romanized as Pusan, it is the economic, cultural and educational center of southeastern South Korea, with its port being Korea's busiest and the sixth-busiest in the world. The surrounding "Southeastern Maritime Industrial Region" (including Ulsan, South Gyeongsang, Daegu, and some of North Gyeongsang and South Jeolla) is South Korea's largest industrial area. The large volumes of port traffic and urban population in excess of 1 million make Busan a Large-Port metropolis using the Southampton System of Port-City classification . Busan is divided into 15 major administrative districts and a single county, together housing a population of approximately 3.6 million. The full metropolitan area, the Southeastern Maritime Industrial Region, has a population of approximately 8 million. The most densely built-up areas of the city are situated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beomeosa
Beomeosa (Temple of the Nirvana Fish) is a head temple of the Jogye Order of Korean Buddhism in Cheongnyong-dong, Geumjeong-gu, Busan, South Korea. Built on the slopes of Geumjeongsan, it is one of the country's best known urban temples. Origin of name The mountain where Beomeosa is found is said to have huge rock at the summit where there is a golden well which never, ever dries up. The water of this well is believed to have very special magical properties as one day a golden fish came from heaven and has lived there ever since. Beom(범;梵) = Nirvāṇa - eo(어;魚) = fish - sa(사;寺) = temple. Thus the name of the temple came to be ＂Heavenly Fish.＂ It is also claimed that the fish came from Nirvana, the Buddhist state of non-suffering. Therefore, the temple also became known as ＂The temple where fish from Nirvana Play.＂ On December 26, 2011, the Los Angeles Times printed a story of the fighting monks at this temple. South Korean Buddhist monk Ando demonstrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sansin
''Sanshin'' or ''Sansin'' () are local mountain-spirits in Korean Shamanism and folk-beliefs. In South Korea, most Buddhist temples and major Shamanic-shrines, and some traditionalist villages have a dedicated shrine called a ''sanshin-gak'' () or an altar called a ''sanshin-dan'' dedicated to the local ''sanshin''. This nature-deity is typically represented in the enshrined icons (paintings and/or statues) as an elder male (in rare cases, mature female) figure in royal-Confucian clothing, always accompanied by at least one tiger and a Korean Red Pine tree. There are many other symbols being held by the Sanshin, offered to him by servants or in the backgrounds of the more elaborate paintings, derived from Oriental Daoism, Buddhism, Neo-Confucianism, shamanic-folklore and Korean 'spiritual-ethnic nationalism' -- making these multi-religious icons unique in the entire world. The ''Sanshin'' faith is interpreted in the folk scene as a belief devoted to the mountain gods. The mou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Shamanism
Korean shamanism or Mu-ism is a religion from Korea. In the Korean language, alternative terms for the tradition are ''musok'' () and ''mugyo'' (무교, 巫敎). Scholars of religion have classified it as a folk religion. There is no central authority in control of the religion and much diversity exists among practitioners. The ''musok'' tradition is polytheistic, promoting belief in a range of deities. Both these deities and ancestral spirits are deemed capable of interacting with living humans and causing them problems. Central to the religion are ritual specialists, the majority of them female, called ''mudang'' (Hangul:무당, Hanja: 巫堂) or ''mu'' (무, 巫); in English they have sometimes been called "shamans," although the validity of this is contested. The ''mudang'' assist paying clients in determining the cause of misfortune using divination. ''Mudang'' also perform longer rituals called ''kut'', in which the gods and ancestral spirits are given offerings of food a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arhat
In Buddhism, an ''arhat'' (Sanskrit: अर्हत्) or ''arahant'' (Pali: अरहन्त्, 𑀅𑀭𑀳𑀦𑁆𑀢𑁆) is one who has gained insight into the true nature of existence and has achieved ''Nirvana'' and liberated from the endless cycle of rebirth. Mahayana Buddhist traditions have used the term for people far advanced along the path of Enlightenment, but who may not have reached full Buddhahood. The understanding of the concept has changed over the centuries, and varies between different schools of Buddhism and different regions. A range of views on the attainment of arhats existed in the early Buddhist schools. The Sarvāstivāda, Kāśyapīya, Mahāsāṃghika, Ekavyāvahārika, Lokottaravāda, Bahuśrutīya, Prajñaptivāda, and Caitika schools all regarded arhats as imperfect in their attainments compared to buddhas.Sree Padma. Barber, Anthony W. ''Buddhism in the Krishna River Valley of Andhra''. 2008. p. 44Warder, A.K. ''Indian Buddhism'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naraka (Buddhism)
Naraka ( sa, नरक; pi, 𑀦𑀺𑀭𑀬 Niraya) is a term in Buddhist cosmology usually referred to in English as "hell" (or "hell realm") or "purgatory". The Narakas of Buddhism are closely related to ''Diyu'', the hell in Chinese mythology. A Naraka differs from the hell of Christianity in two respects: firstly, beings are not sent to Naraka as the result of a divine judgment or punishment; and secondly, the length of a being's stay in a Naraka is not eternal, though it is usually incomprehensibly long, from hundreds of millions to sextillions (1021) of years. A being is born into a Naraka as a direct result of its accumulated actions (karma) and resides there for a finite period of time until that karma has achieved its full result. After its karma is used up, it will be reborn in one of the higher worlds as the result of karma that had not yet ripened. In the Devaduta Sutta, the 130th discourse of Majjhima Nikaya, the Buddha teaches about hell in vivid detail. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bodhisattva
In Buddhism, a bodhisattva ( ; sa, 𑀩𑁄𑀥𑀺𑀲𑀢𑁆𑀢𑁆𑀯 (Brahmī), translit=bodhisattva, label=Sanskrit) or bodhisatva is a person who is on the path towards bodhi ('awakening') or Buddhahood. In the Early Buddhist schools as well as modern Theravada Buddhism, a bodhisattva ( Pali: ''bodhisatta'') refers to someone who has made a resolution to become a Buddha and has also received a confirmation or prediction from a living Buddha that this will be so. In Mahayana Buddhism, a bodhisattva refers to anyone who has generated '' bodhicitta'', a spontaneous wish and compassionate mind to attain Buddhahood for the benefit of all sentient beings. Mahayana bodhisattvas are spiritually heroic persons that work to attain awakening and are driven by a great compassion (''mahakaruṇā''). These beings are exemplified by important spiritual qualities such as the "four divine abodes" ('' brahmaviharas'') of loving-kindness (''metta''), compassion ('' karuṇā''), emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddharupa
Much Buddhist art uses depictions of the historical Buddha, Gautama Buddha, which are known as Buddharūpa (literally, "Form of the Awakened One") in Sanskrit and Pali. These may be statues or other images such as paintings. The main figure in an image may be someone else who has obtained Buddhahood, or a boddhisattva, especially in the various traditions of Mahayana Buddhism. Other Buddhas and bodhisattvas in art have become increasingly common over the centuries, perhaps now outnumbering images of the historical Buddha. In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more prominent. In Theravada Buddhism this was much less the case, and figures of the historical Buddha remain the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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