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Benoît-Constant Coquelin
Benoît-Constant Coquelin (; 23 January 184127 January 1909), known as Coquelin aîné ("Coquelin the Elder"), was a French actor, "one of the greatest theatrical figures of the age." Biography Coquelin was born in Boulogne-sur-Mer, Pas-de-Calais. He was originally intended to follow his father's trade of baker (he was once called "un boulanger manqué" – "a failed baker" – by a hostile critic), but his love of acting led him to the Conservatoire, where he entered Régnier's class in 1859. He won the first prize for comedy within a year, and made his début on 7 December 1860 at the Comédie-Française as the comic valet, Gros-René, in Molière's ''Le Dépit amoureux'', but his first great success was as Figaro in ''The Barber of Seville'', in the following year. It was an honour for Coquelin to be a part of the Comédie-Française at such a young age. This company had already been in existence for around 150 years. He was made ''sociétaire'' in 1864. There were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coquelin02
Coquelin is a French surname. Notable people with the surname include: * Benoît-Constant Coquelin (1841–1909), French actor * Charles Coquelin (1802–1852), French economist * Ernest Alexandre Honoré Coquelin (1848–1909), French actor, brother of Benoît-Constant * Francis Coquelin Francis Joseph Coquelin (; born 13 May 1991) is a French professional footballer who plays as a defensive midfielder for Spanish club Villarreal. He has also featured for Valencia, Arsenal, Lorient, SC Freiburg and Charlton Athletic in his care ... (born 1991), French footballer * Jean Coquelin (1865–1944), French actor, son of Benoît-Constant * Pierre Coquelin de Lisle (1900–1980), French sports shooter {{surname French-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorien Sardou
Victorien Sardou ( , ; 5 September 18318 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as '' La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and '' Fédora'' (1882) and '' Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas ''Fedora'' (1898) and '' Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoine Léandre Sardou, came to Paris in search of employment. He was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Capus
Alfred Capus (25 November 18581 November 1922) was a French journalist and playwright, who was born in Aix-en-Provence and died in Neuilly-sur-Seine. Biography Son of a lawyer from Marseille, Alfred Capus went to university in Toulon. After failing several entrance tests for higher-education schools and working as a draughtsman for a while, he went on to become a journalist. One of his first articles was an obituary of Darwin.Barrett H. Clark (1915), ''Contemporary French Dramatists,'' Stewart & Kidd Company, Cincinnati, page 139 He went on to write humorous pieces for papers such as '' Gaulois'', ''L'Écho de Paris'' and ''L'Illustration''. He also wrote for ''Le Figaro'', under the penname of ''Graindorge''. In 1914, he became the editor of '' Figaro''. During the First World War he wrote stridently patriotic pieces. On 12 February 1914, he became a member of the Académie française. Work and themes In 1878, in collaboration with L. Vonoven, he published a volume of short s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catulle Mendès
Catulle Mendès (22 May 1841 – 8 February 1909) was a French poet and man of letters. Early life and career Of Portuguese Jewish extraction, Mendès was born in Bordeaux. After childhood and adolescence in Toulouse, he arrived in Paris in 1859 and quickly became one of the protégés of the poet Théophile Gautier. He promptly attained notoriety with the publication in the '' La Revue fantaisiste'' (1861) of his ''Roman d'une nuit'', for which he was condemned to a month's imprisonment and a fine of 500 francs. He was allied with Parnassianism from the beginning of the movement and displayed extraordinary metrical skill in his first volume of poems, ''Philoméla'' (1863). His critics have noted that the elegant verse of his later volumes is distinguished rather by dexterous imitation of different writers than by any marked originality. The versatility and fecundity of Mendès' talent is shown in his critical and dramatic writings, including several libretti, and in his novels a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bergerat
Émile Bergerat (29 April 1845 – 13 October 1923) was a French poet, playwright and essayist. He used the pseudonyms l'Homme masqué (the masked man), Caliban and Ariel (the latter two drawn from '' The Tempest'' by William Shakespeare). A library in Neuilly-sur-Seine opposite his flat bears his name. Life Bergerat was born in Paris. An essayist for ''Voltaire'' and '' Figaro'', head of the ''La Vie moderne'' review under the editorship of Georges Charpentier and a member of the Académie Goncourt, he was the son in law of Théophile Gautier and the brother in law of Théophile Gautier (fils). Émile Bergerat married Estelle Gautier, daughter of Théophile Gautier, and they had one son, Théo Bergerat, director and radio essayist. Théophile wrote in a letter to Carlotta Grisi that Émile was Bergerat died in Neuilly-sur-Seine, aged 78. Works *''Les cuirassiers de Reichshoffen'' (Lemerre, 1871) *''A. Chateaudun'' (Lemerre, 1871) *''Poèmes de la guerre 1870-1871'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyceum Theatre, London
The Lyceum Theatre ( ) is a West End theatre located in the City of Westminster, on Wellington Street, just off the Strand in central London. It has a seating capacity of 2,100. The origins of the theatre date to 1765. Managed by Samuel Arnold, from 1794 to 1809 the building hosted a variety of entertainments including a circus produced by Philip Astley, a chapel, and the first London exhibition of waxworks by Madame Tussauds. From 1816 to 1830, it served as The English Opera House. After a fire, the house was rebuilt and reopened on 14 July 1834 to a design by Samuel Beazley. The building is unique in that it has a balcony overhanging the dress circle. It was built by the partnership of Peto & Grissell. The theatre then played opera, adaptations of Charles Dickens novels and James Planché's "fairy extravaganzas", among other works. From 1871 to 1902, Henry Irving appeared at the theatre, especially in Shakespeare productions, usually starring opposite Ellen Terry. In 190 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyrano De Bergerac (play)
''Cyrano de Bergerac'' is a play written in 1897 by Edmond Rostand. There was a real Cyrano de Bergerac, and the play is a fictionalisation following the broad outlines of his life. The entire play is written in verse, in rhyming couplets of twelve syllables per line, very close to the classical alexandrine form, but the verses sometimes lack a caesura. It is also meticulously researched, down to the names of the members of the Académie française and the ''dames précieuses'' glimpsed before the performance in the first scene. The play has been translated and performed many times, and it is responsible for introducing the word '' panache'' into the English language. The character of Cyrano himself makes reference to "my panache" in the play. The most famous English translations are those by Brian Hooker, Anthony Burgess, and Louis Untermeyer. Plot summary Hercule Savinien de Cyrano de Bergerac, a cadet (nobleman serving as a soldier) in the French Army, is a brash, str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Rostand
Edmond Eugène Alexis Rostand (, , ; 1 April 1868 – 2 December 1918) was a French poet and dramatist. He is associated with neo-romanticism and is known best for his 1897 play '' Cyrano de Bergerac''. Rostand's romantic plays contrasted with the naturalistic theatre popular during the late nineteenth century. Another of Rostand's works, ''Les Romanesques'' (1894), was adapted to the 1960 musical comedy '' The Fantasticks''. Early life Rostand was born in Marseille, France, into a wealthy and cultured Provençal family. His father was an economist, a poet who translated and edited the works of Catullus, and a member of the Marseille Academy and the Institut de France. Rostand studied literature, history, and philosophy at the Collège Stanislas in Paris, France. Career When Rostand was twenty years old, his first play, a one-act comedy, ''Le Gant rouge'', was performed at the Cluny Theatre, 24 August 1888, but it was almost unnoticed. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Porte Saint-Martin
The Théâtre de la Porte Saint-Martin is a venerable theatre and opera house at 18, Boulevard Saint-Martin in the 10th arrondissement of Paris. History It was first built very rapidly in 1781 under the direction of (1726–1810) to house the Paris Opéra, whose previous home, the second Salle du Palais-Royal, had burned down on 8 June 1781. The new theatre had a capacity of about 2,000 spectators and included a parterre with the lowest-priced tickets sold only to males who stood throughout the performances, an amphitheatre, and four rows of boxes. The Opéra used the theatre from 27 October 1781 until August 1794."Atlantes et cariatides des grands boulevards - Paris.fr" . The theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Renaissance
The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement. The current company was founded in 1873, and its much smaller theatre (pictured) was built that same year next to the Porte Saint-Martin at 20 boulevard Saint-Martin, in the 10th arrondissement. Besides performances of musical theatre, Feydeau's farces were first produced in this theatre, and plays by Victorien Sardou. Among the actors who triumphed there were Sarah Bernhardt, Eleonora Duse, and Raimu, later Agnès Jaoui and Jean-Pierre Bacri. 1838-1841 The first company to be called Théâtre de la Renaissance opened its doors in 1838 under the sponsorship of Victor Hugo and Alexandre Dumas, père, who wanted to have a location for mounting their historical dramas. The Salle Ventadour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Précieuses Ridicules
''Les Précieuses ridicules'' (, ''The Absurd Précieuses'' or ''The Affected Ladies'') is a one-act satire by Molière in prose. It takes aim at the ''précieuses'', the ultra-witty ladies who indulged in lively conversations, word games and, in a word, ''préciosité'' (preciousness). ''Les Précieuses ridicules'' is a biting comedy of manners that brought Molière and his company to the attention of Parisians, after they had toured the provinces for years. The play received its Paris premiere on 18 November 1659 at the Théâtre du Petit-Bourbon. It seems not to have been staged before that in the provinces. It was highly successful and attracted the patronage of Louis XIV to Molière and company. ''Les Précieuses ridicules'' still plays well today. Plot Magdelon and Cathos are the aspiring ''précieuses'', two young women from the provinces who have come to Paris in search of love and ''jeux d'esprit''. Gorgibus, the father of Magdelon and uncle of Cathos, decides the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tartuffe
''Tartuffe, or The Impostor, or The Hypocrite'' (; french: Tartuffe, ou l'Imposteur, ), first performed in 1664, is a theatrical comedy by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. History Molière performed his first version of ''Tartuffe'' in 1664. Almost immediately following its performance that same year at Versailles' grand fêtes (The Party of the Delights of the Enchanted Island/''Les fêtes des plaisirs de l'ile enchantée''), King Louis XIV suppressed it, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête: although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
