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The Princess (play)
''The Princess'' is a blank verse farcical play, in five scenes with music, by W. S. Gilbert which adapts and parodies Alfred Lord Tennyson's humorous 1847 narrative poem, '' The Princess''. It was first produced at the Olympic Theatre in London on 8 January 1870. Gilbert called the piece "a whimsical allegory ... a respectful operatic per-version" of Tennyson's poem. The play was a modest success, playing for about 82 performances through April and enjoying a provincial tour.Moss, Simon"The Princess"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 Gilbert liked the theme so much that he adapted the play as the libretto to ''Princess Ida'' (1884), one of his Savoy Operas with Arthur Sullivan. ''The Princess'' is a satire of women's education, a controversial subject in 1847, when Queen's College first opened in London, and in 1870 ( Girton opened in 1869), but less so by 1884. Background ''The Princess'' came fairly early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Princess - W
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorian Burlesque
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian era, Victorian England and in the New York theatre of the mid-19th century. It is a form of parody music, parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiche, pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque. Like ballad opera, burlesques featured musical scores drawing on a wide range of music, from popular contemporary songs to operatic arias, although later burlesques, from the 1880s, sometimes featured original scores. Dance played an important part, and great attention was paid to the staging, costumes and other spectacular elements of stagecraft, as many of the pieces we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hervé (composer)
Louis-Auguste Florimond Ronger (30 June 1825 – 4 November 1892), who used the pseudonym Hervé (), was a French singer, composer, librettist, conductor and scene painter, whom Ernest Newman, following Reynaldo Hahn, credited with inventing the genre of operetta in Paris. Life Hervé was born in Houdain near Arras. Part Spanish by birth, he became a choirboy at the Church of Saint-Roch, Paris. His musical promise was noted, and he was enrolled in the Conservatoire and studied with Daniel Auber, and by the age of fifteen was serving as organist at Bicêtre Hospital and a stage vocalist in provincial theatres, where he trained his fine tenor voice. He won a competition in 1845 for the prestigious Paris post of organist at the Church of Saint-Eustache, while he doubled with his theatrical music career, a situation that he turned to advantage years later, in his most famous work, ''Mam'zelle Nitouche''. Before he became musical director of the Théâtre du Palais Royal in 1851 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1850; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, and especially those of opera. Several Italians working d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operetta
Operetta is a form of theatre and a genre of light opera. It includes spoken dialogue, songs, and dances. It is lighter than opera in terms of its music, orchestral size, length of the work, and at face value, subject matter. Apart from its shorter length, the operetta is usually of a light and amusing character. It sometimes also includes satirical commentaries. "Operetta" is the Italian diminutive of "opera" and was used originally to describe a shorter, perhaps less ambitious work than an opera. Operetta provides an alternative to operatic performances in an accessible form targeting a different audience. Operetta became a recognizable form in the mid-19th century in France, and its popularity led to the development of many national styles of operetta. Distinctive styles emerged across countries including Austria-Hungary, Germany, England, Spain, the Philippines, Mexico, Cuba, and the United States. Through the transfer of operetta among different countries, cultural cosmop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Westfield College
Westfield College was a small college situated in Hampstead, London, from 1882 to 1989. It was the first college to aim to educate women for University of London degrees from its opening. The college originally admitted only women as students and became coeducational in 1964. In 1989, it merged with Queen Mary College. The merged institution was named Queen Mary and Westfield College until 2013, when the name was legally changed to Queen Mary University of London. History The college was founded in 1882 by Constance Louise Maynard (1849–1935) and Ann Dudin Brown with five students in Maresfield Gardens in Hampstead. Dudin Brown had intended to found a missionary school but she had been persuaded otherwise by Maynard and Mary Petrie.Janet Sondheimer, 'Brown, Ann Dudin (1822–1917)', ''Oxford Dictionary of National Biography'', Oxford University Press, 200 accessed 8 September 2018 They worked with the Fanny Metcalfe, Metcalfe sisters. In 1891 the now named "Westfield College" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Cambridge
, mottoeng = Literal: From here, light and sacred draughts. Non literal: From this place, we gain enlightenment and precious knowledge. , established = , other_name = The Chancellor, Masters and Scholars of the University of Cambridge , type = Public research university , endowment = £7.121 billion (including colleges) , budget = £2.308 billion (excluding colleges) , chancellor = The Lord Sainsbury of Turville , vice_chancellor = Anthony Freeling , students = 24,450 (2020) , undergrad = 12,850 (2020) , postgrad = 11,600 (2020) , city = Cambridge , country = England , campus_type = , sporting_affiliations = The Sporting Blue , colours = Cambridge Blue , website = , logo = University of Cambridge logo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Girton College
Girton College is one of the Colleges of the University of Cambridge, 31 constituent colleges of the University of Cambridge. The college was established in 1869 by Emily Davies and Barbara Bodichon as the first women's college in Cambridge. In 1948, it was granted full college status by the university, marking the official admittance of women to the university. In 1976, it was the first Cambridge women's college to become mixed-sex education, coeducational. The main college site, situated on the outskirts of the village of Girton, Cambridgeshire, Girton, about northwest of the university town, comprises of land. In a typical Victorian architecture, Victorian red brick design, most was built by architect Alfred Waterhouse between 1872 and 1887. It provides extensive sports facilities, an indoor swimming pool, an award-winning library and a chapel with two organs. There is an accommodation annexe, known as Swirles Court, situated in the Eddington neighborhood of the North West Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princess - A Prince I Was
Princess is a regal rank and the feminine equivalent of prince (from Latin ''princeps'', meaning principal citizen). Most often, the term has been used for the consort of a prince, or for the daughter of a king or prince. Princess as a substantive title Some princesses are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes, as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. Since the President of France, an office for which women are eligible, is ''ex-officio'' a Co-Prince of Andorra, then Andorra could theoretically be jointly ruled by a princess. Princess as a courtesy title Descendants of monarchs For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, in English, might simply be called "Lady". Old English had no female equivalent of "prince" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utopia, Limited
''Utopia, Limited; or, The Flowers of Progress'', is a Savoy opera, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations, premiering on 7 October 1893 for a run of 245 performances. It did not achieve the success of most of their earlier productions. Gilbert's libretto satirises limited liability companies, and particularly the idea that a bankrupt company could leave creditors unpaid without any liability on the part of its owners. It also lampoons the Joint Stock Company Act by imagining the absurd convergence of natural persons (or sovereign nations) with legal commercial entities under the limited companies laws. In addition, it mocks the conceits of the late 19th-century British Empire and several of the nation's beloved institutions. In mocking the adoption by a "barbaric" country of the cultural values of an "advanced" nation, it takes a tilt at the cultural aspects of imperialis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thespis (opera)
''Thespis, or The Gods Grown Old'', is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. No musical score of ''Thespis'' was ever published, and most of the music has been lost. Gilbert and Sullivan went on to become the most famous and successful artistic partnership in Victorian England, creating a string of enduring comic opera hits, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. ''Thespis'' premièred in London at the Gaiety Theatre on 26 December 1871. Like many productions at that theatre, it was written in a broad, burlesque style, considerably different from Gilbert and Sullivan's later works. It was a success, for a Christmas entertainment of the time,Walters, Michael. "Thespis: a reply", ''W. S. Gilbert Society Journal'', Vol. 4, part 3, Issue 29. Summer 2011. and closed on 8 March 1872, after a run of 63 performances. It was advertised as "An entirely origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fallen Fairies
''Fallen Fairies''; ''or, The Wicked World'', is a two-act comic opera, with a libretto by W. S. Gilbert and music by Edward German. The story is an operatic adaptation of Gilbert's 1873 blank-verse fairy comedy, ''The Wicked World''. In Fairyland, the fairies are curious about wicked mortals, especially their strange capacity for love. They summon three mortal men from the world below to observe them and to teach the men how to live virtuously. The fairies fall in love with the mortals, become jealous of each other and behave badly. The men return to Earth, and the fairies realize that love is overrated. The piece premiered at London's Savoy Theatre on 15 December 1909. Gilbert directed the opera. Charles Herbert Workman produced and starred as Lutin. The cast also starred Gilbert protégée Nancy McIntosh as Selene, the Fairy Queen. McIntosh received negative reviews, and Workman soon replaced her with Amy Evans and made changes in the play that angered Gilbert, who sued Workma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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