|
Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as landmarks of twentieth-century music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Boulez (1968)
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as landmarks of twentieth-century music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Marteau Sans Maître
''Le Marteau sans maître'' (; The Hammer without a Master) is a chamber cantata by French composer Pierre Boulez. The work, which received its premiere in 1955, sets surrealist poetry by René Char for contralto and six instrumentalists. It is among his most acclaimed compositions. History Before ''Le Marteau'', Boulez had established a reputation as the composer of modernist and serialist works such as '' Structures I'', '' Polyphonie X'', as well as his infamously "unplayable" Second Piano Sonata. ''Le Marteau'' was first written as a six-movement composition between 1953 and 1954, and was published in that form in the latter year, "imprimée pour le festival de musique, 1954, Donaueschingen" (though in the end it was not performed there) in a photographic reproduction of the composer's manuscript by Universal Edition, given the catalog number UE 12362. In 1955 Boulez revised the order of these movements and interpolated three newly composed ones. The original, six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pli Selon Pli
''Pli selon pli'' (Fold by fold) is a piece of classical music by the French composer Pierre Boulez. It carries the subtitle ''Portrait de Mallarmé'' (Portrait of Mallarmé). It is scored for a solo soprano and orchestra and uses the texts of three sonnets of French symbolist poet Stéphane Mallarmé and single lines from two of his other poems. At over an hour, it is Boulez's longest work. Movements and poems The composition is in five movements, the first and last using a line from a Mallarmé poem, the three middle movements using the entire text of a Mallarmé sonnet. The movements and their associated poems are: The title is taken from yet another Mallarmé poem, ''Remémoration d'amis belges'', in which the poet describes how a mist that covers the city of Bruges gradually disappears: Boulez said: "So, fold by fold, as the five movements develop, a portrait of Mallarmé is revealed." Boulez uses the five Mallarmé poems in chronological order, beginning with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Répons
''Répons'' is a composition by French composer Pierre Boulez for a large chamber orchestra with six percussion soloists and live electronics. The six soloists play harp, cimbalom, vibraphone, glockenspiel/xylophone, and two pianos. It was premiered on 18 October 1981 at the Donaueschingen Festival. The composer expanded it until its completion in 1985. The work is dedicated to "on his 80th birthday". ''Répons'' was the first significant work to come out of Boulez's endeavors at IRCAM, an institute in Paris devoted to making technological advances in electronic music. It has been celebrated for its integration of the electronic and the acoustic. Its title, ''Répons'', reflects the fact that the composition is constructed on various types of ''responses'': the acoustic sounds and electronic responses to them as well as the medieval idea of responsorial mirroring between players and speakers in different parts of the concert hall. Tom Service of ''The Guardian'' has called it " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Integral Serialism
In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variations. Other types of serialism also work with sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameters"), such as duration, dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architecture, and the musical concept has also been adapted in literature. Integral serialism or total serialism is the use of series for aspects such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jahrhundertring
The ''Jahrhundertring'' (''Centenary Ring'') was the production of Richard Wagner's ''Ring Cycle'', ''Der Ring des Nibelungen'', at the Bayreuth Festival in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle. The festival was directed by Wolfgang Wagner and the production was created by the French team of conductor Pierre Boulez, stage director Patrice Chéreau, stage designer Richard Peduzzi, costume designer Jacques Schmidt and lighting designer André Diot. The cycle was shown first in 1976, then in the following years until 1980. It was filmed for television in 1979 and 1980. While the first performance caused "a near-riot" for its brash modernity, the staging established a standard, termed ''Regietheater'' (director's theater), for later productions. Centenary Festival director Wolfgang Wagner selected the composer Pierre Boulez as the conductor for the centenary celebration of Wagner's most complex work, which had been fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Intercontemporain
The Ensemble intercontemporain (EIC) is a French music ensemble, based in Paris, that is dedicated to contemporary music. Pierre Boulez founded the EIC in 1976 for this purpose, the first permanent organization of its type in the world. Organization and purpose The EIC consists of thirty one full-time soloists in various instruments. They exist to fill a need for musicians who can work with new playing techniques and composition styles prevalent in this kind of music. The Ensemble is resident at the Philharmonie de Paris, under its current artistic director Matthias Pintscher and assistant director Julien Leroy, with their activities financed by the French Ministry of Culture and the city of Paris. The EIC performs about thirty times a year in their home city, and tour extensively both in France and abroad, especially at international festivals. These concerts regularly include the premieres of new compositions, often commissioned by the Ensemble itself, which gives preferenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC Symphony Orchestra
The BBC Symphony Orchestra (BBC SO) is a British orchestra based in London. Founded in 1930, it was the first permanent salaried orchestra in London, and is the only one of the city's five major symphony orchestras not to be self-governing. The BBC SO is the principal broadcast orchestra of the British Broadcasting Corporation (BBC). The orchestra was originally conceived in 1928 as a joint enterprise by the BBC and the conductor Sir Thomas Beecham, but the latter withdrew the next year and the task of assembling and training the orchestra fell to the BBC's director of music, Adrian Boult. Among its guest conductors in its first years was Arturo Toscanini, who judged it the finest orchestra he had ever conducted. During and after the Second World War, Boult strove to maintain standards, but the senior management of the post-war BBC did not allocate the orchestra the resources to meet competition from new and well-funded rivals. After Boult's retirement from the BBC in 1950, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
György Ligeti
György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time". Born in Transylvania, Romania, he lived in the Hungarian People's Republic before emigrating to Austria in 1956. He became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater, where he worked until retiring in 1989. He died in Vienna in 2006. Restricted in his musical style by the authorities of Communist Hungary, only when he reached the West in 1956 could Ligeti fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, Germany, his breakthrough came with orchestral works such as '' Atmosphères' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Leibowitz
René Leibowitz (; 17 February 1913 – 29 August 1972) was a Polish, later naturalised French, composer, conductor, music theorist and teacher. He was historically significant in promoting the music of the Second Viennese School in Paris after the Second World War, and teaching a new generation of serialist composers. Leibowitz remained firmly committed to the musical aesthetic of Arnold Schoenberg, and was to some extent sidelined among the French avant-garde in the 1950s, when, under the influence of Leibowitz's former student, Pierre Boulez and others, the music of Schoenberg's pupil Anton Webern was adopted as the orthodox model by younger composers. Although his compositional ideas remained strictly serialist, as a conductor Leibowitz had broad sympathies, performing works by composers as diverse as Gluck, Beethoven, Brahms, Offenbach and Ravel, and his repertory extended to include pieces by Gershwin, Puccini, Sullivan and Johann Strauss. Life and career Earl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Boulez")
.jpg "Click for more on -> György Ligeti")