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Bertalan Pór
Bertalan Pór (4 November 1880 – 28 August 1964) was a Hungarian painter associated with the development of modernist Hungarian art. He was a member of The Eight, a movement among several Hungarian painters in the early twentieth century who represented the radical edge in Budapest. They introduced Fauvism, cubism, and expressionism to Hungarian art. Early life and education Born in Budapest in 1880 to a Hungarian Jewish family, Pór started drawing as a child. He was a student of László Gyulay in the School of Industrial Design in Budapest. Because the city had no art academy, many aspiring artists went to Munich, Bavaria to study, beginning in the second half of the nineteenth century. Pór was among them, studying with the German artist Gabriel von Hackl. Later Simon Hollósy, who had taught some free classes in Munich, and other Hungarian artists who had studied there, founded their own center in 1896 at Nagybánya (present-day Baia Mare, Romania). Founding artists i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Budapest
Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population of 1,752,286 over a land area of about . Budapest, which is both a city and county, forms the centre of the Budapest metropolitan area, which has an area of and a population of 3,303,786; it is a primate city, constituting 33% of the population of Hungary. The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241–42. Re-established Buda became one of the centres of Renaissance humanist culture by the 15th century. The Battle of Mohács, in 1526, was followed by nearly 150 years of Ottoman rule. After the reconquest of Buda in 1686, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
János Thorma
János Thorma (24 April 1870 – 5 December 1937) was a Hungarian painter. A representative figure of the Nagybánya artists' colony, which started in 1896, in Nagybánya, Austria-Hungary (today Baia Mare, Romania), He moved through different styles, shifted from the naturalism that was the aesthetic of the colony, to historical subjects, to romantic realism and to a Post-Impressionism style. His work is held by the Hungarian National Gallery, the Thorma János Múzeum, regional museums and private collectors. In 1966, the Hungarian National Gallery held a major commemorative exhibition, ''The Art of Nagybánya,'' commemorating the innovations of Thorma and fellow artists. In February 2013, it opens a major retrospective of more than 100 pieces of János Thorma's work, drawing from numerous institutions and private collectors in Europe. Early life and education János Thorma was born in 1870 in Kiskunhalas, Austria-Hungary to Béla Thorma, a tax agency cashier, and his wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lajos Tihanyi
Lajos Tihanyi (29 October 1885 – 11 June 1938) was a Hungarian painter and lithographer who achieved international renown working outside his country, primarily in Paris, France. After emigrating in 1919, he never returned to Hungary, even on a visit. Born in Budapest, as a young man, Tihanyi was part of the "Neoimpressionists" or "Neos", and later the influential ''avant-garde'' group of painters called The Eight (''A Nyolcak''), founded in 1909 in Hungary. They were experimenting with styles of Post-Impressionism and rejected the naturalism of the Nagybánya artists' colony. Their work is considered highly influential in establishing modernism in Hungary to 1918, when the First World War and revolution overtook the country. After the fall of the Hungarian Democratic Republic in 1919, Tihanyi left and lived briefly in Vienna. He moved on to Berlin for a few years, where he connected with many Hungarian émigré writers and artists, such as Gyorgy Bölöni and the future Brass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desiderius Orban
Desiderius Orban, (; 26 November 18844 October 1986) was a renowned Hungarian painter, printmaker and teacher, who, after emigrating to Australia in 1939 when in his mid-50s, also made an illustrious career in that country. One of The Eight in Budapest, early 20th-century painters who were influential in introducing cubism, expressionism and Fauvism to Hungary, Orbán had been influenced by the paintings of Henri Matisse, Vincent van Gogh and Paul Cézanne, seen when he lived in Paris. After building a substantial career, in 1939 after the rise of Nazi Germany and the invasion of Poland, he left Hungary and emigrated to Sydney. He painted and taught for nearly another fifty years, influencing generations of students. Biography Born Orbán Dezső to Jewish-Hungarian parents in Győr, Hungary, in 1884, he moved as a child with his family to Budapest in 1888. There he later studied art with János Pentelei Molnár. He studied philosophy, physics and mathematics at the University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ödön Márffy
Ödön Márffy (30 November 1878 – 3 December 1959) was a Hungarian painter, one of The Eight in Budapest, credited with bringing cubism, Fauvism and expressionism to the country. Biography Following a short basic training, he obtained a grant to study art in Paris, from the autumn of 1902. He started as a student of Jean-Paul Laurens at the Académie Julian, as did numerous several modern-minded Hungarian painters after him, but a few months later, ostensibly for financial reasons, he transferred to the École des Beaux-Arts. There Fernand Cormon was his teacher. With classmates they often went to Ambroise Vollard's art dealership together, where Márffy was most impressed by the pictures of Paul Cézanne, Henri Matisse, Pierre Bonnard, Georges Rouault and Georges Braque. He claims to have met Matisse in 1905, who had been sent down from the École des Beaux-Arts, but would return there from time to time, and to have visited him in his studio once. Márffy's time in Paris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Czóbel
Béla Czóbel (4 September 1883 – 30 January 1976) was a Hungarian people, Hungarian Painting, painter, known for his association with The Eight (Nyolcak), The Eight in the early 20th century in Budapest. They were known for introducing Post-Impressionism, Post-Impressionist styles into Hungary, in addition to Fauvism, Cubism and Expressionism. Biography Béla Czóbel was born to a Jewish-Hungarian family in Budapest in 1883.Adrian M. Darmon, ''Autour de l'art juif: Encyclopédie des peintres, photographes et sculpteurs'' Paris: Carnot, 2003, p. 50, accessed 1 February 2013 He became a student of Béla Iványi-Grünwald in the Nagybánya artists' colony, Nagybánya free school, held in an artists' colony in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dezső Czigány
Dezső Czigány (1 June 1883 – 31 December 1937) was a Hungarian painter who was born and died in Budapest. He was one of The Eight (1909–1918), who first exhibited under that name in Budapest in 1911 and were influential in introducing cubism, fauvism and expressionism into Hungarian art. Many of them had studied in Munich and, even more importantly, Paris, from which they brought back leading techniques and artistic movements. They were part of the radical intellectual culture in Budapest in the early 20th century, associated with such poets as Endre Ady and composers as Béla Bartók. In 1937, Czigány killed his family and committed suicide in what was considered a psychotic breakdown."A List of Artists Who Committed Suicide" Art History, About.com, accessed 1 February 2013 |
Róbert Berény
Róbert Berény (18 March 1887 – 10 September 1953) was a Hungarian painter, one of the ''avant-garde'' group known as The Eight who introduced cubism and expressionism to Hungarian art in the early twentieth century before the First World War. He had studied and exhibited in Paris as a young man and was also considered one of the Hungarian '' Fauves.'' Early life and education Róbert Berény was born in Budapest in 1887. As a young man of 17, in 1904 he studied under the artist Tivadar Zemplényi for several months before moving to study at the Académie Julian in Paris. While there, Berény was particularly influenced by the power of Paul Cézanne's art. He also adopted some of the uses of color of the Fauve movement, and exhibited at the Salon d'Automne with French artists of the Fauvists.''Hungarian Fauves from Paris to Nagybánya, 1904-1914: Exhibition in the Hungarian National Gallery, 21 March--30 July 2006'', Kristina Passuth and György Szǔcs, Lóránd Bereczky, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Károly Kernstok
Károly Kernstok (23 December 1873, in Budapest – 9 June 1940, in Budapest) is a Hungarian painter. In the early twentieth century, he was known for being among the leading groups of Hungarian painters known as the "Neos" and The Eight (1909–1918), before the First World War. He was particularly influenced by the work of Henri Matisse, as may be seen in his monumental painting ''Riders at the Waterside'' (1910). Kernstok studied in Munich and Paris, and practiced as an artist mostly in Budapest. After the fall of the Hungarian Soviet Republic in 1919, he emigrated to Berlin. He lived and worked there until 1926. His work is collected in the Hungarian National Gallery, among other institutions. With the centenary of The Eight's first exhibit under that name, commemorative exhibits have been mounted in Hungary and Austria in 2011 and 2012. Early life and education Károly Kernstok was born in 1873 in Budapest, where he lived most of his life. Attracted to art, at age 19 h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Julian
The Académie Julian () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968, it integrated with . History Rodolphe Julian established the Académie Julian in 1868 at the Passage des Panoramas, as a private studio school for art students.Tate Gallery"Académie Julian."/ref> The Académie Julian not only prepared students for the exams at the prestigious École des Beaux-Arts, but offered independent alternative education and training in arts. "Founded at a time when art was about to undergo a long series of crucial mutations, the Academie Julian played host to painters and sculptors of every kind and persuasion and never tried to make them hew to any one particular line". In 1880, wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Paul Laurens
Jean-Paul Laurens (; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style. Biography Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical ''mise-en-scène'', came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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