|
Bhopali
Bhoopali, also known as ''Bhoop'', ''Bhopali,'' or ''Bhupali'', is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas. The same raga in Carnatic music is known as Mohanam. Raga Bhoopali, Raga Yaman, and Raga Bhairav tend to be the three basic ragas of Hindustani music, learned first by its students. Theory Karhade (2011) explains that raga Bhopali consists of just 5 notes - सा रे ग प ध (sa, re, ga, pa and dha). It does not use Ma (also called Madhyam) and Ni (also called Nishadh). It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment. The Introduction consists of two parts – ''Aaroh'' आरोह (where the notes are simply recited on an ascending scale) and A' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohanam
Mohanam is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale). It is usually described as a ''janya'' rāga of Harikamboji (28th Melakartha Raga). However, alternate opinions suggest that ''Mechakalyani'' may be a more appropriate classification based on the lakshana of the raga. The equivalent of ''Mohanam'' in Hindustani music is '' Bhoop''''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications (or ''Bhopali''''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras). It is one of the most common pentatonic scales across the world and is very popular in East Asian and Southeast Asian music, including China and Japan. Structure and Lakshana ''Mohanam'' is a symmetric rāga that does not contain ''madhyamam'' and ''nishādham''. It is a symmetric pentatonic scale (''audava-audava'' raga in Carnatic music classification - ''audava'' meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga Yaman
Yaman (also known as kalyaan, Iman, Aiman,'Eman', ' Kalyani' in Carnatic classical music) is a heptatonic ( Sampurna) Indian classical raga of Kalyan Thaat. Its signature phrase (Pakad) is ni-Re-Ga-/Re-Ga/ni-Re-Sa/Pa-Ma#-Ga-Re/ni-Re-Sa' (Ma is teevra). Tonal movements of the notes mostly reflect zigzag motion ''with gap of one or several notes'' usually that prefer reverse order very often like DNS' mDN GmD RGm N,GR or MDNS' GmDN RGmD N,RGm D,N,GR etc. Ideally yaman should not use PR combination but can use P~R showing colour of m or G while gliding from P to R, for PR is one of the specific identification of raag kalyaan. Description Yaman emerged from the parent musical scale of Kalyan. Considered to be one of the most fundamental and basic ragas in Hindustani tradition, it is thus often one of the first ragas taught to students. Mechanics Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namastey London
''Namastey London'' () is a 2007 Indian romance film, directed and produced by Vipul Amrutlal Shah, starring Akshay Kumar and Katrina Kaif in lead roles. It also stars Rishi Kapoor, Nina Wadia, Javed Sheikh, Upen Patel and Clive Standen in supporting roles. The film is originally based on a real life story of Kumar's friend. Riteish Deshmukh appears in a cameo role in the film. ''Namastey London'' released on 23 March 2007 and it received positive reviews from for its direction, screenplay, soundtrack and particularly Akshay Kumar's performance was highly acclaimed. It was also a box office success, earning 71.40 crore worldwide, thus becoming the ninth-highest grossing Hindi film of 2007. The success of the film ended a long dry spell of box office failures since the release of '' Salaam-e-Ishq: A Tribute to Love'' which released on January 2007. At the 53rd Filmfare Awards, ''Namastey London'' received 1 nomination – Best Actor (Kumar). Several critics noted similarit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rasa (aesthetics)
In Indian aesthetics, a rasa ( sa, रस) literally means "nectar, essence or taste".Monier Monier-Williams (1899)Rasa Sanskrit English Dictionary with Etymology, Motilal Banarsidass (Originally Published: Oxford) It connotes a concept in Indian arts about the aesthetic flavour of any visual, literary or musical work that evokes an emotion or feeling in the reader or audience but cannot be described.Rasa: Indian Aesthetic Theory Encyclopedia Britannica (2013) It refers to the emotional flavors/essence crafted into the work by the writer and relished by a 'sensitive spectator' or ''sahṛdaya,'' literally one who "has heart", and can connect to the work with emotion, without dryness. Rasas are created by ''bhavas'': the state of mind. The ''rasa'' theory has a dedicated section (Chapter 6) in the |
Indian Folk Music
Indian folk music is diverse because of India's vast cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration. Tamang Selo Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days A Selo could be very catchy, attractive and lively or slow and melodious and is usually sung to express love, sorrow and stories of day-to-day life. Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo. Her song 'Chura ta Hoina Astura' (चुरा त होइन अस्तुरा) is said to be the first Tamang Selo ever recorded. Waiba has sung nearly 300 songs in a career spanning 40 years. After Waiba's d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi
Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been described as a standardised and Sanskritised register of the Hindustani language, which itself is based primarily on the Khariboli dialect of Delhi and neighbouring areas of North India. Hindi, written in the Devanagari script, is one of the two official languages of the Government of India, along with English. It is an official language in nine states and three union territories and an additional official language in three other states. Hindi is also one of the 22 scheduled languages of the Republic of India. Hindi is the '' lingua franca'' of the Hindi Belt. It is also spoken, to a lesser extent, in other parts of India (usually in a simplified or pidginised variety such as Bazaar Hindustani or Haflong Hindi). Outside India, several ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhabhi Ki Chudiyan
Bhabhi Ki Chudiyan is a 1961 Hindi film, a family drama directed by Sadashiv J. Row Kavi with Meena Kumari and Balraj Sahni in the lead roles. It is a remake of 1953 Marathi film ''Vahinichya Bangdya'', which was also remade in Telugu as ''Vadina Gari Gaajulu'' (1956) and in Tamil as ''Mangaiyar Thilakam'' (1955). Plot Geeta (Meena Kumari) is married to Shyam (Balraj Sahni), but is unable to bear children. Orphaned as a youth, Mohan (Sailesh Kumar) is raised by his elder brother Shyam and his wife, Geeta, who offers the boy motherly love and devotion. Mohan marries Prabha (Seema Deo), Prabha is from a wealthy family and her life is ruled over by her dominating mom (Durga Khote). Mohan's youthful bride becomes jealous of his loyalty to his family. Misunderstandings arise to such an extent that Prabha moves out of her home, and back to her mom's. She gives birth to a baby, and not even her husband comes to visit her or to see the baby. But when the infant falls ill, Prabha must set ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sehra (film)
''Sehra'' (Desert) is a 1963 Hindi romantic family drama film directed by V. Shantaram. The story and dialogue writer was Shams Lucknowi, while the screenplay was by Shantaram. Made by Shantaram Productions, it had music composed by Ramlal with lyrics by Hasrat Jaipuri. The actress Mumtaz played a small character role in this film and also in Shantaram's earlier '' Stree'' (1961). The film starred Sandhya, Prashant, Mumtaz, Lalita Pawar, Manmohan Krishan, Ulhas, Babloo, M. Rajan and Baburao Pendharkar. Krishanrao Vashirde won the Best Cinematography (Colour) Filmfare Awards. This was the first of the two Filmfare awards he won. He was to win again in the same category for '' Geet Gaya Patharon Ne'' (1964). He also won the "newly instituted" A. J. Patel Award for Best Colour Cinematography, where he received Rs. 5000 as cash award. The film, set against the backdrop of Rajasthan, is about a rivalry between two clans and the situation that takes a melodramatic violent turn wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyan (thaat)
Kalyan () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga (more popularly known as Yaman) within this thaat. Description Kalyan thaat consists of an important group of evening ragas. Characterised by the teevra Madhyam, this thaat literally means good luck. Ragas of this thaat are considered to be a blessing-seeking and soothing. As a result, they are performed in the evening at the beginning of a concert. These ragas create a feeling of the unfolding of an evening. The Hindustani Classical Thaats are defined in their relation with the Bilawal Thaat, which has all shuddha(pure) notes. Ragas Ragas in Kalyan Thaat: Yaman, Bhupali, Hindol, Kedar, Shuddha Kalyan, Shyam Kalyan, Yaman Kalyan, Khem Kalyan, Savani Kalyan Chhayanat, Hameer, Gaud Sarang Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang and the now extinct raga named Gaud. Unlike most other members of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudaali
''Rudaali'' (pronounced "roo-dah-lee"; ) is a 1993 Indian Hindi-language drama film directed by Kalpana Lajmi, written by Lajmi and Gulzar and based on a 1979 short story of the same name by Bengali author Mahasweta Devi. Set in a small village in Rajasthan, the film stars Dimple Kapadia as Shanichari, a lonely and hardened woman who, despite a lifetime of misfortune and abandonment, is unable to express grief through crying and is challenged with a new job as a professional mourner. Raakhee, Raj Babbar, and Amjad Khan appear in supporting roles. Produced by the National Film Development Corporation of India and Doordarshan, the film was labelled part of India's neo-realist parallel cinema, but it employed several of the common elements of mainstream Hindi cinema, including songs composed by Bhupen Hazarika. ''Rudaali'' was a critical and unexpected commercial success. Particular critical praise was directed at Kapadia's performance, with further appreciation of the film's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antara (music)
Antarā is the equivalent of a verse in Hindustani classical music. In Hindustani classical music, the fixed (dhrupad/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in Carnatic music) - the first line of the Sthāyī serves as a cadence (music) In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999 ..., while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
