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Belvedere Torso
__NOTOC__ The Belvedere Torso is a tall fragmentary marble statue of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the Museo Pio-Clementino (Inv. 1192) of the Vatican Museums. Once believed to be a 1st-century BC original, the statue is now thought to be a copy from the 1st century BC or AD of an older statue, probably to be dated to the early 2nd century BC. Description The muscular male figure is portrayed seated on an animal hide, and its precise identification remains open to debate. Though traditionally identified as a Heracles seated on the skin of the Nemean lion, recent studies have identified the skin as that of a panther, occasioning other identifications (with possibilities including Polyphemus and Marsyas). According to the Vatican Museum website, "the most favoured hypothesis identifies it with Ajax, the son of Telamon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torso Del Belvedere, Forse Aiace Telamonio Che Medita Suicidio, I Sec
The torso or trunk is an anatomical terminology, anatomical term for the central part, or the core (anatomy), core, of the body (biology), body of many animals (including humans), from which the head, neck, limb (anatomy), limbs, tail and other appendages extend. The tetrapod torso — including human body, that of a human — is usually divided into the ''chest, thoracic'' segment (also known as the upper torso, where the forelimbs extend), the ''abdomen, abdominal'' segment (also known as the "mid-section" or "midriff"), and the ''pelvic'' and ''perineum, perineal'' segments (sometimes known together with the abdomen as the lower torso, where the hindlimbs extend). Anatomy Major organs In humans, most critical Organ (anatomy), organs, with the notable exception of the brain, are housed within the torso. In the upper chest, the heart and lungs are protected by the rib cage, and the abdomen contains most of the organs responsible for digestion: the stomach, which breaks down parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiquarian
An antiquarian or antiquary () is an fan (person), aficionado or student of antiquities or things of the past. More specifically, the term is used for those who study history with particular attention to ancient artifact (archaeology), artifacts, History of archaeology, archaeological and historic Archaeological site, sites, or historic archives and manuscripts. The essence of antiquarianism is a focus on the empirical evidence of the past, and is perhaps best encapsulated in the motto adopted by the 18th-century antiquary Sir Richard Hoare, 2nd Baronet, Sir Richard Colt Hoare, "We speak from facts, not theory." The ''Oxford English Dictionary'' first cites "archaeologist" from 1824; this soon took over as the usual term for one major branch of antiquarian activity. "Archaeology", from 1607 onwards, initially meant what is now seen as "ancient history" generally, with the narrower modern sense first seen in 1837. Today the term "antiquarian" is often used in a pejorative sense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torso
The torso or trunk is an anatomical term for the central part, or the core, of the body of many animals (including humans), from which the head, neck, limbs, tail and other appendages extend. The tetrapod torso — including that of a human — is usually divided into the ''thoracic'' segment (also known as the upper torso, where the forelimbs extend), the ''abdominal'' segment (also known as the "mid-section" or "midriff"), and the ''pelvic'' and '' perineal'' segments (sometimes known together with the abdomen as the lower torso, where the hindlimbs extend). Anatomy Major organs In humans, most critical organs, with the notable exception of the brain, are housed within the torso. In the upper chest, the heart and lungs are protected by the rib cage, and the abdomen contains most of the organs responsible for digestion: the stomach, which breaks down partially digested food via gastric acid; the liver, which respectively produces bile necessary for digestion; the large and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtyard Of The Belvedere
The (Belvedere Courtyard or Belvedere Court) was a major architectural work of the High Renaissance at the Vatican Palace in Rome. Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards. Early history and Bramante's design Innocent VIII began construction of the Villa Belvedere on the high ground overlooking old St Peter's Basilica, in 1484. Here, where the breezes could tame the Roman summer, he had the Florentine architect Antonio del Pollaiuolo, design and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laocoön And His Sons
The statue of ''Laocoön and His Sons'', also called the Laocoön Group ( it, Gruppo del Laocoonte), has been one of the most famous ancient sculptures ever since it was excavated in Rome in 1506 and placed on public display in the Vatican Museums, where it remains. It is very likely the same statue that was praised in the highest terms by the main Roman writer on art, Pliny the Elder. The figures are near life-size and the group is a little over in height, showing the Trojan priest Laocoön and his sons Antiphantes and Thymbraeus being attacked by sea serpents. The group has been called "the prototypical icon of human agony" in Western art, and unlike the agony often depicted in Christian art showing the Passion of Jesus and martyrs, this suffering has no redemptive power or reward. The suffering is shown through the contorted expressions of the faces (Dr. Guillaume-Benjamin Duchenne pointed out to Charles Darwin that Laocoön's bulging eyebrows are physiologically impossible) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Belvedere
The ''Apollo Belvedere'' (also called the ''Belvedere Apollo, Apollo of the Belvedere'', or ''Pythian Apollo'') is a celebrated marble sculpture from Classical Antiquity. The ''Apollo'' is now thought to be an original Roman creation of Hadrianic date (c. 120–140 AD), though in a Hellenistic style. The distinctively Roman footwear is one reason scholars believe it is not a copy of an original Greek statue. It was rediscovered in central Italy in the late 15th century during the Italian Renaissance and was placed on semi-public display in the Vatican Palace in 1511, where it remains. It is now in the ''Cortile del Belvedere'' of the Pio-Clementine Museum of the Vatican Museums complex. From the mid-18th century it was considered the greatest ancient sculpture by ardent neoclassicists, and for centuries it epitomized the ideals of aesthetic perfection for Europeans and westernized parts of the world. Description The Greek god Apollo is depicted as a standing archer having j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cortile Del Belvedere
The (Belvedere Courtyard or Belvedere Court) was a major architectural work of the High Renaissance at the Vatican Palace in Rome. Designed by Donato Bramante from 1505 onward, its concept and details reverberated in courtyard design, formalized piazzas and garden plans throughout Western Europe for centuries. Conceived as a single enclosed space, the long Belvedere court connected the Vatican Palace with the Villa Belvedere in a series of terraces connected by stairs, and was contained on its sides by narrow wings. Bramante did not see the work completed, and before the end of the sixteenth century it had been irretrievably altered by a building across the court, dividing it into two separate courtyards. Early history and Bramante's design Innocent VIII began construction of the Villa Belvedere on the high ground overlooking old St Peter's Basilica, in 1484. Here, where the breezes could tame the Roman summer, he had the Florentine architect Antonio del Pollaiuolo, design and co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Antonio Da Brescia
Giovanni Antonio da Brescia was an Italian engraver of northern Italy, active in the approximate period 1490–1519, during the Italian Renaissance. In his early career he used the initials "Z.A." to sign some twenty engravings, and until recently Zoan Andrea was regarded as a distinct printmaker; it is now realized that they are the same person, and the "Z.A." stood for Giovanni Antonio, "Zovanni" being a north Italian spelling. Around 1507 he began to use formulae such as "IO.AN.BX.", and signed some prints more fully. The real Zoan Andrea was a very obscure painter, documented as working in Mantua in the 1470s, who produced no engravings. The newly expanded oeuvre comprises at least 150 engravings, making Giovanni Antonio one of the most prolific Italian engravers of this period. A large number copy other prints, as was then common, and others are probably after drawings by Andrea Mantegna; "all his major works seem to have been based on designs by other artists" ("major" h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sack Of Rome (1527)
The Sack of Rome, then part of the Papal States, followed the capture of the city on 6 May 1527 by the mutinous troops of Charles V, Holy Roman Emperor during the War of the League of Cognac. Despite not being ordered to storm the city, with Charles V intending to only use the threat of military action to make Pope Clement VII come to his terms, a largely unpaid Imperial army formed by 14,000 Germans, many of Lutheran faith, 6,000 Spaniards and some Italian contingents occupied the scarcely defended Rome and began looting, slaying and holding citizens for ransom in excess without any restraint. Clement VII took refuge in Castel Sant'Angelo after the Swiss Guard were annihilated in a delaying rearguard action; he remained there until a ransom was paid to the pillagers. Benvenuto Cellini, eyewitness to the events, described the sack in his works. It was not until February 1528 that the spread of a plague and the approach of the League forces under Odet de Foix forced the army t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
