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Being Boiled
"Being Boiled" is the debut single by the British synthpop band the Human League. Composed by Martyn Ware and Ian Craig Marsh, with lyrics by Philip Oakey, it has been released several times since 1978, finally becoming a UK top ten hit in 1982. Different versions "Being Boiled" was first released as a single in 1978 on the Fast Product label, and although failing to chart, was influential amongst other new wave and post-punk artists. In 1987, this version was added as a bonus track to the CD edition of the band's debut album ''Reproduction''. The band recorded a new version as part of a session for the John Peel radio programme in the summer of 1978. The session was recorded 8 August 1978 and broadcast on 16 August. Among the four songs recorded, "Being Boiled" is the only one which has had an official release. A totally re-recorded version of "Being Boiled" was included on the band's ''Holiday '80'' EP, which reached number 56 in 1980 and number 46 in 1982. This version was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", "(Keep Feeling) Fascination", " The Lebanon", "Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey's leadership, the Human League then evolved into a commercially successful new pop band,Harvel, Jess"Now That's What I Call New Pop!".Pitchfork ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Peel
John Robert Parker Ravenscroft (30 August 1939 – 25 October 2004), known professionally as John Peel, was an English disc jockey (DJ) and radio presenter. He was the longest-serving of the original BBC Radio 1 DJs, broadcasting regularly from 1967 until his death in 2004. Peel was one of the first broadcasters to play psychedelic rock and progressive rock records on British radio. He is widely acknowledged for promoting artists of multiple genres, including pop, dub reggae, punk rock and post-punk, electronic music and dance music, indie rock, extreme metal and British hip hop. Fellow DJ Paul Gambaccini described Peel as "the most important man in music for about a dozen years". Peel's Radio 1 shows were notable for the regular "Peel sessions", which usually consisted of four songs recorded by an artist in the BBC's studios, often providing the first major national coverage to bands that later achieved fame. Another feature was the annual Festive Fifty countdown of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament (band)
Parliament was an American funk band formed in the late 1960s by George Clinton as part of his Parliament-Funkadelic collective. More commercial and less rock-oriented than its sister act Funkadelic, Parliament drew on science-fiction and outlandish theatrics in their work. The band scored a number of Top 10 hits, including the million-selling 1976 single "Give Up the Funk (Tear the Roof off the Sucker)," and Top 40 albums such as ''Mothership Connection'' (1975). History Parliament was originally The Parliaments, a doo-wop vocal group based at a Plainfield, New Jersey barbershop. The group was formed in the late 1950s and included George Clinton, Ray Davis, Fuzzy Haskins, Calvin Simon, and Grady Thomas. Clinton was the group leader and manager. The group scored a hit single in 1967 with " (I Wanna) Testify" (co-written by Clinton) on Revilot Records. To capitalize on this chart success, Clinton formed a touring band, featuring teenage barbershop employee Billy Nelson on bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. The band and its sister act Parliament, both led by George Clinton, pioneered the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Initially formed as a backing band for Clinton's vocal group the Parliaments, Funkadelic eventually pursued a heavier, more psychedelic rock-oriented sound. They released acclaimed albums such as ''Maggot Brain'' (1971) and ''One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group The Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army in 1966, and Clinton recruited bassist Billy Bass Nelson and guitarist Eddie Hazel in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neu!
Neu! (; German for "New!"; styled in block capitals) were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—''Neu!'' (1972), ''Neu! 2'' (1973), and ''Neu! 75'' (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Though Neu! had minimal commercial success during their existence, the band are retrospectively considered a central act of West Germany's 1970s krautrock movement. They are known for pioneering the "motorik" beat, a minimalist 4/4 rhythm associated with krautrock artists. Their work has exerted a widespread influence on genres such as electronica and punk. History 1970–1971: Pre-formation Neu! was formed in 1971 in Düsseldorf as an offshoot from an early line-up of another seminal krautrock band, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraftwerk
Kraftwerk (, "power station") is a German band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk were among the first successful acts to popularize the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1974 and Karl Bartos in 1975, expanding the band to a quartet. On commercially successful albums such as ''Autobahn'' (1974), '' Trans-Europe Express'' (1977), ''The Man-Machine'' (1978), and ''Computer World'' (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylized image including matching suits. Following the release of '' Electric Café'' (1986), Flür left the group in 1987, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greatest Hits (The Human League Album)
''Greatest Hits'' is a compilation album by the English synth-pop band The Human League, released on 31 October 1988 by Virgin Records. It contains 13 singles released by the band, spanning from their debut single (1978's "Being Boiled") to their most recent album at the time (1986's ''Crash''), as well as lead singer Philip Oakey's collaboration with Giorgio Moroder, "Together in Electric Dreams". The album reached No. 3 in the UK. On 30 October 1995, to cash in on the band's renewed success at that time, Virgin repackaged the album with a new cover and added newer tracks: "Tell Me When" (from the ''Octopus'' album) and a new remix of "Don't You Want Me" by German group Snap!. Additionally, a brand-new track, " Stay with Me Tonight", was included which the band had recorded under their new recording contract with EastWest Records. This would later be released as a single. Track listing (Virgin HLCD1 - 259 355-222) # " Mirror Man" (Burden, Callis, Oakey) – 3:49 from ''Fascina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't You Want Me
"Don't You Want Me" is a song by British synthpop group the Human League (credited on the cover as The Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album, '' Dare'' (1981). The band's best known and most commercially successful song, it was the biggest selling UK single of 1981, that year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history. It topped the ''Billboard'' Hot 100 in the US on 3 July 1982, where it stayed for three weeks. In November 1983, ''Rolling Stone'' named it the "breakthrough song" of the Second British Invasion of the US. In 2015, the song was voted by the British public as the nation's seventh-favourite 1980s number one in a poll for ITV. And in 2022, ''Rolling Stone'' ranked it one of the ''200 Greatest Dance Songs of All Time''. Background The lyrics were inspired after lead singer Philip Oakey read a ph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dare (album)
''Dare'' (released as ''Dare!'' in the United States) is the third studio album by English synth-pop band The Human League, first released in the United Kingdom in October 1981 then subsequently in the US in mid-1982. The album was recorded between March and September 1981 following the departure of founding members Martyn Ware and Ian Craig Marsh, and saw the band shift direction from their previous Avant-garde music, avant-garde electronic style toward a more pop-friendly, commercial sound led by frontman Philip Oakey. ''Dare'' became critically acclaimed and has proved to be a genre-defining album, whose influence can be felt in many areas of pop music. The album and its four singles were large successes, particularly "Don't You Want Me". The album reached number one on the UK Albums Chart and has been certified triple platinum by the British Phonographic Industry (BPI). A remix album based on ''Dare'', ''Love and Dancing'', was released in 1982. History In January 1981 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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