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Bibliography Of W.S. Gilbert
This is a selected list of W. S. Gilbert's works, including all that have their own Wikipedia articles. For a complete list of Gilbert's dramatic works, see List of W. S. Gilbert dramatic works. Poetry * '' The Bab Ballads'', a collection of comic verse published roughly between 1865 and 1871 * ''Songs of a Savoyard'', London: George Routledge and Sons, 1890, a collection of Gilbert's song lyricsCrowther, Andrew"Gilbert's Non-Dramatic Works", The W.S. Gilbert Society, accessed 13 September 2015 Selected short stories * ''Foggerty's Fairy and Other Tales'', a collection of short stories and essays, mainly from before 1874. * Links to several Gilbert stories ;Publications that include one or more of Gilbert's short stories that are not in ''Foggerty's Fairy and Other Tales'': * ''Belgravia'' vol. 2 (1867). “From St. Paul’s to Piccadilly,” pp. 67–74''Fun'' vol. 1 new series (1865-1866) (several contributions by Gilbert; near end of volume, Fun Christmas Number 1865, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of W
A ''list'' is any set of items in a row. List or lists may also refer to: People * List (surname) Organizations * List College, an undergraduate division of the Jewish Theological Seminary of America * SC Germania List, German rugby union club Other uses * Angle of list, the leaning to either port or starboard of a ship * List (information), an ordered collection of pieces of information ** List (abstract data type), a method to organize data in computer science * List on Sylt, previously called List, the northernmost village in Germany, on the island of Sylt * ''List'', an alternative term for ''roll'' in flight dynamics * To ''list'' a building, etc., in the UK it means to designate it a listed building that may not be altered without permission * Lists (jousting), the barriers used to designate the tournament area where medieval knights jousted * ''The Book of Lists'', an American series of books with unusual lists See also * The List (other) * Listing (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (mythology)
In Greek mythology, Pygmalion (; Ancient Greek: Πυγμαλίων ''Pugmalíōn'', ''gen''.: Πυγμαλίωνος) was a legendary figure of Cyprus, who was a king and a sculptor. He is most familiar from Ovid's narrative poem Metamorphoses (poem), ''Metamorphoses'', in which Pygmalion was a sculptor who fell in love with a statue he had carved. In Ovid In book 10 of Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...'s ''Metamorphoses'', Pygmalion was a Cypriot sculptor who carved a woman out of ivory. He named her Galatea (mythology), Galatea. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". He determined to remain celibate and to occupy himself with sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion And Galatea (play)
''Pygmalion and Galatea, an Original Mythological Comedy'' is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances.Moss, Simon"Pygmalion and Galatea"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 It was revived many times, including an 1883 production in New York starring Mary Anderson as Galatea, an 1883–84 revival at the Lyceum Theatre, again with Anderson, and an 1888 production at the Lyceum Theatre, with Julia Neilson as Cynisca. ''Pygmalion'' was Gilbert's greatest success to that date and is said to have earned him £40,000 during his lifetime. ''Pygmalion and Galatea'' was so popular that other Pygmalions were rushed to the stage. In January 1872, ''Ganymede and Galatea'' opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's '' Die schöne Galathee'', c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Randegger
Alberto Randegger (13 April 1832 – 18 December 1911) was an Italian-born composer, conductor and singing teacher, best known for promoting opera and new works of British music in England during the Victorian era and for his widely used textbook on singing technique. His compositions included ballets, masses and other church music, operas and numerous other vocal pieces. He also edited several collections of vocal music. He began his composing and conducting career in Italy, where he knew Giuseppe Verdi, but in 1854 he moved to London, which became his base for the rest of his life. From 1857 he conducted Italian opera at the St. James's Theatre and was professor of singing at the Royal College of Music and the Royal Academy of Music, retaining both posts for the rest of his life. From 1859 to 1870 he was organist at St Paul's Church, Regent's Park. Randegger served as musical director of the Carl Rosa Opera Company from 1879 to 1885, gaining a reputation for high quality produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creatures Of Impulse
''Creatures of Impulse'' is a stage play by the English dramatist W. S. Gilbert, with music by the composer-conductor Alberto Randegger, which Gilbert adapted from his own short story. Both the play and the short story concern an unwanted and ill-tempered old fairy who enchants people to behave in a manner opposite to their natures, with farcical results. The short story was written for ''The Graphic'''s Christmas number of 1870, and the play was first produced at the Court Theatre on 2 April 1871. It originally included six songs, but three were eventually cut, and some productions dispensed with the music entirely. While the lyrics survive, the music was never published and is lost. Reviews of the play were mostly positive, though it was criticised for the lack of a significant plot or superstructure to support its comic premise. Nonetheless, reviewers found it enjoyable, and it was a modest success, running for 91 performances and enjoying revivals into the early part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blank Verse
Blank verse is poetry written with regular metrical but unrhymed lines, almost always in iambic pentameter. It has been described as "probably the most common and influential form that English poetry has taken since the 16th century", and Paul Fussell has estimated that "about three quarters of all English poetry is in blank verse". The first known use of blank verse in English was by Henry Howard, Earl of Surrey in his translation of the '' Æneid'' (composed c. 1540; published posthumously, 1554–1557). He may have been inspired by the Latin original since classical Latin verse did not use rhyme, or possibly he was inspired by Ancient Greek verse or the Italian verse form of '' versi sciolti'', both of which also did not use rhyme. The play ''Arden of Faversham'' (around 1590 by an unknown author) is a notable example of end-stopped blank verse. History of English blank verse The 1561 play '' Gorboduc'' by Thomas Norton and Thomas Sackville was the first English pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Palace Of Truth
''The Palace of Truth'' is a three-act blank verse "Fairy Comedy" by W. S. Gilbert first produced at the Haymarket Theatre in London on 19 November 1870, adapted in significant part from Madame de Genlis's fairy story, ''Le Palais de Vérite''. The play ran for approximately 140 performances and then toured the British provinces and enjoyed various revivals even well into the 20th century. There was also a New York production in 1910. After more than a century of inquiry, researchers in 2012 concluded that the three genera of Lemurs were named after characters in ''The Palace of Truth'' in 1870 by British zoologist John Edward Gray. Background Gilbert created several blank verse "fairy comedies" at the Haymarket Theatre for actor-manager John Baldwin Buckstone and starring William Hunter Kendal and his wife Madge Robertson Kendal (sister of the playwright Tom Robertson) in the early 1870s. These plays, influenced by the fairy works of James Planché, are founded upon the idea o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess Ida
''Princess Ida; or, Castle Adamant'' is a comic opera with music by Arthur Sullivan and libretto by W. S. Gilbert. It was their eighth operatic collaboration of fourteen. ''Princess Ida'' opened at the Savoy Theatre on 5 January 1884, for a run of 246 performances. The piece concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. The prince to whom she had been married in infancy sneaks into the university, together with two friends, with the aim of collecting his bride. They disguise themselves as women students, but are discovered, and all soon face a literal war between the sexes. The opera satirizes feminism, women's college, women's education and Charles Darwin, Darwinian evolution, which were controversial topics in conservative Victorian era, Victorian England. ''Princess Ida'' is based on a narrative poem by Alfred, Lord Tennyson called ''The Princess (Tennyson poem), The Princess'' (1847), and Gilb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Princess (play)
''The Princess'' is a blank verse farcical play, in five scenes with music, by W. S. Gilbert which adapts and parodies Alfred Lord Tennyson's humorous 1847 narrative poem, '' The Princess''. It was first produced at the Olympic Theatre in London on 8 January 1870. Gilbert called the piece "a whimsical allegory ... a respectful operatic per-version" of Tennyson's poem. The play was a modest success, playing for about 82 performances through April and enjoying a provincial tour.Moss, Simon"The Princess"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 Gilbert liked the theme so much that he adapted the play as the libretto to ''Princess Ida'' (1884), one of his Savoy Operas with Arthur Sullivan. ''The Princess'' is a satire of women's education, a controversial subject in 1847, when Queen's College first opened in London, and in 1870 ( Girton opened in 1869), but less so by 1884. Background ''The Princess'' came fairly early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
An Old Score
''An Old Score'' is an 1869 three-act comedy-drama written by English dramatist W. S. Gilbert based partly on his 1867 short story, ''Diamonds'', and partly on episodes in the lives of William Dargan, an Irish engineer and railway contractor, and John Sadleir, a banker who committed suicide. It was written before any of his Savoy Operas with Arthur Sullivan. Despite an encouraging review in ''The Times'', the piece was a failure. It was revived in 1872 and rewritten as ''Quits'', but it fared no better. Background Gilbert described ''An Old Score'' as "my first comedy".Crowther, Andrew. Introduction to script o"An Old Score" accessed 10 September 2010 He had previously written more than a dozen stage works, and although they were all intended to be funny, they were in the styles of burlesques, extravaganzas, pantomimes and one-act farces, not full-length, character-driven "comedies"; and so the play represents part of Gilbert's move from being a humorist to being a dramatist. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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