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Bia (mythology)
In Greek mythology, Bia (; Ancient Greek: Βία ; means "power, force, strength") is the personification of force. Family Bia was the daughter of the Titan (mythology), Titan Pallas (Titan), Pallas and Oceanid Styx (mythology), Styx, and sister of Nike (mythology), Nike, Kratos (mythology), Kratos, and Zelus. : From Pallas the giant and Styx [were born]: Scylla, Vis (Force) [Bia], Invidia (Jealousy) [Zelos], Potestas (Power) [Kratos], Victoria (Victory) [Nike].Hyginus, ''Fabulae'' Preface Mythology Bia and her siblings were constant companions of Zeus. They achieved this honour after supporting him in the Titanomachy, Titan War along with their mother. Bia is one of the characters named in the Greek tragedy ''Prometheus Bound'', attributed to Aeschylus, where Hephaestus is compelled by the gods to bind Prometheus after he was caught stealing fire and offering the gift to mortals. Although she appears alongside her brother Kratos, she does not speak. Titanomachy Alo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fuseli
Henry Fuseli ( ; German: Johann Heinrich Füssli ; 7 February 1741 – 17 April 1825) was a Swiss painter, draughtsman and writer on art who spent much of his life in Britain. Many of his works, such as ''The Nightmare'', deal with supernatural subject matter. He painted works for John Boydell's Shakespeare Gallery, and created his own "Milton Gallery". He held the posts of Professor of Painting and Keeper at the Royal Academy. His style had a considerable influence on many younger British artists, including William Blake. Biography Fuseli was born in Zürich, Switzerland, the second of 18 children. His father was Johann Caspar Füssli, a painter of portraits and landscapes, and author of ''Lives of the Helvetic Painters''. He intended Henry for the church, and sent him to the Caroline college of Zurich, where he received an excellent classical education. One of his schoolmates there was Johann Kaspar Lavater, with whom he became close friends. After taking orders in 1761, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theogony
The ''Theogony'' (, , , i.e. "the genealogy or birth of the gods") is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed . It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Descriptions Hesiod's ''Theogony'' is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing. Further, in the "Kings and Singers" passage (80–103) Hesiod appropriates to himself the authority u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acrocorinth
Acrocorinth ( el, Ακροκόρινθος), "Upper Corinth", the acropolis of ancient Corinth, is a monolithic rock overseeing the ancient city of Corinth, Greece. In the estimation of George Forrest, "It is the most impressive of the acropolis of mainland Greece." With its secure water supply, Acrocorinth's fortress was repeatedly used as a last line of defense in southern Greece because it commanded the Isthmus of Corinth, repelling foes from entry by land into the Peloponnese peninsula. History The Acrocorinth was continuously occupied from archaic times to the early 19th century. Along with Demetrias and Chalcis, the Acrocorinth during the Hellenistic period formed one of the so-called “''Fetters of Greece''” – three fortresses garrisoned by the Macedonians to secure their control of the Greek city-states. The city's archaic acropolis was already an easily defensible position due to its geomorphology; it was further heavily fortified during the Byzantine Empire as it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananke
In ancient Greek religion, Ananke (; grc, Ἀνάγκη), from the common noun , "force, constraint, necessity") is the personification of inevitability, compulsion and necessity. She is customarily depicted as holding a spindle. One of the Greek primordial deities, the births of Ananke and her brother and consort, Chronos (the personification of Time, not to be confused with the Titan Cronus) were thought to mark the division between the eon of Chaos and the beginning of the cosmos. Ananke is considered the most powerful dictator of fate and circumstance. Mortals and gods alike respected her power and paid her homage. Sometimes considered the mother of the Fates, she is thought to be the only being to influence their decisions (according to some sources, excepting Zeus also). According to Schowalter and Friesen, she and the Fates "are all sufficiently tied to early Greek mythology to make their Greek origins likely." The ancient Greek traveller Pausanias wrote of a templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pausanias (geographer)
Pausanias ( /pɔːˈseɪniəs/; grc-gre, Παυσανίας; c. 110 – c. 180) was a Greek traveler and geographer of the second century AD. He is famous for his ''Description of Greece'' (, ), a lengthy work that describes ancient Greece from his firsthand observations. ''Description of Greece'' provides crucial information for making links between classical literature and modern archaeology. Biography Not much is known about Pausanias apart from what historians can piece together from his own writing. However, it is mostly certain that he was born c. 110 AD into a Greek family and was probably a native of Lydia in Asia Minor. From c. 150 until his death in 180, Pausanias travelled through the mainland of Greece, writing about various monuments, sacred spaces, and significant geographical sites along the way. In writing ''Description of Greece'', Pausanias sought to put together a lasting written account of "all things Greek", or ''panta ta hellenika''. Living in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protagoras (dialogue)
''Protagoras'' (; grc-gre, Πρωταγόρας) is a dialogue by Plato. The traditional subtitle (which may or may not be Plato's) is "or the Sophists". The main argument is between Socrates and the elderly Protagoras, a celebrated sophist and philosopher. The discussion takes place at the home of Callias, who is host to Protagoras while he is in town, and concerns the nature of sophists, the unity and the teachability of virtue. A total of twenty-one people are named as present. The characters Of the twenty-one people who are specifically said to be present, three are known sophists. In addition to Protagoras himself, there are Hippias of Elis and Prodicus of Ceos. Two of the sons of Pericles are said to be there, Paralus and Xanthippus. With the exception of Aristophanes, all of Socrates' named friends from the '' ''Symposium'''' are in attendance: Eryximachus the doctor, Phaedrus, the lovers Pausanias and Agathon (who is said to be a mere boy at this point), and Alc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution of higher learning on the European continent. Along with his teacher, Socrates, and his student, Aristotle, Plato is a central figure in the history of Ancient Greek philosophy and the Western and Middle Eastern philosophies descended from it. He has also shaped religion and spirituality. The so-called neoplatonism of his interpreter Plotinus greatly influenced both Christianity (through Church Fathers such as Augustine) and Islamic philosophy (through e.g. Al-Farabi). In modern times, Friedrich Nietzsche diagnosed Western culture as growing in the shadow of Plato (famously calling Christianity "Platonism for the masses"), while Alfred North Whitehead famously said: "the safest general characterization of the European philosophical tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus
In Greek mythology, Prometheus (; , , possibly meaning "forethought")Smith"Prometheus". is a Titan god of fire. Prometheus is best known for defying the gods by stealing fire from them and giving it to humanity in the form of technology, knowledge, and more generally, civilization. In some versions of the myth, he is also credited with the creation of humanity from clay. Prometheus is known for his intelligence and for being a champion of humankind, and is also generally seen as the author of the human arts and sciences. He is sometimes presented as the father of Deucalion, the hero of the flood story. The punishment of Prometheus as a consequence of the theft of fire and giving it to humans is a popular subject of both ancient and modern culture. Zeus, king of the Olympian gods, sentenced Prometheus to eternal torment for his transgression. Prometheus was bound to a rock, and an eagle—the emblem of Zeus—was sent to eat his liver (in ancient Greece, the liver was thoug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic form, credited to Aeschylus by Aristotle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prometheus Bound
''Prometheus Bound'' ( grc, Προμηθεὺς Δεσμώτης, ''Promētheús Desmṓtēs'') is an Ancient Greek tragedy traditionally attributed to Aeschylus and thought to have been composed sometime between 479 BC and the terminus ante quem of 424 BC. The tragedy is based on the myth of Prometheus, a Titan who defies Zeus, and protects and gives fire to mankind, for which he is subjected to the wrath of Zeus and punished. C. J. Herington claims that Aeschylus certainly did not mean ''Prometheus Bound'' to be a "self-contained dramatic unity", and suggests that "most modern students of the subject would probably agree" that ''Prometheus Bound'' was followed by a work with the title ''Prometheus Lyomenos (Prometheus Unbound)''. Herington adds that "some very slight evidence" indicates that ''Prometheus Unbound'' "may have been followed by a third play", ''Prometheus Pyrphoros (Prometheus the Fire-Bearer)''; the latter two survive only in fragments. Some scholars ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Titanomachy
In Greek mythology, the Titanomachy (; grc, , , Titan battle) was a ten-year series of battles fought in Ancient Thessaly, consisting of most of the Titans (the older generation of gods, based on Mount Othrys) fighting against the Twelve Olympians, Olympians (the younger generations, who would come to reign on Mount Olympus) and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just the Titan War. The war was fought to decide which generation of gods would have dominion over the universe; it ended in victory for the Olympian gods. Greeks of the Classical Age knew of several poems about the war between the gods and many of the Titans. The dominant one, and the only one that has survived, is the ''Theogony'' attributed to Hesiod. The Titans also played a prominent role in the poems attributed to Orpheus. Although only scraps of the Orphism (religion), Orphic narratives survive, they show differences from the Hesiodic trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
