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Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a large and diverse body of work, exploring a variety of formats, approaches and techniques that included handheld camerawork, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry, and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage and innocence. His films are for the most part sile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmography Of Stan Brakhage
Over the course of more than five decades, the American experimental filmmaker Stan Brakhage produced a large body of work. All films in the filmography are assumed to be silent, in color, and are meant to be shown at 24 frames per second, unless otherwise noted. The Brakhage films, comprising his edited originals, intermediate elements, and other original material, are housed at the Academy of Motion Picture Arts and Sciences Film Archive, where a long-term project is underway to preserve and restore his entire film output. Fifty-six of these films are available on DVD (as two separate volumes) and Blu-ray from the Criterion Collection. __TOC__ 1950s Notes * During the late 1950s, Brakhage worked on several industrial films, many of them for the city of Pittsburgh. 1960s Industrial films and other works In the early 1960s, Brakhage directed several industrial and educational films, including two for the state of Colorado. He also directed commercials for Rural Electric of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dog Star Man
''Dog Star Man'' is a series of short experimental films, all directed by Stan Brakhage, featuring Jane Wodening. It was released in instalments between 1961 and 1964 and comprises a prelude and four parts. In 1992, ''Dog Star Man'' was included in its entirety in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress. being deemed "culturally, historically, or aesthetically significant" and recommended for preservation. Described as a "cosmological epic" and "creation myth" (particularly the ''Prelude''), ''Dog Star Man'' illustrates the odyssey of a bearded woodsman (Brakhage) climbing through a snow-covered mountain with his dog to chop down a tree. While doing so, he witnesses various mystical visions with various recurring imagery such as a woman, child, nature, and the cosmos while making his ascent. The five short films all form one larger film, and they are almost always shown together as one film. In 1965, Brakhage us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Window Water Baby Moving
''Window Water Baby Moving'' is an experimental short film by Stan Brakhage, filmed in November 1958 and released in 1959. The film documents the birth of the director's first child, Myrrena, by his then-wife Jane Brakhage, now Jane Wodening. Production Stan Brakhage's wife, Jane, had insisted that Brakhage be present at the birth of their daughter; however, Brakhage felt he would faint if he weren't focused on filming the event.MacDonald, Scott (2005) ''A critical cinema: interviews with independent filmmakers,'' p64-66 The hospital initially gave permission for filming, but this was later reneged. Instead, Brakhage transferred the birth to their home, hiring a nurse and some expensive emergency equipment. Jane was originally "very, very shy" about being filmed, but eventually relented after Brakhage made "a big dramatic scene and said 'All right, let's forget it!'" Most of the film was photographed by Brakhage himself, but Jane occasionally took the camera to capture her husba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mothlight
''Mothlight'' is an experimental film, experimental short film by Stan Brakhage, released in 1963. The film was created without the use of a camera. Description ''Mothlight'' is a silent film, silent "collage film" that incorporates "real world elements."Elder, R. Bruce (1998) ''The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein, and Charles Olson, Wilfrid Laurier,'' Univ. Press, p389 Brakhage produced the film without the use of a camera,James, David E. (2002) ''Imagine nation: the American counterculture of the 1960s and '70s,'' Routledge, p285 using what he then described as "a whole new film ''technique''."MacDonald, Scott (2001) ''The garden in the machine: a field guide to independent films about place,'' University of California Press, p69 Brakhage collected moth wings, flower petals, and blades of grass, and pressed them between two strips of 16mm splicing tape. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Interim (film)
''Interim'' is a 1953 American short film drama directed by Stan Brakhage. It was the first film directed by Stan Brakhage, whose expansive filmography has made him an influential figure in experimental film. Plot The film contains no dialogue, starring only a man and a woman, who meet as if by chance and walk into the countryside together where they stop and kiss. They then return to town before parting again. Production The film was shot in black-and-white 16 mm film. Around the time of production, Brakhage was heavily influenced by Italian neorealism. This was his first of many collaborations on film with composer and childhood friend James Tenney, who wrote the piano score for the film at the age of eighteen. In a foreword published by Brakhage, he cites a fault between himself and Tenney's mother for convincing Tenney to become a musician, shortly before composing the soundtrack for ''Interim''. Release 16 mm prints of the film are distributed by Canyon Cinema Canyon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drawn On Film Animation
Drawn-on-film animation, also known as direct animation or animation without camera, is an animation technique where footage is produced by creating the images directly on film stock, as opposed to any other form of animation where the images or objects are photographed frame by frame with an animation camera. History The first and best known practitioners of drawn-on-film animation include Len Lye, Norman McLaren, Stan Brakhage, then later artists including Steven Woloshen, Richard R. Reeves, Scott Fitzpatrick and Baerbel Neubauer, who produced numerous animated films using these methods. Their work covers the whole span between narrative and totally abstract animation. Other filmmakers in the 1960s expanded the idea and subjected the film stock to increasingly radical methods, up to the point where the film was destroyed in the process projection. Some artists made this destruction a statement, others went back one step and copied the original work film strip to get a projec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage Film
Collage film is a style of film created by juxtaposing found footage from disparate sources. The term has also been applied to the physical collaging of materials onto film stock. Surrealist roots The surrealist movement played a critical role in the creation of the collage film form. In 1936, the American artist Joseph Cornell produced one of the earliest collage films with his reassembly of ''East of Borneo'' (1931), combined with pieces of other films, into a new work he titled ''Rose Hobart'' after the leading actress.Rony, Fatimah Tobing. The Quick and the Dead: Surrealism and the Found Ethnographic Footage Films of Bontoc Eulogy and Mother Dao: The Turtlelike. Camera Obscura. January 2003, Vol. 18 Issue 52 When Salvador Dalí saw the film, he was famously enraged, believing Cornell had stolen the idea from his thoughts. But Adrian Brunel made, twelve years before, ''Crossing the Great Sagrada'' (1924) and Henri Storck conceived, four years earlier, ''Story of the Unknow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Tenney
James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception. Biography James Tenney was born in Silver City, New Mexico, and grew up in Arizona and Colorado. He attended the University of Denver, the Juilliard School of Music, Bennington College (B.A., 1958) and the University of Illinois (M.A., 1961). He studied piano with Eduard Steuermann and composition with Chou Wen-chung, Lionel Nowak, Paul Boepple, Henry Brant, Carl Ruggles, Kenneth Gaburo, John Cage, Harry Partch, and Edgard Varèse. He also studied acoustics, information theory and tape music composition under Lejaren Hiller. In 1961, Tenney completed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco Art Institute
San Francisco Art Institute (SFAI) was a private college of contemporary art in San Francisco, California. Founded in 1871, SFAI was one of the oldest art schools in the United States and the oldest west of the Mississippi River. Approximately 220 undergraduates and 112 graduate students were enrolled in 2021. The institution was accredited by the Western Association of Schools and Colleges (WASC) and the National Association of Schools of Art and Design (NASAD), and was a member of the Association of Independent Colleges of Art and Design (AICAD). The school closed permanently in July 2022. History The San Francisco Art Institute was established in 1871 with the formation of the San Francisco Art Association—a small but influential group of artists, writers, and community leaders, most notably, led by Virgil Macey Williams and first president Juan B. Wandesforde, with B.P. Avery, Edward Bosqui, Thomas Hill, and S.W. Shaw, who came together to promote regional art and arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mythology
Myth is a folklore genre consisting of narratives that play a fundamental role in a society, such as foundational tales or origin myths. Since "myth" is widely used to imply that a story is not objectively true, the identification of a narrative as a myth can be highly controversial. Many adherents of religions view their own religions' stories as truth and so object to their characterization as myth, the way they see the stories of other religions. As such, some scholars label all religious narratives "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars avoid using the term "myth" altogether and instead use different terms like "sacred history", "holy story", or simply "history" to avoid placing pejorative overtones on any sacred narrative. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many soc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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