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The Belvedere Torso is a tall fragmentary
marble statue
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size; a sculpture t ...
of a male nude, known to be in Rome from the 1430s, and signed prominently on the front of the base by "Apollonios, son of Nestor, Athenian", who is unmentioned in ancient literature. It is now in the
Museo Pio-Clementino (Inv. 1192) of the
Vatican Museums.
Once believed to be a 1st-century BC original, the statue is now thought to be a copy from the 1st century BC or AD of an older statue, probably to be dated to the early 2nd century BC.
Description
The muscular male figure is portrayed seated on an animal hide, and its precise identification remains open to debate. Though traditionally identified as a
Heracles seated on the skin of the
Nemean lion, recent studies have identified the skin as that of a panther, occasioning other identifications (with possibilities including
Polyphemus and
Marsyas). According to the Vatican Museum website, "the most favoured hypothesis identifies it with
Ajax, the son of
Telamon, in the act of contemplating his suicide".
History after rediscovery
The statue is documented in the collection of
Cardinal Prospero Colonna at
his family's palazzo in
Monte Cavallo, Rome from 1433,
[ not because it elicited admiration, but because the ]antiquarian
An antiquarian or antiquary () is an fan (person), aficionado or student of antiquities or things of the past. More specifically, the term is used for those who study history with particular attention to ancient artifact (archaeology), artifac ...
epigrapher Ciriaco d'Ancona
Cyriacus of Ancona or Ciriaco de' Pizzicolli (31 July 1391 – 1453/55) was a restlessly itinerant Italian humanist and antiquarian who came from a prominent family of merchants in Ancona, a maritime republic on the Adriatic. He has been call ...
(or someone in his immediate circle) made note of its inscription. Around 1500 it was in the possession of the sculptor Andrea Bregno. It was still in the Palazzo Colonna during the sack of Rome in 1527, when it suffered some mutilation. Between 1530 and 1536, the sculpture was acquired by the pope. How it entered the Vatican collections is uncertain, but by the mid-16th century it was installed in the Cortile del Belvedere, where it joined the Apollo Belvedere and other famous Roman sculptures. "The '' Laocoön'' took two months from unearthing to Belvedere canonization," Leonard Barkan observed, "the ''Torso'' took a hundred years."
The contorted pose and musculature of the torso were highly influential on Renaissance, Mannerist, and Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
artists, including Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was insp ...
and Raphael, and it served as a catalyst of the classical revival. Michelangelo's admiration of the Torso was widely known in his lifetime, to the extent that the Torso gained the sobriquet, "The School of Michelangelo". Legend has it that Pope Julius II requested that Michelangelo complete the statue fragment with arms, legs and a face. He respectfully declined, stating that it was too beautiful to be altered, and instead used it as the inspiration for several of the figures on the Sistine Chapel ceiling, including the Sibyls and Prophets along the borders, and both the risen Christ and St. Bartholomew in '' The Last Judgement''. Early drawings of the Torso were made by Amico Aspertini, c. 1500–1503, by Martin van Heemskerck, c. 1532–1536, by Hendrick Goltzius, c. 1590; the Belvedere Torso entered the visual repertory of connoisseurs and artists unable to go to Rome through the engraving of it by Giovanni Antonio da Brescia
Giovanni Antonio da Brescia was an Italian engraver of northern Italy, active in the approximate period 1490–1519, during the Italian Renaissance. In his early career he used the initials "Z.A." to sign some twenty engravings, and until recent ...
, c. 1515. The Belvedere Torso remains one of the few ancient sculptures admired in the 17th and 18th centuries whose reputation has not suffered in modern times.
Several small bronze reductions of it were made during the 16th century, often restoring it as a seated Hercules.
The Belvedere Torso visited the British Museum for their 2015 exhibition on the human body in ancient Greek art.
Gallery
File:Signature Apollonios Pio-Clementino Inv1192.jpg, Greek inscription on the pedestal
File:0 Torse du Belvédère - Museo Pio Clementino.JPG, Front view showing pedestal, dark
File:Belvedere Torso Musei Vaticani.jpg, Belvedere Torso, frontal view
File:The Belvedere Torso depicting Ajax.jpg, The Belvedere Torso, three-quarter view.
File:Torso del belvedere, forse aiace telamonio che medita suicidio, I sec. ac. di apollonios, forse da bronzo greco del 200-150 ac. ca 02.JPG, Belvedere Torso, left side view
File:Belvedere Torso-Vatican Museums-2.jpg, Belvedere Torso, rear view, sunlit
File:梵蒂岡西斯汀禮拜堂11.jpg, Belvedere Torso, right side view
File:Belvedere torso detail by jmax.jpg, Belvedere Torso detail, abdomen
File:Giovanni Paolo Panini, An architectural capriccio with figures among Roman ruins.jpg, Belvedere Torso (foreground at right) in a capriccio by Giovanni Paolo Panini.
File:0 Le Torse du Belvédère - P.P. Rubens - Rubenshuis - RH.S.109.JPG, Drawing after the Belvedere Torso by Peter Paul Rubens, Rubenshuis
The Rubenshuis () is the former home and workshop of Peter Paul Rubens (1577–1640) in Antwerp. Purchased in 1610, Rubens had the Flemish townhouse renovated and extended on the basis of designs by Rubens himself. After the renovations, the ho ...
(RH.S.109).
File:Peter paul rubens, studio del torso di belvedere, 1601-02 ca..JPG, Study after the Belevedere Torso by Peter Paul Rubens, Metropolitan Museum of Art.
File:Belvederetorso.jpg, Print of the Belvedere Torso; ''Domenico De Rossi, Raccolta del Scultore Antiche e Moderne''. 1704. Engraving. Plate IX. 28 × 29 cm.
File:Gerome-Michelangelo-Belvedere Torso-1849-Dahesh.jpg, ''Michelangelo being Shown the Belvedere Torso'', Jean-Léon Gérôme, 1849. Dahesh Museum of Art.
Notes
External links
*
The Belvedere Torso
on the Vatican Museums website
* Entry i
The Census of Antique Works of Art and Architecture Known in the Renaissance
{{coord missing, Italy
Tourist attractions in Rome
Sculptures of the Vatican Museums
Roman copies of 2nd-century BC Greek sculptures
Archaeological discoveries in Italy